As the most individualized civil architecture, buildings for cultural events are the best stage for architects to practise their dreams, to express their perceptions to architectural art and ambitions. When culture meets architecture, some memories, some scenes or an attitude will find its medium to exist as a real and touchable thing. Besides those architectures that record a history or provide information, such as museum, library, memorial, archives centre and the like, more and more multi-functions cultural centres were built in cities, where people gather together for social event, entertainment, or sports, and they are also the new plaza where people can impress their sense of the city s identification deeper. Selected buildings for culture around the world are included in this book, with an invitation to witness the meeting between culture and architecture."

This book offers an exploration of the lesser-known aspects of this dynamically changing field, starting with a look at the paradigmatic forms of traditional architecture before moving on to examining the issues and currents that have unfolded in architecture as it developed on Korean soil in the era of postmodernism?and began to find its way into the world. By taking a historical approach with the more noteworthy developments in Korean architecture, it seeks to support a new understanding, a rediscovery, of a field in full flux. Bustling Cities, Rising Architecture Rediscovering Korean Architecture Taking the Global Stage The History of Korean Architecture Stone Pagodas and Temple Architecture The Beauty of Column-head Brackets and Entasis Humble Spaces in Harmony with Nature East Meets West; Tradition Meets Modernity Korean Spirit Embodied in Traditional Architecture Bulguksa Temple and Seokguram Grotto Muryangsujeon Hall at Buseoksa Temple Janggyeongpanjeon Hall at Haeinsa Temple Changdeokgung Palace Jongmyo Shrine Yangdong Village Soswaewon Garden Dosan Seowon and Byeongsan Seowon Confucian Academies Hwaseong Fortress Seongyojang House Korean Modernism and Its Legacies Two Giants of Korean Modernism The 4.3 Group and Architectural Humanities Standing at the Boundary of Korean and Global Pushing the Envelope: New Ideas and Experiments Beyond the “City of Rooms” A New Housing Culture between the Beehives Evolution of Korean Modernism Landscape Architecture and the Transforming Cityscape Reinterpretation of Hanok

Culture and Architecture: An Integrated History is a brief survey of architectural history, from its pre-historic origins to the present day. It looks at the great works of architecture not only for their aesthetic values, but for their integral relationships with cultures and civilizations. Without their stories, history, and mythology, these monuments are merely brick, stone, mortar, and glass. Designed to be used in a single semester, but adaptable for a full year, Culture and Architecture is organized into five major time divisions that are introduced with a brief historical summary. Chapters begin with a timeline, and include photographs and drawings of the most important works during that period. Culture and Architecture is an ideal course book for students in foreign studies, art, anthropology, history, or anyone interested in architecture and culture. Leo Hansen is an adjunct professor in the School of Architecture, a department of the College of Design and Social Inquiry at Florida Atlantic University. He earned a Bachelor of Architecture degree from the University of Notre Dame (1978) and a Master of Arts in Liberal Studies degree from the University of Miami (2003), for which he received an Award of Academic Merit. He is a member of the Society of Architectural Historians and the American Institute of Architects.

The three basic questions of EBS are (1) What bio-social, psychological, and cultural characteristics of human beings influence which characteristics of the built environment?; (2) What effects do which aspects of which environments have on which groups of people, under what circumstances, and when, why, and how?; and (3) Given this two-way interaction between people and environments, there must be mechanisms that link them. What are these mechanisms?Focusing on answers to these and other questions, "Culture, Architecture, and Design" discusses the relationship between culture, the built environment, and design by showing that the purpose of design is to create environments that suit users and is, therefore, user-oriented. Design must also be based on knowledge of how people and environments interact. Thus, design needs to respond to culture. In discussing (1) the nature and role of Environment-Behavior Studies (EBS); (2) the types of environments; (3) the importance of culture; (4) preference, choice, and design; (5) the nature of culture; (6) the scale of culture; and (7) how to make culture usable, Amos Rapoport states that there needs to be a ?change from designing for one?s own culture to understanding and designing for users? cultures and basing design on research in EBS, anthropology, and other relevant fields. Such changes should transform architecture and design so that it, in fact, does what it claims to do and is supposed to do ? create better (i.e., more supportive) environments.?

Introducing the notion of appreciating buildings as cultural artefacts, this book presents insightful readings by eminent writers which show the power of this approach. Reading architecture in this way can help architects to appreciate the contexts in which they operate when they design. This book introduces, outlines and elaborates on this and opens-up powerful insights for historians, critics and students.

The study of vernacular architecture explores the characteristics of domestic buildings in particular regions or localities, and the many social and cultural factors that have contributed to their evolution. In this book, vernacular architecture specialist Paul Oliver brings together a wealth of information that spans over two decades, and the whole globe. Some previously unpublished papers, as well as those only available in hard to find conference proceedings, are brought together in one volume to form a fascinating reference for students and professional architects, as well as all those involved with planning housing schemes in their home countries and overseas.

The relationship of architecture to the human body is a centuries-long and complex one, but not always symmetrical. This book opens a space for historians of the visual arts, archaeologists, architects, and digital humanities professionals to reflect upon embodiment, spatiality, science, and architecture in premodern and modern cultural contexts. Architecture and the Body, Science and Culture poses one overarching question: How does a period’s understanding of bodies as objects of science impinge upon architectural thought and design? The answers are sophisticated, interdisciplinary explorations of theory, technology, symbolism, medicine, violence, psychology, deformity, and salvation, and they have unexpected and fascinating implications for architectural design and history. The new research published in this volume reinvigorates the Western survey-style trajectory from Archaic Greece to post‐war Europe with scientifically‐framed, body‐centred provocations. By adding the third factor—science—to the architecture and body equation, this book presents a nuanced appreciation for architectural creativity and its embeddedness in other sets of social, institutional and political relationships. In so doing, it spatializes body theory and ties it to the experience of the built environment in ways that disturb traditional boundaries between the architectural container and the corporeally contained.