For more than twenty years Wendy Whiteley has worked to create a public garden at the foot of her harbourside home in Sydney's Lavender Bay. This is the extraordinary story of how a determined, passionate and deeply creative woman has slowly transformed an overgrown wasteland into a beautiful sanctuary for everyone to enjoy - and in the process, transformed herself. Wendy Whiteley was Brett Whiteley's wife, muse and model. An artist herself, with a finely honed aesthetic sense, she also created the interiors at the heart of Brett's iconic paintings of their Lavender Bay home. When Brett died, followed by the death nine years later of their daughter Arkie, Wendy threw her grief and creativity into making an enchanting hidden oasis out of derelict land owned by the New South Wales Government. This glorious guerrilla garden is Wendy's living artwork, designed with daubs of colour, sinuous shapes and shafts of light. This is Wendy's story but it's also the story of the countless people who cherish the Secret Garden. 'I've loved making this garden. It's been a great gift to my life. It let me find myself again, and it's my gift to share with the public.' Wendy Whiteley

One of the most enduring and pervasive myths about modernist architecture is that it was white-pure white walls both inside and out. Yet nothing could be further from the truth. The Color of Modernism explodes this myth of whiteness by offering a riot of color in modern architectural treatises, polemics, and buildings. Focusing on Germany in the early 20th century, one of modernism's most foundational and influential periods, it examines the different scientific and artistic color theories which were advanced by members of the German avant-garde, from Bruno Taut to Walter Gropius to Hans Scharoun. German color theory went on to have a profound influence on the modern movement, and Germany serves as the key case study for an international phenomenon which encompassed modern architects worldwide from le Corbusier and Alvar Aalto to Berthold Lubetkin and Lina Bo Bardi. Supported by accessible introductions to the development of color theory in philosophy, science and the arts, the book uses the German case to explore the new ways in which color was used in architecture and urban design, turning attention to an important yet overlooked aspect of the period. Much more than a mere correction to the historical record, the book leads the reader on an adventure into the color-filled worlds of psychology, the paranormal, theories of sensory perception, and pleasure, showing how each in turn influenced the modern movement. The Color of Modernism will fundamentally change the way the early modernist period is seen and discussed.

When Sadie inherits Poet's Cottage, she sets out to discover all she can about her notorious grandmother, Pearl Tatlow. Pearl, a children's writer who scandalised 1930s Tasmania, was violently murdered in the cellar and her killer never found.Sadie grew up with a loving version of Pearl through her mother, but her aunt Thomasina tells a different story, one of a self-obsessed, abusive and licentious woman.As Sadie and her daughter Betty work to uncover the truth, strange events begin to occur in the cottage. And as the terrible secret in the cellar threads its way into the present day, it reveals a truth more shocking than the decades-long rumours.Poet's Cottage is a beautiful and haunting mystery of families, bohemia, truth, creativity, lies, memory and murder.

Every year thousands visit the Art Gallery of NSW to view the entrants in the Archibald Prize for Portraiture. He was the founding editor of one of the most iconic newspapers, The Bulletin. Yet very little is known about J.F. Archibald.

This unique presentation of the best-selling, internationally acclaimed graphic novel THE ARRIVAL, and a new companion volume of commentary and developmental drawings, SKETCHES FROM A NAMELESS LAND, beautifully packages the two books within a traveller's suitcase that also contains a limited edition numbered Shaun Tan print of an illustration from THE ARRIVAL. The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope. This collector's edition will fascinate anyone who has fallen under the spell of Shaun Tan s timeless story, and offers a revealing insight into the craft of one of Australia s most compelling author-illustrators. THE ARRIVAL has become one of the most critically acclaimed books of recent years, a wordless masterpiece that describes a world beyond any familiar time or place. How did it come to be created, and what inspired its unique and captivating story? In SKETCHES FROM A NAMELESS LAND, author Shaun Tan explains the origins of his ideas, using examples from early research and concept sketches through to finished artwork. In tracing this evolution, he sheds light on the silent language of images, the spirit of the migrant experience and the artist s creative journey. www.thearrival.com.au

For the first time, see the making of Sydney and all its public buildings and places in exquisite drawings in this new book. For anyone who cares about Sydney, or cities in general -- whether a passionate city dweller, architect, landscape designer, planner, engineer or historian -- it offers a deep appreciation of the city's evolution.

This treasury of Australian art created between the two world wars sheds fascinating light on the country's incredible artistic growth and the flowering of modernism Down Under. This volume comprises some 400 works by Ralph Balson, Frank and Margel Hinder, Roland Wakelin, and others in the Australian vanguard. Arranged by theme, the art reflects a remarkable range of styles and genres: abstraction, landscapes, still lifes, portraits.