After coming home from vacation, Lulu is upset to learn that her beloved horse, Snow White, is missing and becomes even more enraged to learn that she had been ridden by a strange boy without her permission while she was away. Original.

The Magic Pony Carousel has come to town! Laura loves ponies, and she can't wait to ride Star the western pony. When she climbs on to Star's saddle, the ride takes them back in time to the Wild West, where they must save a baby calf! Will Laura and Star be able to save the day?

This book celebrates the history and culture of the western horse, its ability to capture the popular imagination, and the means by which it has come to symbolize the American West. Beginning in the 1500s, The Western Horse delves into the origins and variations of the western breeds, their role in the expansion and settlement of the West, and the lawless element they attracted. The 1800s is when the stereotypes of Western Americana flourish accompanied by the ever-present horse. The mounted Plains tribes, cavalry, Pony Express, pioneers, stock detectives, cowboys, horse thieves, and the iconic rodeos come into perspective. The book dispels some of the falsehoods of the western horse and replace those inaccuracies with interesting facts. Case in point: many people grow up believing that the wild mustangs are the offspring the conquistador’s horses. While that belief is partially true, it is also partially incorrect. While the conquistadors returned with horses re-introducing them to the American landmass, the Spaniards only rode stallions. The progenitors of the mustangs likely occurred a bit later—lost stock of the Spanish settlers and the missions that returned into the wild.

Girl on a Pony is the gritty, humorous, unflinchingly courageous story of five children growing up on a cattle ranch in the remote Valley of the Dry Cimarron in northeastern New Mexico near the little border town of Kenton, Oklahoma. Narrated years later by the oldest daughter, LaVerne, it is a vivid and authentic portrait of ranching life between the two world wars, from 1925, when the family moved to the Goodson Ranch from a half-dugout claim shack in Colorado, to 1936, when they began to disperse. During those years, people in the region endured blizzards, sick and maddened animals, drought, the Dust Bowl, and the Great Depression-with stoic good humor. In Girl on a Pony, cowboys go about their daily tasks, teaching the children all they know. Women endure the hardships of life in an isolated area, coping with the brutal labor ranch life requires of them, and maintaining touches of beauty and civilization where they can-creating lawns from relentlessly rocky soil, holding dances for their children, and painstakingly tatting when all else fails.

Owning a horse is a lot of fun, but also requires a lot of responsibility. Designed for children ages 9 and up, this encouraging and informative guide introduces kids to both the satisfying rewards and the hard work that caring for a horse entails. With easy-to-understand language and clear illustrations, Cherry Hill covers every aspect of selecting, housing, feeding, and showing horses. Emphasizing an understanding of horse behavior, Hill provides kids with all the information they need to safely and successfully keep their own horse.

"What has happened to the mustang and to the wild or feral horse, whether of Spanish or American ancestry, in the West, is exhaustively and interestingly set forth by Walker D. Wyman. His is, perhaps, the final word on the history of the horse on the western range. . . . This is a book which holds the interest not only of students of western history and of the range, but also of the general reader."--New Mexico Historical Review. "A story gleaned from everything worth while that has been written on the wild horse and the bibliography alone will assure it space on any shelf of Americana. . . . Harold Bryant's illustrations are splendid."--New York Times Book Review. "This is a long-needed book--a valuable contribution to pioneer history. The range horse--the Mustang and the Cayuse--played no small part in the development of the West, but that part has been too often forgotten. . . . The story is well and interestingly told by Mr. Wyman."--Oregon Historical Quarterly. "Wyman examines authoritatively the various theories as to the origins of the wild horses of the plains, which eventually competed with the buffalo, transformed the culture of the Plains Indians, and still later constituted a major economic factor in Western ranching. . . . The work constitutes a valuable addition to Western Americana."--Chicago Sun.

In the Cowboy State (also known as Wyoming), the Wild West has never died. The West has long been the favored repository of the East?s cultural fantasies, and in the late nineteenth and twentieth centuries, Eastern expectations and demands largely shaped Wyoming's image in this role. Becoming Western shows how the myth of the ?American West? has acted as a force both in history and in individual lives. Liza J. Nicholas interrogates the creation of Western lore by looking at five stories that focus on, respectively, Jack Flagg, a Wyoming legend and the supposed model for Owen Wister?s Virginian; an equestrian statue of Buffalo Bill sculpted by Gertrude Vanderbilt Whitney; the dude ranch; the creation of the American studies program at Yale; and a campaign for the U.S. Senate. Each story reveals the ways in which the East consciously imagined and manipulated the West and how Wyomingites in turn interpreted this identity, manipulated it, and put it to work for themselves. Becoming Western is a fascinating study of how invented traditions can become potent cultural and political ideology on a local as well as a national level.