A quiz book on movie clips that makes a great party game. Can be played alone, one-on-one, or in large groups. Has clips from movies as far back as 1930, all the way up to current day.

An Obie Award-winning playwright's passionate ode to film and the theater that happens in between.

Book of Ideas series Vol.2 - suitable for art and design students, freelancers, art directors, graphic designers and all other creatives looking to grow their career. Book of Ideas - vol.2 continues what designer and creative director Radim Malinic started in the first edition, offering yet more indispensable advice on making it in the creative industries. Chapters cover issues ranging from creativity for good, how to decode our own creative DNA, embracing limitations, using humour and how to entertain the right wrongs . It discusses how to improve design work through more skilful use of language, and in doing so, how to stir the right reactions and present well-rounded creative projects with confidence. Among the ideas and the work illustrating them, Book of Ideas - vol.2 offers holistic guidance on better understanding yourself as a creative and how to approach your life and work in a mindful, smart way to make you a better designer, creator and thinker, at any point in your career.

Matsuri went to a Halloween party with Asahi-sempai, and while there were a few moments where she was in a bind, she was still able to have a romantic and enjoyable experience. As winter arrives, the two of them prepare for their first Christmas date ever! Matsuri will get to have Asahi-sempai all to herself on the most wonderful day of the year!

Soon to be a major motion picture starring Reese Witherspoon “Tom Perrotta is…one of the great writers that we have today. I love this book.” —Harlan Coben An “engrossing and mordantly funny” (People) novel about ambition, coming-of-age in adulthood, and never really leaving high school politics behind—featuring New York Times bestselling author Tom Perrotta’s most iconic character of all time. Tracy Flick is a hardworking assistant principal at a public high school in suburban New Jersey. Still ambitious but feeling a little stuck and underappreciated in midlife, Tracy gets a jolt of good news when the longtime principal, Jack Weede, abruptly announces his retirement, creating a rare opportunity for Tracy to ascend to the top job. Energized by the prospect of her long-overdue promotion, Tracy throws herself into her work with renewed zeal, determined to prove her worth to the students, faculty, and School Board, while also managing her personal life—a ten-year-old daughter, a needy doctor boyfriend, and a burgeoning meditation practice. But nothing ever comes easily to Tracy Flick, no matter how diligent or qualified she happens to be. Her male colleagues’ determination to honor Vito Falcone—a star quarterback of dubious character who had a brief, undistinguished career in the NFL—triggers memories for Tracy and leads her to reflect on the trajectory of her own life. As she considers the past, Tracy becomes aware of storm clouds brewing in the present. Is she really a shoo-in for the principal job? Is the Superintendent plotting against her? Why is the School Board President’s wife trying so hard to be her friend? And why can’t she ever get what she deserves? A sharp, darkly comic, and pitch-perfect chronicle of the second act of one of the most memorable characters of our time, Tracy Flick Can’t Win “delivers acerbic insight about frustrated ambition” (Esquire).

The White Wolf's Den is revealed as the site of the Tower of Akasha's wicked experiments! Sitri, the Grieving Souls' alchemist, races to the scene to take the reins of the investigation, but what awaits her there?

“[T]his [2002] reprint of Benjamin B. Ferencz’s 1979 book on Jewish forced labor under the Third Reich and the attempt by various Jewish organizations to win compensation for former slave laborers from private corporations in West Germany after the war is very welcome... This book tells two related stories — as the subtitle indicates. The first is the story of the use of slave labor by German industry during the Third Reich. The second is the story of the dedicated individuals, many of them Jewish lawyers, most of them working for the various interrelated Jewish agencies created to administer the German government’s compensation to Jewish victims of the Holocaust, to win compensation from these firms... this book is as much a memoir as it is a history. It is a story told very much from the perspective of a participant, for Ferencz was the guiding light behind the efforts to win compensation... Constructed as a series of case studies, the book tells the story of five major firms or conglomerates (I.G. Farben, Krupp, the electric companies AEG, Telefunken, and Siemens, Rheinmetall Berlin A.G., and the Flick concern) and a number of smaller concerns. In each of his case studies, Ferencz intertwines the history of the firm’s use of slave labor with that of the efforts by survivor organizations and individual survivors to win compensation after the war... All in all, this book tells the story of great courage and determination by survivors and their allies to try to compel German companies to make at least partial amends for the use of slave labor during the war. Yet it is also a story of an equally determined refusal to see that past honestly, to own up to it, and to voluntarily try to make it right. As such... it will undoubtedly continue to serve as a valuable starting point for thinking about the efforts to make good again the harm done during the Third Reich.” — Devin O. Pendas, H-German “This short book is of extreme importance... This is a book to ponder.” — Martin Gilbert, The New York Times “[A] deeply disturbing book... Mr. Ferencz’s book is most impressive because it is meticulous in its evidence and exact in its sources, like a good lawyer’s brief. Nothing is left to the imagination.” — Leonard Silk, The New York Times “Ferencz, with fascinating clarity, supported by German documents, describes the exploitation and murder of human beings for German industrial profit... Less Than Slaves is a major contribution to Holocaust history.” — Josephine Z. Knopp, The Annals of the American Academy of Political and Social Science “As Telford Taylor says in his impressive foreword, this is a ‘moving, melancholy, and altogether unique’ book.” — John H. E. Fried, The American Journal of International Law “Less Than Slaves is an appropriate title for a volume describing an industrial labor system in which the work became the means of execution. The book is a meticulously documented account of former Jewish laborers seeking compensation for the work they were forced to do for German industrialists. Benjamin B. Ferencz, an attorney specializing in international law was a war crimes investigator who later aided Jewish claimants. He describes how I.G. Farben, Krupp, AEG, Telefunken, Siemens, and Rheinmetall attempted to elude payment and morally exonerate themselves from responsibility for the slave labor system.” — Alan M. Kraut, The Business History Review “This is an essential book... Ferencz... served as American prosecutor at the Nuremberg trials and then director of the worldwide restitution action on behalf of Jewish survivors. His presentation of the painful procedure, the procrastination of officialdom, the remorselessness of the German companies and their lack of humaneness even after the war make one wonder about the decency of the human race.” — Vera Laska, Social Science “[T]he story [Ferencz] unfolds is not only remarkable, it is revolting... [a] grisly but unforgettable chronicle.” — Ronald Lewin, International Affairs