Werner V. United States of America

Werner V. United States of America
Title Werner V. United States of America PDF eBook
Author
Publisher
Pages 98
Release 1958
Genre
ISBN

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Werner V. Miller

Werner V. Miller
Title Werner V. Miller PDF eBook
Author
Publisher
Pages 54
Release 1972
Genre
ISBN

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United States of America V. Werner

United States of America V. Werner
Title United States of America V. Werner PDF eBook
Author
Publisher
Pages 136
Release 1976
Genre
ISBN

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United States of America V. Olson

United States of America V. Olson
Title United States of America V. Olson PDF eBook
Author
Publisher
Pages 146
Release 1992
Genre
ISBN

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United States of America V. Kodzoman

United States of America V. Kodzoman
Title United States of America V. Kodzoman PDF eBook
Author
Publisher
Pages 64
Release 1979
Genre
ISBN

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Haffa V. United States of America

Haffa V. United States of America
Title Haffa V. United States of America PDF eBook
Author
Publisher
Pages 80
Release 1974
Genre
ISBN

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We Gotta Get Out of This Place

We Gotta Get Out of This Place
Title We Gotta Get Out of This Place PDF eBook
Author Doug Bradley
Publisher UMass + ORM
Pages 315
Release 2016-01-06
Genre History
ISBN 161376426X

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“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.