Westerns may have had their heyday, but they remain popular. The greatest films from 1914, when The Squaw Man and The Virginian were among the genre's best, through 2001, when American Outlaws and Texas Rangers were tops, are the subject of this work. For each year, the author names the outstanding western films in the following categories: picture, screenplay (original and adaptation), direction, cinematography, music, male and female leading roles, and male and female supporting roles. Also for each year, the author lists the westerns that received Academy Award nominations (and those that won), makes note of the births and deaths of notable actors, directors, producers, composers, cinematographers, authors and other such personalities, and describes the genre's significant achievements.

This revised and greatly expanded edition of a well-established reference book presents 5105 feature length (four reels or more) Western films, from the early silent era to the present. More than 900 new entries are in this edition. Each entry has film title, release company and year, running time, color indication, cast listing, plot synopsis, and a brief critical review and other details. Not only are Hollywood productions included, but the volume also looks at Westerns made abroad as well as frontier epics, north woods adventures and nature related productions. Many of the films combine genres, such as horror and science fiction Westerns. The volume includes a list of cowboys and their horses and a screen names cross reference. There are more than 100 photographs.

A fun, opinionated, illustrated look at Westerns—with great photographs from great movies This unique compendium of short essays about, and evocative photos from, the 100 greatest Western movies of all time is the authoritative new resource on the subject—and the ideal illustrated gift book for all cowboy enthusiasts and cinema fans. Beyond being eminently browseable and lavishly illustrated, the book—compiled by the editors of the popular Western magazine American Cowboy—is sure to generate hot debate over its “top 100” list, and it covers plenty of movies that appeal to a wide variety of ages and tastes—from The Ox-Bow Incident, High Noon, and Shane to The Wild Bunch, High Plains Drifter, and Unforgiven. Each essay makes the case for why the selected movie belongs in the top 100—and included are five movies you’ve never heard of but should immediately put high on your list. The introduction sets forth the criteria for the selections while also presenting a short history of the genre.

The Western is the quintessential American epic--a mythic story of nation building, triumphs, failures, and fantasies. This book accompanies the first major exhibition to examine the Western genre and its evolution from the mid-1800s in fine art, film, and popular culture, exploring gender roles, race relations, and gun violence--a story that is about more than cowboys and American Indians, pursuits and duels, or bandits and barroom brawls. From 19th-century landscape paintings by Albert Bierstadt and Frederic Remington to works by Andy Warhol, Ed Ruscha, and Kent Monkman; from the legends of "Buffalo Bill" Cody and Billy the Kid to John Ford's classic films and Sergio Leone's spaghetti Westerns and recent productions by Quentin Tarantino, Ang Lee, and Joel and Ethan Coen, The Western observes how the mythology of the West spread throughout the world and endures today.

References to western movies scattered over some 250 works by more than 130 authors constitute the subject matter of this book, arranged in an encyclopedic format. The entries are distributed among western movies, television series, big screen and television actors, western writers, directors and miscellaneous topics related to the genre. The data cover films from The Great Train Robbery (1903) to No Country for Old Men (2007) and the entries include many western film milestones (from The Aryan through Shane to Unforgiven), television classics (Gunsmoke, Bonanza) and great screen cowboys of both "A" and "B" productions.

References to western movies scattered over some 250 works by more than 130 authors constitute the subject matter of this book, arranged in an encyclopedic format. The entries are distributed among western movies, television series, big screen and television actors, western writers, directors and miscellaneous topics related to the genre. The data cover films from The Great Train Robbery (1903) to No Country for Old Men (2007) and the entries include many western film milestones (from The Aryan through Shane to Unforgiven), television classics (Gunsmoke, Bonanza) and great screen cowboys of both "A" and "B" productions.

The American West is a complex region that has inspired generations of writers and artists. Often portrayed as a quintessential landscape that symbolizes promise and progress for a developing nation, the American West is also a diverse space that has experienced conflicting and competing hopes and expectations. While it is frequently imagined as a place enabling dreams of new beginnings for settler communities, it is likewise home to long-standing indigenous populations as well as many other ethnic and racial groups who have often produced different visions of the land. This History encompasses the intricacy of Western American literature by exploring myriad genres and cultural movements, from ecocriticism, settler colonial studies and transnational theory, to race, ethnic, gender and sexuality studies. Written by a host of leading historians and literary critics, this book offers readers insight into the West as a site that sustains canonical and emerging authors alike, and as a region that exceeds national boundaries in addressing long-standing global concerns and developments.