As the most individualized civil architecture, buildings for cultural events are the best stage for architects to practise their dreams, to express their perceptions to architectural art and ambitions. When culture meets architecture, some memories, some scenes or an attitude will find its medium to exist as a real and touchable thing. Besides those architectures that record a history or provide information, such as museum, library, memorial, archives centre and the like, more and more multi-functions cultural centres were built in cities, where people gather together for social event, entertainment, or sports, and they are also the new plaza where people can impress their sense of the city s identification deeper. Selected buildings for culture around the world are included in this book, with an invitation to witness the meeting between culture and architecture."

This book offers an exploration of the lesser-known aspects of this dynamically changing field, starting with a look at the paradigmatic forms of traditional architecture before moving on to examining the issues and currents that have unfolded in architecture as it developed on Korean soil in the era of postmodernism?and began to find its way into the world. By taking a historical approach with the more noteworthy developments in Korean architecture, it seeks to support a new understanding, a rediscovery, of a field in full flux. Bustling Cities, Rising Architecture Rediscovering Korean Architecture Taking the Global Stage The History of Korean Architecture Stone Pagodas and Temple Architecture The Beauty of Column-head Brackets and Entasis Humble Spaces in Harmony with Nature East Meets West; Tradition Meets Modernity Korean Spirit Embodied in Traditional Architecture Bulguksa Temple and Seokguram Grotto Muryangsujeon Hall at Buseoksa Temple Janggyeongpanjeon Hall at Haeinsa Temple Changdeokgung Palace Jongmyo Shrine Yangdong Village Soswaewon Garden Dosan Seowon and Byeongsan Seowon Confucian Academies Hwaseong Fortress Seongyojang House Korean Modernism and Its Legacies Two Giants of Korean Modernism The 4.3 Group and Architectural Humanities Standing at the Boundary of Korean and Global Pushing the Envelope: New Ideas and Experiments Beyond the “City of Rooms” A New Housing Culture between the Beehives Evolution of Korean Modernism Landscape Architecture and the Transforming Cityscape Reinterpretation of Hanok

The study of vernacular architecture explores the characteristics of domestic buildings in particular regions or localities, and the many social and cultural factors that have contributed to their evolution. In this book, vernacular architecture specialist Paul Oliver brings together a wealth of information that spans over two decades, and the whole globe. Some previously unpublished papers, as well as those only available in hard to find conference proceedings, are brought together in one volume to form a fascinating reference for students and professional architects, as well as all those involved with planning housing schemes in their home countries and overseas.

The relationship of architecture to the human body is a centuries-long and complex one, but not always symmetrical. This book opens a space for historians of the visual arts, archaeologists, architects, and digital humanities professionals to reflect upon embodiment, spatiality, science, and architecture in premodern and modern cultural contexts. Architecture and the Body, Science and Culture poses one overarching question: How does a period’s understanding of bodies as objects of science impinge upon architectural thought and design? The answers are sophisticated, interdisciplinary explorations of theory, technology, symbolism, medicine, violence, psychology, deformity, and salvation, and they have unexpected and fascinating implications for architectural design and history. The new research published in this volume reinvigorates the Western survey-style trajectory from Archaic Greece to post‐war Europe with scientifically‐framed, body‐centred provocations. By adding the third factor—science—to the architecture and body equation, this book presents a nuanced appreciation for architectural creativity and its embeddedness in other sets of social, institutional and political relationships. In so doing, it spatializes body theory and ties it to the experience of the built environment in ways that disturb traditional boundaries between the architectural container and the corporeally contained.

Cultural Architecture: A Path to Creating Vitalized Congregations, by Douglas A. Hill, shifts the conversation about congregational vitality squarely onto cultural development. Hill makes the case that Jesus's concern was for generating a human culture that produces life for all and that the church is to serve as the foundation for such a culture. Hill utilizes insights from the fields of Bible/theology, ecclesiology, organizational intelligence, anthropology, and psychology. His integration of theory and examples for practical application guide congregational leaders in becoming culturally aware as they engage in strategic congregational development. Hill casts a vision that he calls "anchor church" in which vitalized congregations apply his system of cultural architecture while accompanying struggling congregations on a path toward redevelopment. He also provides vision for how denominations and judicatories can support congregations in their quest for vitality. Cultural Architecture: A Path to Creating Vitalized Congregations serves to assist pastors and leaders as they guide their congregations through the painstaking and intensive process of redevelopment. It provides hands-on tools to guide congregational leaders in creating vision, core values, and strategic plans. It is a valuable resource to professors of practical theology and internship supervisors as they instruct students in organizational development. Judicatory leaders can utilize this book for training their pastors and leaders in cultural awareness as it relates to congregational development. Although Hill's approach is grounded in his experiences within the Evangelical Lutheran Church in America, his systems for cultural architecture can be applied to congregations of any denomination.

Today’s explosive developments in digital technology have also affected architecture and the urban landscape. The new possibilities opened up by digital simulation have led to an increasingly strategic approach to planning, an approach based on generating scenarios, which thus represents a radical departure from traditional planning. From the preliminary sketch all the way to the production of individual building components, digital tools offer new possibilities that were still inconceivable just a few years ago. This volume provides a profound introduction to the important role of digital technologies in design and execution. In four chapters, the author systematically examines the influence of digital culture on architecture but also on the urban landscape as well as product design. The relationship of digital architecture to the city is also an important focus.

This book presents the radical architectural strategies and poetic cultural projects developed by OPEN Architecture, and the opportunities and challenges that arise from redefining built forms. Drawing on a series of conversations and site visits to six recent groundbreaking projects, architecture writer Catherine Shaw describes how Beijing-based OPEN Architecture is reinventing and responding to China’s complex and fast-changing cultural landscape with projects that mark a new era for contemporary Chinese cultural architecture. OPEN Architecture was founded in New York in 2003 by Li Hu and Huang Wenjing, while their Beijing office opened in 2008. From a contemporary art gallery buried beneath a sand dune to a sculptural open-air theatre in a remote mountain valley near the Great Wall, co-founders Li Hu and Huang Wenjing re-evaluate conventional Western assumptions about culture and design as they base each pioneering project on the needs and plea-sures of humanity within the context of diverse terrains and climates. In doing so, they not only consider how cultural architecture looks, but how it works. Projects are presented with commentary and contextual information as well as new analyses and archival material, including outstanding color photography, plans and drawings, and exploratory sketches. This book provides a fresh perspective on contemporary cultural architecture and place making, hig-lighting the architects’ sources of inspiration, their challenges, and their construction methods, showing how each impactful project responds to China’s distinctive context.