The main focus of this daring study is the veiled message concealed in the trilogy consisting of Zadig, Candide and L’Ingénu. Micromégas, Le Mondain and the Poem on the Disaster of Lisbon are also examined esoterically. The Voltairian “contraband” which is the core of those writings was too explosive for overt publication during the lifetime of the author. More dangerous to reveal than his well-known, subversive socio-political views was the spiritual source of his militancy. Accordingly, his veiled message was meant for the general reading public of the future. But it never went unnoticed by other literary “smugglers.” Hints and clues to the presence of hidden material are many. Zadig, for instance, is described by its author as “a story that says more than it seems to say,” a massive understatement. Voltaire is “only” one star in a spectacular constellation of similarly inspired writers. Among such luminaries are Rabelais, Vigny, Ibsen, Proust, Sinclair Lewis and Saint-Exupéry. In the words of Marcel Proust, “the great writers have never done but one work…” Leads are given to encourage the esoteric exploration of the vast domain of esoteric literature. An esoteric Glossary is included in this book.

The Enlightenment and Why It Still Matters tells nothing less than the story of how the modern, Western view of the world was born. Cultural and intellectual historian Anthony Pagden explains how, and why, the ideal of a universal, global, and cosmopolitan society became such a central part of the Western imagination in the ferment of the Enlightenment - and how these ideas have done battle with an inward-looking, tradition-oriented view of the world ever since. Cosmopolitanism is an ancient creed; but in its modern form it was a creature of the Enlightenment attempt to create a new 'science of man', based upon a vision of humanity made up of autonomous individuals, free from all the constraints imposed by custom, prejudice, and religion. As Pagden shows, this 'new science' was based not simply on 'cold, calculating reason', as its critics claimed, but on the argument that all humans are linked by what in the Enlightenment were called 'sympathetic' attachments. The conclusion was that despite the many tribes and nations into which humanity was divided there was only one 'human nature', and that the final destiny of the species could only be the creation of one universal, cosmopolitan society. This new 'human science' provided the philosophical grounding of the modern world. It has been the inspiration behind the League of Nations, the United Nations and the European Union. Without it, international law, global justice, and human rights legislation would be unthinkable. As Anthony Pagden argues passionately and persuasively in this book, it is a legacy well worth preserving - and one that might yet come to inherit the earth.

Including a range of materials dating from the nineteenth century to the present, this comprehensive collection brings together the essential research into the historical reality of Jesus the man, his teachings, and the acts and events ascribed to him that comprise the foundational story of one of the world's central religions. br br The set features a substantial new introduction by the editor in the first volume and a full index in the last, and provides work covering all of the key aspects of the field, including the recent discussions concerning anti-Semitism in early Christianity, and the political and ideological filtering of the Jesus story through the Roman empire and beyond.

Candide is a French satire by Voltaire, a philosopher of the Age of Enlightenment. It begins with a young man, Candide, who is living a sheltered life in an Edenic paradise and being indoctrinated with Leibnizian optimism (or simply Optimism) by his mentor, Pangloss. The work describes the abrupt cessation of this lifestyle, followed by Candide's slow, painful disillusionment as he witnesses and experiences great hardships in the world. Voltaire concludes with Candide, if not rejecting optimism outright, advocating a deeply practical precept, "we must cultivate our garden", in lieu of the Leibnizian mantra of Pangloss, "all is for the best in the best of all possible worlds". Candide is characterized by its sarcastic tone, as well as by its erratic, fantastical and fast-moving plot. A picaresque novel it parodies many adventure and romance clichés, the struggles of which are caricatured in a tone that is mordantly matter-of-fact. Still, the events discussed are often based on historical happenings, such as the Seven Years' War and the 1755 Lisbon earthquake. As philosophers of Voltaire's day contended with the problem of evil, so too does Candide in this short novel, albeit more directly and humorously. Voltaire ridicules religion, theologians, governments, armies, philosophies, and philosophers through allegory; most conspicuously, he assaults Leibniz and his optimism. As expected by Voltaire, Candide has enjoyed both great success and great scandal. Immediately after its secretive publication, the book was widely banned because it contained religious blasphemy, political sedition and intellectual hostility hidden under a thin veil of naïveté. However, with its sharp wit and insightful portrayal of the human condition, the novel has since inspired many later authors and artists to mimic and adapt it. Today, Candide is recognized as Voltaire's magnum opus and is often listed as part of the Western canon; it is arguably taught more than any other work of French literature. It was listed as one of The 100 Most Influential Books Ever Written.

The inimitable Nancy Mitford’s account of Voltaire’s fifteen-year relationship with the Marquise du Châtelet—the renowned mathematician who introduced Isaac Newton’s revolutionary new physics to France—is a spirited romp in the company of two extraordinary individuals as well as an erudite and gossipy guide to French high society during the Enlightenment. Mitford’s story is as delicious as it is complicated. The marquise was in love with another mathematician, Maupertuis, while she had an unexpected rival for Voltaire’s affections in the future Frederick the Great of Prussia (and later in the philosophe’s own niece). There was, at least, no jealous husband to contend with: the Marquis du Châtelet, Mitford assures us, behaved perfectly. The beau monde of Paris was, however, distraught at the idea of the lovers’ brilliant conversation going to waste on the windswept hills of Champagne, site of the Château de Cirey, where experimental laboratories, a darkroom, and a library of more than twenty-one thousand volumes enabled them to pursue their amours philosophiques. From time to time the threat of impending arrest would send Voltaire scurrying across the border into Holland, but his irrepressible charm—and the interventions of powerful friends—always made it possible for him resume his studies with the cherished marquise.

Offers policy recommendations from Cato Institute experts on every major policy issue. Providing both in-depth analysis and concrete recommendations, the Handbook is an invaluable resource for policymakers and anyone else interested in securing liberty through limited government.