Well known for his important scholarly contributions to dogmatic theology and biblical commentary, Joseph Ratzinger has also written penetrating observations of our times. This book includes some of his keen insights about the social and political challenges confronting modern Western societies. Writing most of these chapters just before his election as pope, Ratzinger sought to remind Europeans, who at the time were crafting a new constitution, that the civilizational project we call “the West” is a cultural achievement with a history. Jerusalem, Athens, and Rome were the three foundation stones upon which Western civilization was built, he wrote. Their invaluable contributions form the basis for the Western understanding of human dignity and human rights, which spread from Europe to the United States and beyond. This book also includes, as an epilogue, a new essay by Pope Emeritus Benedict XVI on clerical sex abuse, which traces the moral disorder that preys upon the young to the collapse of faith both inside and outside the Church. “The witness of Christian lives nobly lived is the beginning of reconversion (or, in many cases, conversion) of the West—and that return to the truths taught by the God of the Bible is essential if the great Western civilizational project is not to crumble because of its current, postmodern incoherence. Joseph Ratzinger understood that danger long before many others. It would be well to attend to his prescription.” —George Weigel, Distinguished Senior Fellow, Ethics and Public Policy Center, from the Foreword

Confronted with the implications of a biblical understanding of the human condition, human society and the place and calling of scholarly reflection, Dooyeweerd contends that humanism has done more for the recognition of human freedom for religious convictions than did 17th-century Calvinism.

"Gregg's book is the closet thing I've encountered in a long time to a one-volume user's manual for operating Western Civilization." —The Stream "Reason, Faith, and the Struggle for Western Civilization offers a concise intellectual history of the West through the prism of the relationship between faith and reason." —Free Beacon The genius of Western civilization is its unique synthesis of reason and faith. But today that synthesis is under attack—from the East by radical Islam (faith without reason) and from within the West itself by aggressive secularism (reason without faith). The stakes are incalculably high. The naïve and increasingly common assumption that reason and faith are incompatible is simply at odds with the facts of history. The revelation in the Hebrew Scriptures of a reasonable Creator imbued Judaism and Christianity with a conviction that the world is intelligible, leading to the flowering of reason and the invention of science in the West. It was no accident that the Enlightenment took place in the culture formed by the Jewish and Christian faiths. We can all see that faith without reason is benighted at best, fanatical and violent at worst. But too many forget that reason, stripped of faith, is subject to its own pathologies. A supposedly autonomous reason easily sinks into fanaticism, stifling dissent as bigoted and irrational and devouring the humane civilization fostered by the integration of reason and faith. The blood-soaked history of the twentieth century attests to the totalitarian forces unleashed by corrupted reason. But Samuel Gregg does more than lament the intellectual and spiritual ruin caused by the divorce of reason and faith. He shows that each of these foundational principles corrects the other’s excesses and enhances our comprehension of the truth in a continuous renewal of civilization. By recovering this balance, we can avoid a suicidal winner-take-all conflict between reason and faith and a future that will respect neither.

This classic Pulitzer Prize-winning book depicts the various ways the Old and the New Worlds responded to the intrinsic contradictions of slavery from antiquity to the early 1770s, and considers the religious, literary, and philosophical justifications and condemnations current in the abolition controversy.

The workings of Western intelligence in our day--whether in politics or the arts, in the humanities or the church--are as troubling as they are mysterious, leading to the questions: Where are we going? What in the world were we thinking? By exploring the history of four "cultures" so deeply embedded in Western history that we rarely see their instrumental role in politics, religion, education, and the arts, this timely book provides a broad framework for addressing these questions in a fresh way.

This book initiates "the first critical appraisal of the whole of Western tonal consciousness, from the discoveries of Pythagoras to the latest popular song." While tonality has been unwittingly championed as the product of the bourgeois age in Europe and America from 1600 to 1900, Norton states, key-centered music is understood here merely to exhibit components of an encompassing sonic expressivity as durable as any language. The author analyzes fundamental components of Western tonal phenomena that have persisted in music from ancient Jewish cantillation to the so-called atonal procedures of the Schoenberg school and beyond. Norton isolates the role of traditional music theory in the creation of models that attempted to explain tonality solely in terms of the concretized and limited objectivity of the musical score. The author evaluates and discards those features of logical positivism, scientific empiricism, idealism, and vitalism that in his view have encumbered virtually all speculation on tonality. With this negation, his aim is to restore the composer as a creator subject to his own sonic object. The book's approach is particularly indebted to the thought of Theodor Adorno, the member of the Frankfurt School of critical theorists that Norton finds most capable of suggesting an authentic dialectic of tonality. The author interprets the activities of both theorists and composers from various periods within the context of their mutual and conflicting historical interests. Ranging through the fields of physics, acoustics, psychology, sociology, economics, and historical musicology and criticism, Norton demonstrates that the cognitive abilities and disabilities of humans as tonal hearers form a necessary ground for understanding the remarkable vitality of tonality as historical process. Current theories of human tonal activity are hopelessly limited, the book concludes, however self-preserving they have become through the sanction of academic respectability. In short, tonal science, as it is commonly practiced, is not tonal truth. In its place the author urges a thoroughgoing critique of the language and methodology of contemporary tonal speculation, an abandonment of its confining sphere of interest, and a new and liberating approach to tonal consciousness that incorporates all relevant data of human sonic cognition. This approach assumes that tonality is not merely the result of the physical unfolding of natural appearance--the overtone series that so enchanted Rameau, Schenker, Hindemith, and others--and the submission of composers to its assumed authority. Tonality is, rather, Norton contends, a decision made against the chaos of pitch and for the human potential to create works of music that speak with integrity and beauty, that as aesthetic creations neither lag behind nor rush ahead of human enjoyment and understanding.

Peter Kreeft presents a series of brilliant essays about many of the problems that undermine our Western civilization, along with ways to address them. "These essays are not new proposals or solutions to today's problems," he says. "They are old. They have been tried, and have worked. They have made people happy and good. That is what makes them so radical and so unusual today." In his witty, readable style, Kreeft implores us to gather wisdom and preserve it, as the monks did in the Middle Ages. He offers relevant philosophical precepts, divided into various categories, that can be collected and remembered in order to guide us and future generations in the days ahead. Kreeft emphasizes that the most necessary thing to save our civilization is to have children. If we don't have children, our civilization will cease to exist. The "unmentionable elephant in the room", he tells us, is sex, properly understood. Religious liberty is being attacked in the name of "sexual liberty", in other words, abortion. Kreeft encourages us to fight back—with joy and confidence—with the one weapon that will win the future: children.