A selected, fully open, and deep assemblage, that carries the explicit intent of outlining, conceptual and practical verifications, on critical views and specific projects, concerning the actual architecture in the Latin American territory. The book intends to communicate a targeted objective, to circumscribe a segment, a series of observations and actions in architecture. However, it is a selected, fully open, and deep fragment, outlining conceptual and practical verifications on critical views and concrete projects, concerning the actual, extensive world of architecture in the Latin American territory, and in the first years of the new century. It is a sequence of topical segments organized as an unsystematic series and through a number of different projects in each case: the single family house; searches on bigger scales; poetical structures; topics under consideration; a look over laboratories; terrain, landscape and topography; covering folk factors; and the volumetric reasoning and physical features. A selected and deep assemblage of the current architecture in the Latin American territory.

Examines the threats to Latin American cultural identity in a global marketplace - now with a new introduction!

Rafael Vinoly became famous as the architect of the stunning Tokyo International Forum (1989-1996). In Japan, where land is at a premium and public spaces are rare, the Forum with its 2.7 hectares and unusual design of public space, was widely admired. Originating in Uruguay, Vinoly heads an architectural office with an impressive list of projects in the areas of architecture, urban planning and interior design, including significant buildings such as the Philadelphia Regional Performing Arts Center which opened recently, Princeton University Stadium, the New Bronx Supreme Criminal Court Complex. In 1969 Vinoly founded his first office in Buenos Aires which was influenced by the Modern Movement but also by the ideas and concepts of the 1960s reflected in the work of Buckminster Fuller, Archigram and the Smithsons. Due to the political situation he emigrated and opened an office in New York in 1982. Despite the difficulties involved in starting over again in a new country where in the meantime post-modernism was prevalent, Vinoly stayed true to his style of architecture, feeling bound to the ethical considerations of modernism yet constantly questioning it, adapting it to changing conditions. With offices in New York and Tokyo, Rafael Vinoly Architects is now one of the most successful architectural offices worldwide. This book documents a large number of Vinoly's most significant buildings and projects. It also includes an essay by Joan Ockman, one of the best-known architecture theoreticians in the USA, and texts by Rafael Vinoly on his career which has been marked by the difficult political situation in Argentina and the cultural exchange between S. America, Europe and the USA.

How artists challenged a military dictatorship through mass print technologies in 1970s and 1980s São Paulo. Throughout the 1970s and into the 1980s, during Brazil's military dictatorship, artists shifted their practices to critique the government and its sanitized images of Brazil, its use of torture, and its targeted persecutions. Mari Rodríguez Binnie's The São Paulo Neo-Avant-Garde examines these artworks and their engagement with politics and mainstream art institutions and practices. As Binnie skillfully shows, artists appropriated processes like photocopy, offset lithography, and thermal and heliographic printing, making newly available technologies of mass production foundational to their work of resistance against both the dictatorship and the established art world. Often working collaboratively, these artists established alternative networks of exchange locally and internationally to circulate their work. As democracy was reestablished in Brazil, and in the decades that followed, their works largely fell out of sight. Here, in the first English-language book to focus entirely on conceptual practices in São Paulo in the 1970s and 1980s, Binnie unearths a scene critical to the development of contemporary Brazilian Art.

A sweeping analysis of the lasting effects of neocolonial extractivism in Latin American aesthetic modernity from 1920 to the present Looking to the extractive frontier as a focal point of Latin American art, literature, music, and film, Jens Andermann asks what emerges at the other end of landscape. Art in the Global South has long represented and interrogated “insurgent nature”—organic and inorganic matter, human and nonhuman life, thrown into turmoil. In Entranced Earth: Art, Extractivism, and the End of Landscape, Andermann traces the impact of despaisamiento—world-destroying un-landscaping—throughout the Latin American modernist archive. At the same time, he explores innovative, resilient modes of allyship forged between diverse actors through their shared experiences of destruction. From the literary regionalism of the 1930s to contemporary bio art, from modernist garden architecture to representations of migration and displacement in sound art and film, Entranced Earth tracks the crisis of landscape and environmental exhaustion beyond despair toward speculative, experimental forms of survival.

Reflecting the dynamic creativity of its subject, this definitive guide spans the evolution, aesthetics, and practice of today’s digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists. Showcases the critical and theoretical approaches in this fast-moving discipline Explores the history and evolution of digital art; its aesthetics and politics; as well as its often turbulent relationships with established institutions Provides a platform for the most influential voices shaping the current discourse surrounding digital art, combining fresh, emerging perspectives with the nuanced insights of leading theorists Tackles digital art’s primary practical challenges – how to present, document, and preserve pieces that could be erased forever by rapidly accelerating technological obsolescence Up-to-date, forward-looking, and critically reflective, this authoritative new collection is informed throughout by a deep appreciation of the technical intricacies of digital art

Arranged alphabetically from Eduardo Abela to Francisco Zuniga, this volume provides biographical and career information, as well as critical essays, on prominent Hispanic artists.