In Uganda in 1977, a particular trainload of coffee, mostly belonging to dictator Idi Amin, is worth six million dollars. As a group of scoundrels and international financiers hijack the train, the double and triple crosses pile up and the comic tension escalates in a brawling brew of buffoons, bumblers, beans and boxcars.

Due to a foiled burglary in a high-tech lab doing research for cigarette manufacturers, Freddie Noon, the thief, is now invisible. This condition has clear-cut advantages for a man in Freddie's profession, but now everybody wants a glimpse of Freddie. But Freddie doesn't dare show his face, his shadow, anything. Because Freddie Noon has gotten a taste of invisibility--and he can't quit now.

From Mystery Writers of America Grand Master Donald E. Westlake comes the eagerly anticipated return of unlucky master crook John Dortmunder. Dortmunder doesn't like manual labor. So when Andy Kelp relays the offer of a grand to help dig up a grave in a far-flung cemetery, he balks...until he begins to wonder just why Fitzroy Guilderpost, criminal mastermind, wants to pull a switcheroo of two 70-years-dead Indians. Central to the plan is Little Feather Redcorn, the ex-Vegas showgirl and great-granddaughter of the newly-switched stiff. She will pose as the last remaining member of the Pottaknobbee tribe, one-third owners of the largest casino in the east. When the remains of the last known Pottaknobbee are dug up, down there in Queens, the DNA will prove that it's her ancestor. But when the scam goes into play, it's Dortmunder and his band who must step in to make sure everything runs smoothly.

The Gospel is more than information about the death and resurrection of our Lord. It is an invitation to enter, by way of personal faith, into a relationship with the person referenced by our propositions. Our task as believers is to mediate saving communion with a personal being upon whose will our very existence is contingent. It is precisely this personal aspect of our message, the Gospel-as-Person, that is in conflict with the late-modern notions of the Self and social discourse. Get Real: On Evangelism in the Late Modern World describes how the late-modern phenomena of existential anxiety, social alienation, and epistemic uncertainty have resulted in what some have called “the loss of Self.” It also identifies ways in which that loss obstructs both the presentation of and the reception of the Gospel-as-Person. Finally, it shows how the Gospel-as-Person facilitates the recovery of the Self and social discourse, and how that message can be effectively presented in the late-modern context.

A hapless thief is drafted by a gang of nuns in need, in a novel by an Edgar Award winner who “has no peer in the realm of comic mystery novelists” (San Francisco Chronicle). It was supposed to be a simple caviar heist. Dortmunder is almost in the building when the alarm sounds, forcing him up the fire escape and onto the roof. He leaps onto the next building, smashing his ankle and landing in the den of the worst kind of creature he can imagine: nuns. Although decades removed from his Catholic orphanage, Dortmunder still trembles before the sisters’ habits. But these nuns are kinder than the ones he grew up with. They bandage his wound, let him rest, and don’t call the cops—for a price. The father of the youngest member of their order, disgusted by their vow of silence, has kidnapped his daughter, locked her in a tightly guarded penthouse apartment, and is attempting to convince her to renounce her faith. The nuns ask Dortmunder to rescue the girl. It’s an impossible assignment—but one he cannot refuse.

The Bond That Never Was Two decades ago, the producers of the James Bond movies hired legendary crime novelist Donald E. Westlake to come up with a story for the next Bond film. The plot Westlake dreamed up – about a Western businessman seeking revenge after being kicked out of Hong Kong when the island was returned to Chinese rule – had all the elements of a classic Bond adventure, but political concerns kept it from being made. Never one to let a good story go to waste, Westlake wrote an original novel based on the premise instead – a novel he never published while he was alive. Now, nearly a decade after Westlake’s death, Hard Case Crime is proud to give that novel its first publication ever, together with a brand new afterword by one of the movie producers describing the project’s genesis, and to give fans their first taste of the Westlake-scripted Bond that might have been.

A fiercely funny, queer romantic comedy about two girls who can't stand each other, but join forces in a grand feminist plan to expose harassment and inequality at their elite private school. Harriet Price is the perfect student: smart, dutiful, over-achieving. Will Everhart is a troublemaker who's never met an injustice she didn't fight. When their swim coach's inappropriate behavior is swept under the rug, the unlikely duo reluctantly team up to expose his misdeeds, pulling provocative pranks and creating the instantly legendary Amelia Westlake--an imaginary student who helps right the many wrongs of their privileged institution. But as tensions burn throughout their school--who is Amelia Westlake?--and between Harriet and Will, how long can they keep their secret? How far will they go to make a difference? And when will they realize they're falling for each other? Award-winning author Erin Gough's Amelia Westlake Was Never Here is a funny, smart, and all-too-timely story of girls fighting back against power and privilege--and finding love while they're at it.