Headline: A peak behind the Hollywood mask by one of its foremost makeup artists In Hollywood’s heyday, almost every major studio had a Westmore heading up the makeup department. Since 1917, there has never been a time when Westmores weren’t shaping the visages of stardom. For their century-long dedication to the art of makeup, the Westmores were honored with a star on the Hollywood Walk of Fame in 2008. In this lively memoir, Michael Westmore not only regales us with tales of Hollywood’s golden age, but also from his own career where he notably transformed Sylvester Stallone into Rocky Balboa and Robert DiNiro into Jake LaMotta, among many other makeup miracles. Westmore’s talent as a makeup artist first became apparent when he created impenetrable disguises for Kirk Douglas, Tony Curtis, Burt Lancaster, Robert Mitchum, and Frank Sinatra for the 1963 film The List of Adrian Messenger. He later went on to become the preferred makeup man for Bobby Darin and Elizabeth Taylor, and worked on such movies and TV shows as The Munsters, Rosemary’s Baby, Eleanor and Franklin, New York, New York, 2010: A Space Odyssey, and Mask, for which he won an academy award. The next phase of his career was to create hundreds of alien characters for over 600 episodes of Star Trek in all its iterations, from The Next Generation to Enterprise. Replete with anecdotes about Hollywood and its stars, from Bette Davis’s preference for being made-up in the nude to Shelley Winters’s habit of nipping from a “little bottle” while on the set, Makeup Man will satisfy any Hollywood’s fan’s appetite for gossip or a behind-the-scenes look at how tinsel town’s most iconic film characters were created. Academy Award-winning Michael Westmore has been making up the stars for over fifty years. He frequently appears on the SyFy channel show Face Off with his daughter McKenzie Westmore.

This acclaimed biography shines a light on a trailblazing woman who created a classic movie monster—and the author’s quest to rescue her from obscurity. As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But while Patrick should have been hailed as a pioneer in the genre, there was little information available about her. As O’Meara discovered, Patrick’s contribution had been claimed by a jealous male colleague and her career had been cut short. No one even knew if she was still alive. As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since. A Hugo and Locus Award Finalist A Thrillist Best Book of the Year One of Booklist’s 10 Best Art Books of the Year

By examining these and many other accomplishments of these families, Julius Hunter provides a unique historical perspective on the past century of American life. In addition to providing the historical background, Hunter presents vivid descriptions of glamorous social occasions in Westmoreland and Portland - weddings, balls, even funerals - and he shows that the residents were sometimes united, and sometimes split, by bonds of family, marriage, religion, club membership, and political preference. Interviews with people who lived on those streets early in this century provide a unique glimpse of what it was like to grow up in the prestigious neighborhood. Hunter's text is superbly illustrated. More than 200 color photographs depict the houses as they appear today, including architectural details and interior views. More than 200 black-and-white photographs provide a glimpse of St. Louis's past. Every house that has stood in either Westmoreland or Portland is shown.

Twenty years after Isaac Asimov praised Timothy Ferris's GALAXIES as the most beautiful book ever published, MAGNIFICENT UNIVERSE establishes a new standard of excellence in depicting space. No other book even comes close. Ken Croswell takes us across the known universe - from the planets of the Sun to the stars of the Galaxy to the galaxies of the Cosmos. This is, simply, the most beautiful astronomy book in existance. The exploration of space by telescope and space probe continues at an exhilarating pace. While many think that only the Hubble telescope has new photographs of the heavens to offer, MAGNIFICENT UNIVERSE draws not only on Hubble but on fifty different sources. With the latest, stunning astronomical vistas, this lavish book allows us to experience the universe as never before.

This text is a wide-ranging consideration of the cultural and symbolic significance of ornament, its rejection by modernism and its subsequent reinvention. Trilling explains how ornament works, why it has to be explained and why it matters.