"Published on the occasion of the exhibition When I Remember I See Red: American Indian Art and Activism in California, organized by the Crocker Art Museum"--Copyright page.

We find our way forward by going back. The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home." Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine a different future. Krawec asks, What would it look like to remember that we are all related? How might we become better relatives to the land, to one another, and to Indigenous movements for solidarity? Braiding together historical, scientific, and cultural analysis, Indigenous ways of knowing, and the vivid threads of communal memory, Krawec crafts a stunning, forceful call to "unforget" our history. This remarkable sojourn through Native and settler history, myth, identity, and spirituality helps us retrace our steps and pick up what was lost along the way: chances to honor rather than violate treaties, to see the land as a relative rather than a resource, and to unravel the history we have been taught.

Scenes from the Mexican American lowrider life: a clothbound photobook documenting a vibrant LA car culture Known for her quiet portraits of American cultural movements, Los Angeles-based photographer Kristin Bedford's new work, Cruise Night, is an intimate and unstaged exploration of Los Angeles' Mexican American lowrider car culture. From 2014 to 2019 Bedford attended hundreds of lowrider cruise nights, car shows, quinceañeras, weddings and funerals. Her images offer a new visual narrative around the lowrider tradition and invite outsiders to question prevalent societal stereotypes surrounding this urban Mexican American culture. Bedford's photos explore the nuances of cars as mobile canvases and the legendary community that creates them. With bright color photography and a unique female vantage point, Cruise Nightis an original look at a prolific American movement set against the Los Angeles cityscape.

A gorgeous and timely meditation on anger. The heroine of this beautifully illustrated story feels her anger like a storm in a dark forest. It sweeps her away, and she thunders and howls. She pours down her emotions like sheets of rain; rage surges like a wind whipping angry waves. Her anger takes her on a wild ride. Appropriate for a wide variety of ages, this book illustrates many aspects of anger that are often hard to articulate — how overwhelming it is, how isolating, even scary. But it also shows anger to be a source of power and an agent for change. Teckentrup’s impactful, boldly colored paintings skillfully evoke the way intense anger can take us on an emotional journey, one that can be both exhausting and affirming. This beautiful tribute to one girl’s experience of anger offers readers the opportunity to make sense of, and talk about their own feelings of rage in a time when that kind of understanding is more important than ever.

Publisher description

When Welles Crowther was a young boy, his father gave him a red bandanna, which he always carried with him. On September 11, 2001, Welles Remy Crowther saved numerous people from the upper floors of the World Trade Center South Tower. "The Man in the Red Bandanna" recounts and celebrates his heroism on that day. Welles' story carries an inspirational message that will resonate with adults as well as young children.

The Red Umbrella is a moving tale of a 14-year-old girl's journey from Cuba to America as part of Operation Pedro Pan—an organized exodus of more than 14,000 unaccompanied children, whose parents sent them away to escape Fidel Castro's revolution. In 1961, two years after the Communist revolution, Lucía Álvarez still leads a carefree life, dreaming of parties and her first crush. But when the soldiers come to her sleepy Cuban town, everything begins to change. Freedoms are stripped away. Neighbors disappear. And soon, Lucía's parents make the heart-wrenching decision to send her and her little brother to the United States—on their own. Suddenly plunked down in Nebraska with well-meaning strangers, Lucía struggles to adapt to a new country, a new language, a new way of life. But what of her old life? Will she ever see her home or her parents again? And if she does, will she still be the same girl? The Red Umbrella is a touching story of country, culture, family, and the true meaning of home. “Captures the fervor, uncertainty and fear of the times. . . . Compelling.” –The Washington Post “Gonzalez deals effectively with separation, culture shock, homesickness, uncertainty and identity as she captures what is also a grand adventure.” –San Francisco Chronicle