In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South--from South Carolina to Arkansas--to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives, and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.

The Ward family often told William Ward that he saw and experienced more miracles than any man alive. In this volume of inspiring true stories, Dr. Ward recounts the most outstanding miracles he saw God do over a span of more than eighty years.

For Robert Fyall, the mystery of God's ways and the appalling evil and suffering in the world are at the heart of Job's significant contribution to the canon of Scripture. This New Studies in Biblical Theology volume offers a holistic reading of Job, with particular reference to its depiction of creation and evil, and finds significant clues to its meaning in the striking imagery it uses.

The verses in this collection are of my thoughts as I see things in God’s creation. I have been writing these down for maybe five to six years. Something will inspire me and away the pen and keyboard begin to generate the verse, God inspired. These are all random thoughts that come in no particular order. I need to thank all those things and God has who inspired my writings and especially my editor in chief, my wife Ann. Others have assisted me in helping me edit my verses and I thank them greatly. I hope you enjoy these verses and they can stir a deeper appreciation of the world around us. Living here in the foothill of the Sierra Nevada Mountains on the west side, has inspired many of my verses Seasonal events have inspired me as well as items in nature and everyday life.

A hilarious, interactive book that breaks the fourth wall about a boy confronts a book thief when his favorite story is stolen. Perfect for fans of Don't Push the Button and There's a Monster in Your Book! When a boy discovers that his favorite book is missing, he asks you if you've seen it. But with every description he gives and every page you turn, you realize that his missing book is in YOUR hands! So what do you do? And what does HE do when he figures it out? A laugh-out-loud, interactive story that breaks the fourth wall written by Angela DiTerlizzi and illustrated by Tom Booth! Perfect for fans of DON'T PUSH THE BUTTON, THIS BOOK JUST ATE MY DOG, and THERE'S A MONSTER IN YOUR BOOK.

Have You Ever Seen a Flower? is an enchanting picture book exploring the relationship between childhood and nature. In this simple yet profound story, one child experiences a flower with all five senses—from its color to its fragrance to the entire universe it evokes—revealing how a single flower can expand one's perspective in incredible ways. • Authorial debut of award-winning illustrator Shawn Harris • Reminds readers to appreciate the beauty of the world • Full of bright, stunning illustrations Have You Ever Seen a Flower? is a beautiful exploration of perception, the environment, and humanity. • Perfect read-aloud with thought-provoking questions • Ideal for nature lovers • For fans of The Little Prince, The Giving Tree, Not a Box, and The Very Hungry Caterpillar

Stirring and triumphant photographs taken by "LIFE" photographer Adelman evoke the heady days of the Civil Rights Movement when America faced its worst nightmare only a generation ago. Concluding on a note of celebration, the photographs reveal ever-increasing signs of racial reconciliation.