Learn all the tips, tricks and techniques you need in order to paint beautiful scenes of boats and harbours in this inspiring and practical book. Terry Harrison explains that you don't need to be an expert on all things nautical to paint great boats and harbours, you just need to learn to paint what you see using the advice and exercises in this book. There is excellent advice on using photographs, painting reflections, rigging, sails, jetties and harbour walls, as well as boatyard clutter, beaches, estuaries, figures and all the varied moods of the sea. There are then 6 beautiful step-by-step projects including a tall ship at sea, Greek boats by a sunlit jetty, a river harbour, a sparkling lake, a ship at sunset and a harbour village.

Boats and coastal scenery have always inspired artists. This book celebrates that inspiration and explains many aspects of painting the coast, from creeks and tidal rivers to bustling beach scenes, boats and harbours, with a strong emphasis on capturing light, mood and atmosphere.

A comprehensive, accessible course in landscape painting with acrylics from a seasoned artist and teacher. Author Charles Evans’s no-nonsense techniques and engaging writing style bring acrylic painting within the grasp of anyone keen to dive into this versatile and popular medium. The book begins with excellent advice for the beginner, including easy drawing for painting, composition, easy perspective, light and shade, color, and how to use acrylics with different painting styles. There are six full step-by-step painting projects ranging from simple skies to snowy landscapes with horses, each of which is supported by additional exercises and techniques. The step-by-step projects allow aspiring artists to put into practice their new-found skills, and produce six stunning paintings of their own, in a range of styles. A pull-out outline drawing is provided for every project, and Charles shows how to transfer these onto the painting surface. Charles’s irreverent style makes learning to paint with acrylics easy and fun.

Learn to paint with oil pastels in this accessible book for the absolute beginner. Learn to paint with oil pastels in this straightforward guide to this relatively unexplored medium. Tim Fisher demonstrates how to use the oil pastels on their own, or in conjunction with acrylic inks and paints and watercolours, on a variety of surfaces to create beautiful paintings that will maintain their vibrancy for years to come. This Beginner's Guide to Painting with Oil Pastels features six full step-by-step projects covering a variety of subjects from animal portraits to boats, harbours and reflections, and introduces the reader to mark-making with oil pastels and using solvents for a textured finish. The book also explains how to preserve, keep and frame your oil pastel works safely.

As artists, we have choices. There are very few rules that apply across the board. We can create highly realistic paintings, or perhaps more expressive paintings, or paintings that have very little basis in reality, including those that are totally non-representational. We can record color as we see it or as we’d like it to be. As pastel artists, we have even more choices. We can use a wide variety of pastels, strokes, surfaces, and techniques to create many different looks. The choices we make form the framework of our individual style, our signature as artists. Any subscriber to The Pastel Journal realizes how varied the medium of pastel can be. For the experienced artist, these articles are stimulating, offering possible ways to experiment with alternative approaches. For the beginner, the panoply of choices can be overwhelming. Painting is primarily an intuitive process. But intuition is gained through study and experience. Part of my impetus in writing this book has been to create a more structured approach to help those fairly new to the medium understand its many possibilities. The book is aimed at all levels of pastel artists. Beginners will find a wealth of helpful information and intermediate artists will gain insight into how to take their work to another level and develop a style. Many advanced artists teach pastel; the organization of ideas and the exercises included should be of assistance. I offer a variety of suggested approaches and sometimes make up terminology to describe my experiences with the medium. The instructions in the book are based on my preferences and the guidance that I offer my students. The diversity of styles and techniques evident in the paintings of contributing artists should make it clear, however, that there are many ways to successfully work in pastel. Having acknowledged the many possibilities, I want to note a few musts. Representational paintings must be well-drawn. Poor drawing skills cannot be overcome with lovely color or great technique. Likewise, paintings must have strong compositions, regardless of whether they are realistic, abstracted, or non-representational. Values must be properly interpreted to produce strong compositions and to use pastel to its full effect. And finally, pastel paintings must sing! Whether the applications are light and airy, or rich and painterly, it should be clear that the artist is in control of the medium and is using it to produce his or her desired look. For years I have resisted suggestions that I write a book. As a landscape painter, I knew that there were more authoritative books already available. And the growing popularity of pastel has led to so many resources, including online blogs, a biennial convention, and the wonderful Pastel Journal, mentioned above. What could I add to this? My personal training in pastel has been from weeklong landscape workshops with some of the leading pastel painters in the country. As a teacher in a community college, I am not teaching a particular style nor focusing on specific subject matter. Some of my students work with the landscape, but others do portraits or figurative work, while others prefer still life, or work abstractly. In dealing with this mixture, I’ve realized that there are different ways to approach one’s use of color, and this formed my first idea for creating a book. Furthermore, as a teacher, I’ve spent time experimenting with different surfaces, pastel brands, and techniques in order to make suggestions to students to help them find the look they want to achieve. I do not teach students to paint the way I do, but instead, try to share my experience and help them develop their own individual style.

Capture the Magic of the Sea with Claudia Nice Nobody captures the misty splashes and weathered details of seascapes quite like Claudia Nice. In this step-by-step guide, Claudia shares her special approach to creating dynamic watercolor compositions textured with pen and ink, acrylics and gouache. Claudia starts with the basics, so you can advance at your own pace as you follow along through more than 60 step-by-step demonstrations ranging from short mini demos to full-scale paintings. Take a look inside to see how simple and inspiring Claudia's instruction can be. Each chapter focuses on a different element of coastal scenery, including crashing waves against rocky bluffs, wide sandy beaches and gently rolling surf, colorful boats and harbors, luminous ocean sunsets, and warm tropical scenes with kids and dogs at play. You'll find complete instructions for mixing the colors of active and still water, as well as creating the textures of sand and rock. Claudia also features her own reference photos and field studies to show you how to build solid compositions from a variety of sources. Dozens of quick tips teach you the details that add drama and realism to your seascapes, and 30 complete paintings will inspire you to create your own beautiful coastal scenes. With Claudia Nice, learning to paint lively seascapes is like spending a day at the beach!