An introduction to the life of Marian Anderson, extraordinary singer and civil rights activist, who was the first African American to perform at the Metropolitan Opera, whose life and career encouraged social change.

My Lord, What a Morning is a gentle and engrossing memoir, abounding with the tender and inspiring stories of Marian Anderson's life in her own modest words. From her humble but proud beginnings in south Philadelphia to international vocal renown, the legendary contralto writes of triumph and adversity, of being grounded in faith and surrounded by family, and of the music that shaped her career. Anderson published My Lord, What a Morning in 1956 on the heels of her groundbreaking role as the first African American to perform at the Metropolitan Opera. In it are bittersweet reminiscences of a working-class childhood, from her first job scrubbing the neighbors' steps to the sorrow and upheaval of her father's untimely death. Here are the stories of a young girl with prodigious talent, and her warm remembrances of the teachers, managers, friends, accompanists, and fans who worked to foster it. Here is a veritable travelogue of her concerts across the globe and rare glimpses at the personal life of a woman more concerned with family than celebrity. An entire chapter devoted to the Easter concert at the Lincoln Memorial in 1939 reveals Anderson's immense respect for Eleanor Roosevelt, who resigned from the Daughters of the American Revolution when they refused to let Anderson perform at Constitution Hall. Supplanting sorrow and regret for anger and violence, Anderson demurely imparts her views on discrimination and on becoming an icon in the struggle for civil rights. With eleven photographs and a touching new foreword by Anderson's nephew, famed conductor and poet James DePreist, this new paperback edition of My Lord, What a Morning revives the classic portrait of a musical legend who was resilient in the bullying face of bigotry and gracious in the unfaltering glow of fame.

Few moments in Civil Rights history are as important as the morning of Sunday April 9, 1939 when Marian Anderson sang before a throng of thousands lined up along the Mall by the Lincoln Memorial. She had been banned from the Daughters of the American Revolution's Constitution Hall because she was black. When Eleanor Roosevelt, who resigned from the DAR over the incident, took up Anderson's cause, however, it became a national issue. The controversy showed Americans that discrimination was not simply a regional problem. As Arsenault shows, Anderson's dignity and courage enabled her, like a female Jackie Robinson - but several years before him - to strike a vital blow for civil rights. Today the moment still resonates. Postcards and CDs of Anderson are sold at the Memorial and Anderson is still considered one of the greats of 20th century American music. In a short but richly textured narrative, Raymond Arsenault captures the struggle for racial equality in pre-WWII America and a moment that inspired blacks and whites alike. In rising to the occasion, he writes, Marion Anderson "consecrated" the Lincoln Memorial as a shrine of freedom. In the 1963 March on Washington Martin Luther King would follow, literally, in her footsteps.

Marian Anderson was a woman with two disparate voices. The first - a powerful, majestic contralto spanning four octaves - catapulted her from Philadelphia poverty to international fame. A second, softer voice emanated from her mere presence. This study of Anderson's life features separate appendices for Anderson's repertory and discography.

It's 1937, and Marian Anderson is one of the most famous singers in America. But after she gives a performance for an all-white audience, she learns that the nearby hotel is closed to African Americans. She doesn't know where she'll stay for the night. Until the famous scientist Albert Einstein invites her to stay at his house. Marian, who endures constant discrimination as a Black performer, learns that Albert faced prejudice as a Jew in Germany. She discovers their shared passion for music—and their shared hopes for a more just world.

There is a massive amount of historical information available about Marian Anderson in over twenty biographies, her extensive personal papers at the University of Pennsylvania Library, the National Marian Anderson Historical Society's Residence Museum, various PBS documentaries, the Smithsonian Institute, the Internet and undocumented verbal stories that have circulated in her home town of Philadelphia for years. Researching her long 96-year life was an exciting privilege, but time-consuming. Those who may remember Marian Anderson as simply a "great singer," are probably missing 90% of what this trailblazing humanitarian's contribution to our society really accomplished. Readers of this condensed chronological compilation can now more quickly realize, and learn to appreciate, the teachable lessons of Marian Anderson’s well-lived long life---possibly in just one or two sittings, stimulating further future study of her from the above sources and the list of books included in the Appendix. At one time the press consistently covered Marian Anderson and she was written into history books, but that is no more. If students do not learn about her and people don’t talk about her, they forget. Through a series of events, in March of 2019, I discovered the National Marian Anderson Historic Society that is headquartered in the Anderson Family’s home, that is now an official historic residence museum, in my hometown of Philadelphia. It took me a few more visits to begin to absorb what is there. After each visit, I left with mixed feelings of awe, newfound respect, and embarrassment.... How could I, having lived in Philadelphia for so long---not far from the very home Marian Anderson purchased in 1924, now a museum---in a neighborhood I went through frequently, have absolutely no idea that I was passing in the vicinity of such greatness? After reading Marian Anderson’s autobiography, my hunger to know more lead me to discover over twenty other biographies from excellent books for school children up to several well-researched works by distinguished scholars. It is with the latter academic group that I have principally drawn on to compile and condense the information presented in this book, along with additional expert creditable eyewitness sources not previously publicly disclosed.

Marian Anderson Loved to Sing. Her deep, rich voice thrilled audiences the world over. By the mid-1930s she was a famed vocalist who had been applauded by European royalty, welcomed at the White House, and adored by appreciative listeners in concert halls across the United States. But because of her race, she was denied the right to sing at Constitution Hall, Washington's largest and finest auditorium. Though Marian Anderson was not a crusader or a spokesperson by nature, her response to this injustice catapulted her into the center of the civil rights movement of the time. She came to stand for all black artists -- and for all Americans of color -- when, with the help of prominent figures such as Eleanor Roosevelt, she gave a landmark performance on the steps of the Lincoln Memorial that broke racial barriers and hastened the end of segregation in the arts. Drawing on Anderson's own writings and other first-person accounts, Newbery medalist Russell Freedman shows readers a singer pursuing her art in the context of the social and political climate of the day. Profusely illustrated with contemporary photographs, here is an inspiring account of the life of a talented, determined artist who left her mark on musical and social history. Russell Freedman was aware that Marian Anderson was one of the great vocal artists of the 20th century. He hadn't thought of writing a book about her, however, until he found out about the encounter between her and Eleanor Roosevelt that led to the Lincoln Memorial concert and established Anderson as a seminal figure in the civil rights movement. Mr. Freedman is the acclaimed author of more than 40 nonfiction books for young people, He is also the recipient of the Laura Ingalls Wilder Award for his body of work. Mr. Freedman lives in New York City Book jacket.