A full-color treasury that homes in on all the quirky coworkers that drive us crazy in the corporate world—the twenteth collection in the iconic series. The former occupant of cubicle 4S700R at Pacific Bell seems to have made a go of this cartoon strip thing. What began as a doodling diversion that Scott Adams shared with his officemates has exploded into one of the most read cartoon strips worldwide. This Dilbert treasury, What Do You Call a Sociopath in a Cubicle? (Answer: A Coworker), brings together all of the office psychos who have irritated Dilbert and entertained millions. This compilation pays homage to some of the most annoying and outrageous characters Adams’s has ever drawn—characters he likes to call office “sociopaths,” including . . . Edfred the two-faced man Anne L. Retentive Nervous Ted Loud Howard Alice and her fist of death This full-color collection reinforces everything that makes the strip great by lampooning the people and processes of business. Adams has fun at the expense of office oafs found in workplaces everywhere—creatures like the Office Sociopath, who listens to voice mail on his speaker phone, and the Exactly Man, who punctuates everything with a finger point, exclaiming “Exactly!” The result is a book that leaves readers knowingly rolling their eyes and, of course, laughing uproariously. “Once every decade, America is gifted with an angst-ridden anti-hero, a Nietzschean nebbish, an us-against-the-universe everyperson around whom our insecurities collect like iron shavings to a magnet. Charlie Chaplin. Dagwood Bumstead. Charlie Brown. Cathy. Now, Dilbert.” —The Miami Herald

Dilbert and the gang are back for this 26th collection, another take-off of office life that will appeal to cubicle dwellers across the globe.

Scott Adams has accomplished a rare feat. In his wildly successful cartoon strip, Dilbert, he has transformed the daily drudgery of the workplace into a fresh, comic commentary on life. Consider the cast: a devious and egomaniacal dog who fully intends to rule the world, a former lab rat so eager for acceptance that he's willing to work as a temp, a cat that is an evil HR director—and those are just the animals in Dilbert's world. Mix in the frustrated title character, his clueless pointy-haired boss, and an office full of insecure and dissatisfied white-collar workers and you get the hottest comic strip around. In I'm Not Anti-Business, I'm Anti-Idiot, Adams has truly found a way to relate the sometimes unbelievable craziness of the business world. Since Dilbert first gave a voice to discontented cubicle dwellers, the strip has consistently appeared at the top of comic page popularity polls. Today, the cartoon can be found stuck on office bulletin boards, personal computer monitors, and break-room refrigerators throughout the working world. This volume, I'm Not Anti-Business, I'm Anti-Idiot brings readers more of the bizarre fun. In it, they'll marvel at the escapades of Antina the non-stereotypical woman, who takes apart the office coffee machine "just for fun." They'll witness manager Ted, who just happens to have a beard growing from his forehead. And they'll recoil from Camping Carl, the office's nonstop self-storyteller, whom Dilbert manages to evade only by taking to his cubicle escape tunnel. No one captures modern office life like Adams, a former Pacific Bell employee. Dilbert evokes many laughs, tears, and "How did he know about our company?" comments from workers while at the same time appealing to supervisors who are certain they don't personally commit these managerial faux pas. I'm Not Anti-Business, I'm Anti-Idiot is guaranteed to deliver much, much more of what fans love most about Dilbert.

Cartoons from the comic strip "Dilbert" feature the hapless engineer and his cynical canine companion, Dogbert.

A collection of black-and-white cartoon strips about life in the business world featuring Dilbert, the harassed engineer, and his friends.

Dilbert and his co-workers cope with senior management, the pointy-haired boss, Dogbert, Catbert, and each other as they struggle to survive, in a collection of excerpts from the comic strip about life at a large corporation.

The twenty-seventh collection of comics about the work-place antics of Dilbert and his co-workers, with special emphasis on Wally, whose poor performance and lack of respect usually gets him a raise rather than punishment.