Winner of the SIBA Southern Book Prize for Fiction “I loved it and devoured it with fury, straight to its blazing end.” —Lily King, author of Writers & Lovers From the New York Times bestselling author of A Land More Kind Than Home, a tender and haunting story of a father and daughter, crime and forgiveness, race and memory. When the roar of a low-flying plane awakens him in the middle of the night, Sheriff Winston Barnes knows something strange is happening at the nearby airfield on the coast of North Carolina. But nothing can prepare him for what he finds: a large airplane has crash-landed and is now sitting sideways on the runway, and there are no signs of a pilot or cargo. When the body of a local man is discovered—shot dead and lying on the grass near the crash site—Winston begins a murder investigation that will change the course of his life and the fate of the community that he has sworn to protect. Everyone is a suspect, including the dead man. As rumors and accusations fly, long-simmering racial tensions explode overnight, and Winston, whose own tragic past has followed him like a ghost, must do his duty while facing the painful repercussions of old decisions. Winston also knows that his days as sheriff may be numbered. He’s up for re-election against a corrupt and well-connected challenger, and his deputies are choosing sides. As if these events weren’t troubling enough, he must finally confront his daughter Colleen, who has come home grieving a shattering loss she cannot fully articulate. As the suspense builds and this compelling mystery unfolds, Wiley Cash delves deep into the hearts of these richly drawn, achingly sympathetic characters to reveal the nobility of an ordinary man struggling amidst terrifying, extraordinary circumstances.

It begins as a lark -- a harmless diversion initiated by Washington, D.C., hostess Ruth Bennett as a means of entertaining her visiting niece, Sara. But the séance conducted in Ruth's elegant Georgetown home calls something back; something unwelcome ... and palpably evil. Suddenly Sara is speaking in a voice not her own, transformed into a miserable, whimpering creature so unlike her normal, sensible self. No tricks or talismans will dispel the malevolence that now plagues the inhabitants of this haunted place -- until a dark history of treachery, lust, and violence is exposed. But the cost might well be the sanity and the lives of the living.

Jacqui Germain’s poems in When the Ghosts Come Ashore situate St. Louis as the archetypal American city: it’s here she explores the intersections of race, gender, and violence, here she finds the ghosts of those who still hunger for freedom. But Germain still carves out space for love. As Phillip B. Williams writes of these poems, “Placelessness is the place, leaving only the unsafety of flesh as a hideout. Black presences break from the margins and pierce through these hard lyrics.”

Aspiring to be the fastest sprinter on his elite middle school's track team, gifted runner Ghost finds his goal challenged by a tragic past with a violent father.

"This book will knock your socks off . . . A first novel that sings with talent."--Clyde Edgerton. In his phenomenal debut novel--a mesmerizing literary thriller about the bond between two brothers and the evil they face in a small North Carolina town--Cash displays a remarkable talent for lyrical, powerfully emotional storytelling.

ONE OF THE “BEST WOMEN’S FICTION OF 2019 (SO FAR)”—MARIE CLAIRE ONE OF THE “61 BOOKS WE’RE LOOKING FORWARD TO READING IN 2019”—THE HUFFINGTON POST ONE OF THE “16 FICTION RELEASES TO WATCH FOR”—WASHINGTON INDEPENDENT REVIEW OF BOOKS ONE OF THE “BEST NEW BOOKS COMING OUT WINTER 2019”—SOUTHERN LIVING ONE OF THE “10 NEWLY-RELEASED BOOKS THAT WILL GIVE YOU AN EXCUSE TO STAY INDOORS THIS WINTER”—O MAGAZINE “I loved, loved this novel” —Lily King “What more can I say—perfect” —Judy Blume “In this intricate, delicate-as-rice-paper novel, an American painter living in Beijing and trying to clean up her act at a yoga retreat makes gains in fits and starts, ‘a butterfly, flitting from leaf to leaf.’”—O Magazine From the widely praised author of Paris Was the Place—a shattering new novel that bravely delves into the darkest corners of addiction, marriage, and motherhood When Elsey’s husband, Lukas, hands her a brochure for a weeklong mountain retreat, she knows he is really giving her an ultimatum: Go, or we’re done. Once a successful painter, Elsey set down roots in China after falling passionately for Lukas, the tall, Danish MC at a warehouse rave in downtown Beijing. Now, with two young daughters and unable to find a balance between her identities as painter, mother, and, especially, wife, Elsey fills her days worrying, drinking, and descending into desperate unhappiness. So, brochure in hand, she agrees to go and confront the ghosts of her past. There, she meets a group of men and women who will forever alter the way she understands herself: from Tasmin, another (much richer) expat, to Hunter, a young man whose courage endangers them all, and, most important, Mei--wife of one of China’s most famous artists and a renowned painter herself--with whom Elsey quickly forges a fierce friendship and whose candidness about her pain helps Elsey understand her own. But Elsey must risk tearing herself and Lukas further apart when she decides she must return to her childhood home--the center of her deepest pain--before she can find her way back to him. Written in a voice at once wry, sensual, blunt, and hypnotic, Elsey Come Home is a modern odyssey and a quietly dynamic portrait of contemporary womanhood.

"LaTanya McQueen's When The Reckoning Comes is so deliciously uncomfortable there were moments where I had to put the book down, take a deep breath, and like Mira, its protagonist, urge myself to go further. This is a novel, like Octavia Butler's Kindred, that reminds its readers that as long as people don't acknowledge how much of the past still shapes the present, it will bring its whips, its hatchets, and fists to make us learn." — Megan Giddings, author of Lakewood A haunting novel about a black woman who returns to her hometown for a plantation wedding and the horror that ensues as she reconnects with the blood-soaked history of the land and the best friends she left behind. More than a decade ago, Mira fled her small, segregated hometown in the south to forget. With every mile she traveled, she distanced herself from her past: from her best friend Celine, mocked by their town as the only white girl with black friends; from her old neighborhood; from the eerie Woodsman plantation rumored to be haunted by the spirits of slaves; from the terrifying memory of a ghost she saw that terrible day when a dare-gone-wrong almost got Jesse—the boy she secretly loved—arrested for murder. But now Mira is back in Kipsen to attend Celine’s wedding at the plantation, which has been transformed into a lush vacation resort. Mira hopes to reconnect with her friends, and especially, Jesse, to finally tell him the truth about her feelings and the events of that devastating long-ago day. But for all its fancy renovations, the Woodsman remains a monument to its oppressive racist history. The bar serves antebellum drinks, entertainment includes horrifying reenactments, and the service staff is nearly all black. Yet the darkest elements of the plantation’s past have been carefully erased—rumors that slaves were tortured mercilessly and that ghosts roam the lands, seeking vengeance on the descendants of those who tormented them, which includes most of the wedding guests. As the weekend unfolds, Mira, Jesse, and Celine are forced to acknowledge their history together, and to save themselves from what is to come.