"The great purpose of landscape art is to make us at home in our own country" was the nationalist maxim motivating the Group of Seven's artistic project. The empty landscape paintings of the Group played a significant role in the nationalization of nature in Canada, particularly in the development of ideas about northernness, wilderness, and identity. In this book, John O'Brian and Peter White pick up where the Group of Seven left off. They demonstrate that since the 1960s a growing body of both art and critical writing has looked "beyond wilderness" to re-imagine landscape in a world of vastly altered political, technological, and environmental circumstances. By emphasizing social relationships, changing identity politics, and issues of colonial power and dispossession contemporary artists have produced landscape art that explores what was absent in the work of their predecessors. Beyond Wilderness expands the public understanding of Canadian landscape representation, tracing debates about the place of landscape in Canadian art and the national imagination through the twentieth century to the present. Critical writings from both contemporary and historically significant curators, historians, feminists, media theorists, and cultural critics and exactingly reproduced artworks by contemporary and historical artists are brought together in productive dialogue. Beyond Wilderness explains why landscape art in Canada had to be reinvented, and what forms the reinvention took. Contributors include Benedict Anderson (Cornell), Grant Arnold (Vancouver Art Gallery). Rebecca Belmore, Jody Berland (York), Eleanor Bond (Concordia), Jonathan Bordo (Trent), Douglas Cole, Marlene Creates, Marcia Crosby (Malaspina), Greg Curnoe, Ann Davis (Nickle Arts Museum), Leslie Dawn (Lethbridge), Shawna Dempsey, Christos Dikeakos, Peter Doig, Rosemary Donegan (OCAD), Stan Douglas, Paterson Ewen, Robert Fones, Northrop Frye, Robert Fulford, General Idea, Rodney Graham, Reesa Greenberg, Gu Xiong (British Columbia), Cole Harris (British Columbia), Richard William Hill (Middlesex), Robert Houle, Andrew Hunter (Waterloo), Lynda Jessup (Queen's), Zacharias Kunuk (Igloolik Isuma Productions), Johanne Lamoureux (Montreal), Robert Linsley (Waterloo), Barry Lord (Lord Cultural Resources), Marshall McLuhan, Mike MacDonald, Liz Magor (ECIAD), Lorri Millan, Gerta Moray (Guelph), Roald Nasgaard (Florida State), N.E. Thing Company, Carol Payne (Carleton), Edward Poitras, Dennis Reid (Art Gallery of Ontario), Michel Saulnier, Nancy Shaw (Simon Fraser), Johanne Sloan (Concordia), Michael Snow, Robert Stacey, David Thauberger, Loretta Todd, Esther Trepanier (Quebec), Dot Tuer (OCAD), Christopher Varley, Jeff Wall, Paul H. Walton (McMaster), Mel Watkins (Toronto), Scott Watson (British Columbia), Anne Whitelaw (Alberta), Joyce Wieland, Jin-me Yoon (Simon Fraser), Lawrence Paul Yuxweluptun, and Joyce Zemans (York).

This comprehensive volume is an indispensable resource for researchers as well as general readers interested in the geography, history, and culture of London, examining all aspects of life in the United Kingdom's capital city. London is one of the largest cultural and financial centers in the world. How did it become the capital city of the United Kingdom, and what is life like in this global city today? Narrative chapters cover a wide range of topics in this volume, examining such themes as location, people, history, politics, economy, environment and sustainability, local crime and violence, security issues, natural hazards and emergency management, culture and lifestyle, London in pop culture, and London's future. Inset boxes entitled "Life in the City" include personal memoirs from people who are from or have lived in London, allowing readers a glimpse into daily life in the city. Sidebars, a chronology, and a bibliography round out the text. This volume is ideal for students and general readers who are interested in learning about life in this global city.

It started on a cold, frosty morning in 1951 in Christchurch, New Zealand, with a seventeen-year-old-boy, a crate of sheeps' kidneys and a dream. The boss of the city's Belfast meatworks, had arrived an hour early to set up for the day, when he noticed one of his workers packing up a crate on the countertop. The young lad was battling to move it so the boss went over to help. When asked what time he'd started, the boy replied 'Five o'clock this morning'. Stunned, and amused, the boss told him he'd be earning a good bonus at the end of the week, and wondered aloud what he'd spend it on. But the boy knew, and immediately replied, 'I'm going to race speedway in England.' And he did. That boy was Barry Briggs, and it was just the start of his great adventure. Little did he know he was soon to become the legendary speedway racer more commonly known as Briggo, and later as Barry Briggs MBE. From dangerous encounters in the jungles of Liberia to teaching Steve McQueen to slide a speedway bike, Briggo's incredible story is one of strength, determination and a life lived firmly in the fast lane.

Wimbledon has long stood at the pinnacle of British and world tennis. But, as Kevin Jefferys shows in this ground-breaking new study, Britain has a rich history of international standard play beyond SW19, in top-level tournaments and Davis Cup competitions at iconic venues such as Queen's Club, Eastbourne and Edgbaston. The book traces the fluctuating fortunes of a dozen or so tournaments that have brought the world's finest players to English shores during the 140-year history of lawn tennis. Taking a tour around different regions of the country, the author sheds fresh light on the best-known events and on largely forgotten but once high-profile tournaments held in Bristol, Torquay and Scarborough. Both a record and a celebration of England's tennis heritage, the book is packed with stories about memorable players and matches, full results for singles finals and anecdotes about quirky or controversial incidents, ranging from the courtside fire that halted a tournament final to the anti-apartheid protests that disrupted a Davis Cup tie.

An answered prayer for Beatles fans and collectors, the first ­volume of a unique work that exhaustively chronicles all known and ­available Beatles recordings! Have you ever watched a Beatles film clip and wondered: • Where was that filmed? • Is any more of that footage available? Have you ever heard a Beatles interview and asked: • When was that taped? • Where’s the best place to find the complete recording? Way Beyond Compare has the answers to these and thousands of similar questions. It’s the key to unlocking the secrets behind every known Beatles recording in circulation through 1965, telling you where to find them, what makes them unique, and how they fit within the context of the Beatles’ amazing musical and cultural journey. Author John C. Winn has spent twenty years (twice as long as the Beatles were together!) ­sifting through, scrutinizing, organizing, and analyzing hundreds of hours of audio and video recordings—and putting them into a digestible chronological framework for Way Beyond Compare and its companion volume, That Magic Feeling: The Beatles’ Recorded Legacy, Volume Two, 1966–1970. “It takes a rare and special kind of mind to sift through it all, to research and enquire, catalogue and chronicle, assess and contrast, identify and label, and to fit all the myriad pieces into the vast jigsaw puzzle that is the Beatles’ career. John C. Winn is that person, and he’s done it with a rare skill and intelligence.” —Mark Lewisohn

Television is no longer the only screen delivering footage and news to people about sport. Computers, the Internet, Web, mobile and other digital media are increasingly important technologies in the production and consumption of sports media. Sport Beyond Television analyzes the changes that have given rise to this situation, combining theoretical insights with original evidence collected through extensive research and interviews with people working in the media and sport industries. It locates sports media as a pivotal component in online content economies and cultures, and counteracts the scant scholarly attention to sports media when compared to music, film and publishing in convergent media cultures. An expanding array of popular sports media – industry, user, club, athlete and fan produced – is now available and accessible in networked digital communications environments. This change is confounding the thinking of major sports organizations that have lived off the generous revenue flowing from exclusive broadcast contracts with free-to-air and subscription television networks for the last five decades. These developments are creating commercial and policy confusion, particularly as sports audiences and the advertising market fragment in line with the proliferation of niche channels and sources of digital sports media. Chapters in this title examine the shift from broadcast to online sports media markets, the impact of social networking platforms like Twitter and Facebook, evolving user and fan practices, the changing character of sports journalism, and the rise of sports computer gaming. Each chapter traces the socio-cultural implications of trends and trajectories in media sport.

Includes section "Reviews and notices of books".