"A beautiful amalgam of memoir, travelogue, and investigative report that moves with the propulsive forward energy of a thriller. A haunting chronicle of loss and redemption." --Ron Chernow, Pulitzer Prize-winning author of Alexander Hamilton In the wake of her mother's death, Jessica Pearce Rotondi uncovers boxes of letters, declassified CIA reports, and newspaper clippings that bring to light a family ghost: her uncle Jack, who disappeared during the CIA-led "Secret War" in Laos in 1972. The letters lead her across Southeast Asia in search of the truth that has eluded her family for decades. What she discovers takes her closer to the mother she lost and the mysteries of a secret war that changed the rules of engagement forever. In 1943, 19-year-old Edwin Pearce jumps from a burning B-17 bomber over Germany. Missing in action for months, his parents finally learn he is a prisoner of war in Stalag 17. Ed survives nearly three years in prison camp and a march across the Alps before returning home. Ed's eldest son and namesake, Edwin "Jack," follows his father into the Air Force. But on the night of March 29, 1972, Jack's plane vanishes over the mountains bordering Vietnam and Ed's past comes roaring into the present. In 2009, Ed's granddaughter, Jessica Pearce Rotondi, is grieving her mother's death when she stumbles across declassified CIA documents, letters, and maps that reveal her family's decades-long search for Jack. What We Inherit is Rotondi's story of her own hunt for answers as she retraces her grandfather's 1973 path across Southeast Asia in search of his son. An excavation of inherited trauma on a personal and national scale, What We Inherit reveals the power of a father's refusal to be silenced and a daughter's quest to rediscover her voice in the wake of loss. As Rotondi nears the last known place Jack was seen alive, she grows closer to understanding the mystery that has haunted her family for generations--and the destructive impact of a family secret so big it encompassed an entire war.

William Evans, the award-winning poet and cofounder of the popular culture website Black Nerd Problems, offers an emotionally vulnerable poetry collection exploring the themes of inheritances, dreams, and injuries that are passed down from one generation to the next and delving into the lived experience of a black man in the American suburbs today. In We Inherit What the Fires Left, award-winning poet William Evans embarks on a powerful new collection that explores the lived experience of race in the American suburbs and what dreams and injuries are passed from generation to generation. Fall under the spell of Evans’s boldly intimate, wise, and emotionally candid voice in these urgent, electrifying poems. This eloquent collection explores not only what these inheritances are composed of, but what price the bearer must pay for such legacies, and the costly tolls exacted on both body and spirit. Evans writes searingly from the perspective of the marginalized, delivering an unflinching examination of what it is like to be a black man raising a daughter in predominantly white spaces, and the struggle to build a home and a future while carrying the weight of the past. However, in beautiful and quiet scenes of domesticity with his daughter or in thoughtful reflection within himself, Evans offers words of hope to readers, proving that resilience can ultimately bloom even in the face of prejudice. Readers of Ta-Nehisi Coates and Hanif Abdurraqib will find a brilliant, fresh new talent to add to their lists in William Evans.

A groundbreaking approach to transforming traumatic legacies passed down in families over generations, by an acclaimed expert in the field Depression. Anxiety. Chronic Pain. Phobias. Obsessive thoughts. The evidence is compelling: the roots of these difficulties may not reside in our immediate life experience or in chemical imbalances in our brains—but in the lives of our parents, grandparents, and even great-grandparents. The latest scientific research, now making headlines, supports what many have long intuited—that traumatic experience can be passed down through generations. It Didn’t Start with You builds on the work of leading experts in post-traumatic stress, including Mount Sinai School of Medicine neuroscientist Rachel Yehuda and psychiatrist Bessel van der Kolk, author of The Body Keeps the Score. Even if the person who suffered the original trauma has died, or the story has been forgotten or silenced, memory and feelings can live on. These emotional legacies are often hidden, encoded in everything from gene expression to everyday language, and they play a far greater role in our emotional and physical health than has ever before been understood. As a pioneer in the field of inherited family trauma, Mark Wolynn has worked with individuals and groups on a therapeutic level for over twenty years. It Didn’t Start with You offers a pragmatic and prescriptive guide to his method, the Core Language Approach. Diagnostic self-inventories provide a way to uncover the fears and anxieties conveyed through everyday words, behaviors, and physical symptoms. Techniques for developing a genogram or extended family tree create a map of experiences going back through the generations. And visualization, active imagination, and direct dialogue create pathways to reconnection, integration, and reclaiming life and health. It Didn’t Start With You is a transformative approach to resolving longstanding difficulties that in many cases, traditional therapy, drugs, or other interventions have not had the capacity to touch.

"The book examines the areas of greatest concern regarding our future as a species: war and violence, hatred and holocaust, sexism and discrimination, climate change and heroism, love and religion, forgiveness and suffering. With editing support from the current Director of the Altruistic Behavior Institute and HSU Professor Dr. Ronnie Swartz, this book describes two sides to the future our children stand to inherit: the glass half full and the glass half empty. This collection of critical research addresses the direction humanity is taking in our interconnected world and advocates seeing this future in realistic, yet optimistic, terms. Despite the significant challenges that humanity faces moving forward, Dr. Oliner's own work 'indicates that goodness, defined as concern for others and for making the world a better place, is on the rise.'"--Publisher's catalog.

The Competition Seventeen-year-old Avery VanDemere's ridiculously wealthy grandmother has decided to leave the family fortune to the relative who proves him or herself worthiest--by solving puzzles and riddles on a whirlwind race around the globe. The Contenders For Avery, the contest offers a chance to escape. As the black sheep of the VanDemere clan--the illegitimate daughter, sent away to boarding school--she'd love to use that prize money to run away from the family who ostracized her . . . and discover the truth about her long-lost mother. Marshall might be Avery's uncle by blood, but there's no love lost between them. He'll do anything to win, even if it means turning on his own children. Riley is the charming son of Grandmother VanDemere's lawyer. As the game progresses, Avery finds herself drawn to him--even though she isn't quite sure she can trust him. The Winner? Treacherous turns in the competition serve as brutal reminders that only one person can win it all. Is Avery willing to risk both her heart and her life to claim the grand prize?

Think back to your childhood. Do you see any similarities between your parenting and the way you were raised? Create a confident child and make a positive impact on their future. These are ideas that aren't taught in school; they can only be taught by you.

A classic work of American theatre, based on the Scopes Monkey Trial of 1925, which pitted Clarence Darrow against William Jennings Bryan in defense of a schoolteacher accused of teaching the theory of evolution The accused was a slight, frightened man who had deliberately broken the law. His trial was a Roman circus. The chief gladiators were two great legal giants of the century. Like two bull elephants locked in mortal combat, they bellowed and roared imprecations and abuse. The spectators sat uneasily in the sweltering heat with murder in their hearts, barely able to restrain themselves. At stake was the freedom of every American. One of the most moving and meaningful plays of our generation. Praise for Inherit the Wind "A tidal wave of a drama."—New York World-Telegram And Sun “Jerome Lawrence and Robert E. Lee were classic Broadway scribes who knew how to crank out serious plays for thinking Americans. . . . Inherit the Wind is a perpetually prescient courtroom battle over the legality of teaching evolution. . . . We’re still arguing this case–all the way to the White House.”—Chicago Tribune “Powerful . . . a crackling good courtroom play . . . [that] provides two of the juiciest roles in American theater.”—Copley News Service “[This] historical drama . . . deserves respect.”—The Columbus Dispatch