Anscombe guides us through the Tractatus and, thereby, Wittgenstein's early philosophy as a whole. She shows in particular how his arguments developed out of the discussions of Russell and Frege. This reprint is of the fourth, corrected edition.

Academic Writing for Military Personnel is a manual for writing clear and effective academic prose. Authored by an experienced writing instructor and a retired military officer, both of whom teach in a professional military education institution, it is designed for members of the armed forces who are entering, or perhaps re-entering, the academic community, and having spent much of their careers either writing in the professional military context or not writing at all. The book not only teaches officers how to write convincingly, but also explains why a sound grasp of academic writing can enhance their effectiveness in their regular duties, particularly as they reach the more senior levels of service. Chapters focus on the value of written communication skills, the difference between professional (staff) and academic writing, the research process, the writing process, academic professionalism, and common writing problems and challenges. A particularly innovative final chapter discusses how officers can use the knowledge that they have acquired through their professional experiences in the academic context. Specific examples – chosen with a military audience in mind – are integrated throughout the text to provide the reader with relevant and practical guidance. The revised edition incorporates new examples from a more diverse set of authors, takes into account recent changes in communication technologies, and reflects new advancements in the scholarship of teaching and learning. As the only comprehensive guide to effective academic writing designed specifically for military personnel, this book will be a crucial addition to the libraries of junior and senior officers in militaries worldwide. Available formats: trade paperback, accessible PDF, and accessible ePub

A striking feature of Ovid's literary career derives from the processes of revision to which he subjects the works and collections that make up his oeuvre. From the epigram prefacing the Amores, to the editorial notices built into the book-frames of the Epistulae Ex Ponto, Ovid repeatedly invites us to consider the transformative horizons that these editorial interventions open up for his individual works, and which also affect the shape of his career and authorial identity. Francesca K. A. Martelli plots the vicissitudes of Ovid's distinctive career-long habit, considering how it transforms the relationship between text, oeuvre and authorial voice, and how it relates to the revisory practices at work in the wider cultural and political matrix of Ovid's day. This fascinating study will be of great interest to students and scholars of classical literature, and to any literary critic interested in revision as a mode of authorial self-fashioning.

Refactoring is gaining momentum amongst the object oriented programming community. It can transform the internal dynamics of applications and has the capacity to transform bad code into good code. This book offers an introduction to refactoring.

The beloved and timeless King James Version is made available in an affordable quality edition for Sunday schools, Bible clubs, church presentations, and giveaways. This handsome award Bible will withstand heavy use thanks to better quality paper and supple but sturdy cover material. Includes full-color maps. A great way to honor special achievements--at a budget-conscious price!

Peter was born in Western Kenya, in the then Busia District. He went to school at a local primary school, then to Kolanya and Maseno School for O and A levels respectively. He graduated from Kenyatta University with a Bachelor of Education Degree in Science in 1988. He taught Biology and Geography briefly in Pe-Hill High School and Kisumu Girls High School. In 1991, Peter joined the National Museums of Kenya as an Education Officer and worked in the Kisumu Museum until 1996, when he was moved to Meru Museum as the Curator in charge.From 2007 to 2008, he was the acting Executive Director of the International Council of African Museums (AFRICOM)-an International NGO of Heritage Institutions in Africa, with its Secretariat atthe Nairobi National Museum.In 2009, Peter moved to his current posting as the coordinator of the Movable Heritage Programme at the Centre for Heritage development in Africa (CHDA)-based in Mombasa, Kenya.He is married to Iren OlesiSumbu and they have five children.A casual meeting in a Nairobi pub brings together a few witnesses to the brutal hand of the Government of Kenya. From what appears to be a discussion of people simply unhappy with political events, a plan to topple the Government of Kenya takes shape.Led by a Professor of Political Science at one of the local universities, a group from across the country's diverse ethnic divide come together and crystalize the coup plan. However, along the way major interests come aboard. The Government of Uganda, the United States and Britain have something in common. They do not like the style and leadership policies of the leader of Kenya. They would be happy to see him give way to a person who is more agreeable to their interests. And so they get involved. However, the approach to effecting the change has to itself change.From a military coup de tat earlier envisaged, the supporters of the change now arrange to force the Kenyan leader to give up power by assassinating many of his leading advisors-the group commonly called the Kitchen Cabinet. Commandoes are recruited from Uganda and come into Kenya through the Mount Elgon forest areas.By the time the masterminds are arrested, it is too late. Things have gotten out of hand. The Ugandan commandos are in full charge and are taking instructions only from their superiors back home.In a fast-changing situation, the best the President can be granted is asylum.