This treasure of a book from Henry Allen, Pulitzer Prize winner and veteran feature writer and editor at the Washington Post, provides a vivid and captivating evocation of the social, cultural, and spiritual tenor of the twentieth century. Each of these ten chapters is a virtual time capsule written with keen intelligence, feeling, and an uncanny sense of the essential experiences of the era: the unexpected, idiosyncratic sights, sounds, occasions, and events that defined not just the time but the way we remember it. This is a book of myriad pleasures - a reminder of the richness and importance of the past.

For the past eight decades, we have lived in “the American Century” – a period during which the US has enjoyed unrivalled power – be it political, economic or military - on the global stage. Born on the cusp of this new era, Joseph S. Nye Jr. has spent a lifetime illuminating our understanding of the changing contours of America power and world affairs. His many books on the nature of power and political leadership have rightly earned him his reputation as one of the most influential international relations scholars in the world today. In this deeply personal book, Joseph Nye shares his own journey living through the American century. From his early years growing up on a farm in rural New Jersey to his time in the State Department, Pentagon and Intelligence Community during the Carter and Clinton administrations where he witnessed American power up close, shaping policy on key issues such as nuclear proliferation and East Asian security. After 9/11 drew the US into wars in Iraq and Afghanistan, Nye remained an astute observer and critic of the Bush, Obama and Trump presidencies. Today American primacy may be changing, but he concludes with a faint ray of guarded optimism about the future of his country in a richer but riskier world.

In modern culture, the essay is often considered an old-fashioned, unoriginal form of literary styling. The word essay brings to mind the uninspired five-paragraph theme taught in schools around the country or the antiquated, Edwardian meanderings of English gentlemen rattling on about art and old books. These connotations exist despite the fact that Americans have been reading and enjoying personal essays in popular magazines for decades, engaging with a multitude of ideas through this short-form means of expression. To defend the essay—that misunderstood staple of first-year composition courses—Ned Stuckey-French has written The American Essay in the American Century. This book uncovers the buried history of the American personal essay and reveals how it played a significant role in twentieth-century cultural history. In the early 1900s, writers and critics debated the “death of the essay,” claiming it was too traditional to survive the era’s growing commercialism, labeling it a bastion of British upper-class conventions. Yet in that period, the essay blossomed into a cultural force as a new group of writers composed essays that responded to the concerns of America’s expanding cosmopolitan readership. These essays would spark the “magazine revolution,” giving a fresh voice to the ascendant middle class of the young century. With extensive research and a cultural context, Stuckey-French describes the many reasons essays grew in appeal and importance for Americans. He also explores the rise of E. B. White, considered by many the greatest American essayist of the first half of the twentieth century whose prowess was overshadowed by his success in other fields of writing. White’s work introduced a new voice, creating an American essay that melded seriousness and political resolve with humor and self-deprecation. This book is one of the first to consider and reflect on the contributions of E. B. White to the personal essay tradition and American culture more generally. The American Essay in the American Century is a compelling, highly readable book that illuminates the history of a secretly beloved literary genre. A work that will appeal to fiction readers, scholars, and students alike, this book offers fundamental insight into modern American literary history and the intersections of literature, culture, and class through the personal essay. This thoroughly researched volume dismisses, once and for all, the “death of the essay,” proving that the essay will remain relevant for a very long time to come.

Examines the history, events and people of the early twentieth-century in America.

In 2008 China plans to use the Olympic Games to remake its national identity in the global marketplace. In so doing China treads the path blazed by the United States. For more than a century the U.S. has used the Olympic Games to construct national identity, create communal memory, and craft patriotic mythology. From opening parades where the American team refuses to dip its flag in order to signal American exceptionalism to the closing ceremonies where the U.S. media trumpet that their team owes its medals not to superior athleticism but to the nation’s peerless social and political systems, Olympic Games have served as sites to bolster American nationalism. More than any other nation, the United States has politicized its Olympic participation. In the process a host of myths about American superiority in global encounters has emerged through the Olympics. In memorializing and mythologizing their Olympic teams Americans have revealed the contours of the racial, gender, and class dynamics that animate their peculiar nationhood. These essays explore the history of expressions of American national identity in Olympic arenas. This book was published as a special issue of the International Journal of the History of Sport.

It's 1924, and New York is the centre of the universe. Henry Smart, on the run from Dublin, lands on his feet. After the 1916 Rebellion, Henry Smart is running from the Republicans for whom he committed murder and mayhem. Lying to the immigration officer, avoiding Irish eyes that might recognise him, hiding the photograph of himself with his wife because it shows a gun across his lap, he throws his passport into the river and forges a new identity. He's a handsome man with a sandwich board, behind which he stashes hooch for the speakeasies of the Lower East Side. He catches the attention of the mobsters who run the district and soon there are eyes on his back and men in the shadows. It is time to leave, for another America... The Depression is sending folks to ride the rails in search of a new life and new hope, and all trains lead to Chicago. As Henry’s past tries to catch up with him, he takes off on a journey to the great port, where music is everywhere. Chicago is wild and new, and newest of all is the music. Furious, wild, happy music played by a man with a trumpet and bleeding lips called Louis Armstrong. His music is everywhere, coming from every open door, every phonograph. But Armstrong is a prisoner of his colour; there are places a black man cannot go, things he cannot do. Armstrong needs a man, a white man, and the man he chooses is Henry Smart.

The former American History editor explores the creation and restoration of an essential part of a twentieth-century home’s identity—the American porch. “In this delightful look at an American icon, journalist and documentary scriptwriter . . . Dolan traces the history of the porch, using this history to explore subjects such as architecture, history, slavery, colonialism, trade, anthropology, sociology, consumer behavior, and publishing.” —Library Journal In 1981, Michael Dolan and his wife, Eileen O’Toole, bought a 1926 suburban bungalow in the Palisades area of Washington, DC. It was a fixer-upper and DIY project that consumed their lives for twelve years. As rooms were transformed with updated electrical wiring and plumbing, the house’s porch became a storage area, rotating appliances, furniture, and construction materials as they were used and discarded. After the interior renovation was completed, Michael finally turned his attention to the porch, working with contractors to resurrect it—a reconstruction that inspired him to uncover the history of porches and their significance as a symbolic piece of Americana. “In praise of the porch: Come up and sit a spell.” —USA Today “A wry, well-researched look at the place and the people who rocked, talked and courted on [the American porch] for three centuries.” —Parade “The porch is making a comeback, gradually replacing its humbler rival the deck, which the traditionalist Dolan refers to as the platform shoe or leisure suit of American architecture.” —Time “Dolan amply demonstrates that the porch is primarily a means of escaping the heat and, almost as important, a locus for casual social interaction.” —Publishers Weekly