A landmark study of one of Canada' most important architectural movementsThe West Coast Modern House chronicles the development of Vancouver residential architecture from the 1940's through its continued influence on contemporary practice. The post-war era in Vancouver defined what has become popularly know as the 'West Coast Style'. Through the work of seminal figures such as BC Binning, Ned Pratt, Ron Thom, Fred Hollingsworth, Douglas Simpson, Barry Downs and Arthur Erickson, Vancouver architects won national awards and international recognition for their innovative house designs. This period is now seen as one of the most important in the cities architectural history. Focusing on the years from 1940 to the mid-1960's, The West Coast Modern House features over fifty examples of modern houses. The book is richly Illustrated by photographs taken at the time by noted architectural photographers Graham Warrington, Selwyn Pullan and John Fulker. Essays by Greg Bellerby, Jana Tyner and Chris Macdonald elaborate on the history and innovative design strategies of the early period, through to an examination of the ways modern architectural concerns are being utilized by contemporary practitioners. The West Coast Modern House enables the reader to come to a greater understanding of the significance of modern residential architecture on the west coast and the persistence and relevance of its innovative design, material and construction strategies.

Breathtaking home designs that fit perfectly into the unique landscape of the West. Architects and designers are breaking new ground on the West Coast, incorporating tested ideas with modern technologies, materials, and concepts in thrilling and sustainable designs. This collection of more than 25 inspiring residences by such renowned western architects and interior designers as Ricardo and Victor Legorreta, Tom Kundig, Jim Jennings, Steven Ehrlich, Marmol Radziner, Aidlin Darling, Paul Wiseman, Terry Hunziker, and Gary Hutton showcases large and small homes that respond to the deserts, mountains, plains, and coastlines of the West. The sculptural forms and elegant interiors are at once both urban and rural, open to the outdoors, and always contemporary, comfortable, and stylish. Zahid Sardar is a San Francisco editor and writer specializing in architecture, interiors, and design. His work has appeared in Dwell, Interiors, Interior Design, California Home & Design, Elle Decor, House Beautiful, and the San Francisco Chronicle. He teaches design history at the California College of the Arts and has written several books, including San Francisco Modern and New Garden Design. Matthew Millman has photographed architecture and interior design in the western United States for the past 20 years. His work has appeared in Dwell, Architectural Digest, and the New York Times, as well as the design titles Concrete Countertops, Concrete at Home, and Model Making.

A must-have guide to one of the most fertile regions for the development of Mid-Century Modern architecture This handbook - the first ever to focus on the architectural wonders of the West Coast of the USA - provides visitors with an expertly curated list of 250 must-see destinations. Discover the most celebrated Modernist buildings, as well as hidden gems and virtually unknown examples - from the iconic Case Study houses to the glamour of Palm Springs' spectacular Modern desert structures. Much more than a travel guide, this book is a compelling record of one of the USA's most important architectural movements at a time when Mid-Century style has never been more popular. First-hand descriptions and colour photography transport readers into an era of unparalleled style, glamour, and optimism.

Ted Gioia tells the story of jazz as it has never been told before, in a book that brilliantly portrays the legendary players, the breakthrough styles, and the world in which it evolved. Gioia provides readers with lively portraits of great musicians, intertwined with vibrant commentary on the music they created. 9 photos.

In this new monograph, Swatt | Miers Architects presents their most recent, internationally acclaimed and award-winning West Coast projects as a synthesis of architecture and site.In this new monograph, Swatt | Miers Architects presents their most recent, internationally acclaimed and award-winning West Coast projects as a synthesis of architecture and site. "One can understand our work best by first understanding the land - we search for organisation and forms that naturally evolve from the site, and when we are most successful the designs seem simple, effortless, and almost inevitable. However, like a beautiful ballet, patience and almost endless practice are behind every simple move." The firm was recently nominated for the California Council AIA's 'Firm of the Year Award 2011'.IMAGES' second title with Robert Swatt. 'Livable Modern' (978 1 920744 5 2) continues to be an influential title. SELLING POINTS:- West coast architecture; a synthesis of architecture and site-beautiful houses matching the lifestyle of Southern California 400 col.

As an emerging photographer in the 1950s and '60s, Selwyn Pullan played an important role in popularising the new style of West Coast modernist architecture. Today his photographs are all that remain of many of these projects, now demolished or altered beyond recognition. His archive forms a crucial record of a definitive architectural movement.

In the 1960s, a group of Los Angeles artists fashioned a body of work that has come to be known as the “LA Look” or West Coast Minimalism. Its distinct aesthetic is characterized by clean lines, simple shapes, and pristine reflective or translucent surfaces, and often by the use of bright, seductive colors. While the role of materials and processes in the advent of these truly indigenous Los Angeles art forms has often been commented on, it has never been studied in depth — until now. Made in Los Angeles focuses on four pioneers of West Coast Minimalism — Larry Bell, Robert Irwin, Craig Kauffman, and John McCracken — whose working methods, often borrowed from other industries, featured the use of synthetic paints and resins as well as industrial processes to create objects that are both painting and sculpture. Bell, for example, coated plate glass with films of material that alter the way the light is absorbed, reflected, and transmitted, while Kauffman employed a process usually reserved for commercial signs for his work. McCracken coated plywood with fiberglass then spray painted it with countless layers of automotive paints, and Irwin spray-painted discs of hammered aluminum or vacuum-formed plastics. The detailed study of each artist’s work is presented in the context of the emergence of modern art in Los Angeles, the burgeoning mid-twentieth-century gallery scene, and the light-infused LA cityscape. Initially undertaken as part of the Pacific Standard Time: Art in L.A.1945–1980 initiative, this volume combines technical art history and scientific analysis to investigate conservation issues associated with the work of these artists, which are often emblematic of issues in the conservation of contemporary art in general.