When her veterinarian father dies, sixteen-year-old Iris Wight must move from Maine to North Carolina where her Aunt Sue spends Iris's small inheritance while abusing her physically and emotionally, but the hardest to take is her mistreatment of the farmanimals.

Surveying the artistic and cultural scene in the era of Trump In a world where truth is cast in doubt and shame has gone missing, what are artists and critics on the left to do? How to demystify a political order that laughs away its own contradictions? How to mock leaders who thrive on the absurd? And why, in any event, offer more outrage to a media economy that feeds on the same? Such questions are grist to the mill of Hal Foster, who, in What Comes after Farce?, delves into recent developments in art, criticism, and fiction under the current regime of war, surveillance, extreme inequality, and media disruption. Concerned first with the cultural politics of emergency since 9/11, including the use and abuse of trauma, conspiracy, and kitsch, he moves on to consider the neoliberal makeover of aesthetic forms and art institutions during the same period. A final section surveys signal transformations in art, film, and writing. Among the phenomena explored are machine vision (images produced by machines for other machines without a human interface), operational images (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information that pervades our everyday lives. If all this sounds dire, it is. In many respects we look out on a world that has moved, not only politically but also technologically, beyond our control. Yet Foster also sees possibility in the current debacle: the possibility to pressure the cracks in this order, to turn emergency into change.

From the beloved author of the MR. TERUPT and PERFECT SCORE series comes this stand-alone middle-grade novel about a girl who is dealing with the tragic loss of her best friend, and the dog that helps her forge new friendships and find happiness once again. Twelve-year-old Thea and her family are moving to a new town for a fresh start--her parents' bright idea. To Thea, it feels like running away. She lost her best friend, Charlie, in a tragic accident, and in the painful aftermath, she has gone mute. Her two younger sisters, however, are excited about moving, especially after their dad promises that the family will get a rescue puppy. This doesn't change Thea's mind, though, until Jack-Jack bounds into her life and makes it clear that he is no ordinary dog. As she bonds with Jack-Jack, and as the dog's mischievous ways steer her toward someone she can confide in, Thea opens up to the possibility of new friendships and forgiveness, and comes to believe in what cannot be fully explained.

Eliza Davis' new home is everything she wanted-community, a sense of belonging, a fresh start. An added bonus was living with her best friend, Simone, and befriending a jilted groom whose wedding day disaster she was witness to. But, Jack Peters was not someone to be pitied. Sarcastic, caring, and, most importantly, in love with her daughter, Jack helps take Eliza's mind off the pain of her past and allows her to just have fun. But, small towns are known for meddling, and everyone assumes there's more to Eliza and Jack than the two can see. Eliza is adamant that they're just friends. Even if he makes her daughter laugh again. Even if he comes over to chase ghosts out of the attic without a second thought. Even if he makes her heart squeeze in ways she forgot. Just. Friends. Content Warning: Depictions of anxiety and grief after losing a loved one.

One man infiltrates the dark web to stop a sadistic game: A Booklist 101 Best Crime Novels of the Past Decade, from the New York Times–bestselling author. Adrian Thomas is a psychology professor whose career was spent delving into damaged minds. Diagnosed with a fatal degenerative disease that is causing hallucinations and stripping him of his memories, Adrian wants to end his life—until he sees a girl snatched off the street and dragged screaming into the back of a van. Dismissed as an unreliable witness, Adrian must act alone. He knows what he saw, but he has no idea how dark it’s going to get. Out of the basement of their Massachusetts farmhouse, a sadistic husband and wife run a website called What Comes Next. A global audience of subscribers is tuning in to watch an ongoing nightmare inflicted in real time—and to cast their votes on the fate of the kidnappers’ latest catch. For victim Number Four, time is running out. “An experience akin to riding the scariest roller coaster,” What Comes Next is a bold and timely thriller about what lurks within the depths of society’s most depraved minds (New York Journal of Books). “Powerful . . . fiendish . . . This is an exceptional novel—and a most troubling one.” —The Washington Post “Draw[s] you deeper and deeper into a chilling atmosphere of evil, darkness, and shadows.” —The Miami Herald “[A] re-imagining of The Pit and the Pendulum for the digital age.” —Kirkus Reviews

"From the bestselling author of A Three Dog Life ... [comes a] memoir about aging, family, creativity, tragedy, friendship, and the richness of life"--Amazon.com.

By foregrounding the ways that human existence is bound together with the lives of other entities, contemporary cultural theorists have sought to move beyond an anthropocentric worldview. Yet as Eva Haifa Giraud contends in What Comes after Entanglement?, for all their conceptual power in implicating humans in ecologically damaging practices, these theories can undermine scope for political action. Drawing inspiration from activist projects between the 1980s and the present that range from anticapitalist media experiments and vegan food activism to social media campaigns against animal research, Giraud explores possibilities for action while fleshing out the tensions between theory and practice. Rather than an activist ethics based solely on relationality and entanglement, Giraud calls for what she describes as an ethics of exclusion, which would attend to the entities, practices, and ways of being that are foreclosed when other entangled realities are realized. Such an ethics of exclusion emphasizes foreclosures in the context of human entanglement in order to foster the conditions for people to create meaningful political change.