In 2013, Julie Burchill wrote a mischievous piece in the Observer to defend her friend Suzanne Moore. Burchill had not anticipated the vitriolic reaction that her words would provoke. She was pursued by the outrage mob, and there were even calls in the British House of Commons for her to be fired from her job. After that, Burchill - now known as "the dark star of Fleet Street" - was lucky to be to writing online blog pieces for the Spectator. Welcome to the Woke Trials is part-memoir and part-indictment of what happened to Julie Burchill between then and now, as the regiments of the woke took over journalism. It is also a characteristically irreverent and entertaining analysis of the key elements of a continuing and disturbing phenomenon - all told with the common touch and rampant vulgarity that has made Burchill a household name. Raised in a communist household and a lifelong Labour Party voter, Burchill also makes the case for a progressive future politics, a time when we see ourselves as a common humanity with similar hopes and dreams rather than a childish world of villains and victims. As she argues, the day we awake from our sleepwalking cannot come too soon.

Now in a full-length book, the New York Times Pulitzer Prize–winning graphic story of a refugee family who fled the civil war in Syria to make a new life in America After escaping a Syrian prison, Ibrahim Aldabaan and his family fled the country to seek protection in America. Among the few refugees to receive visas, they finally landed in JFK airport on November 8, 2016, Election Day. The family had reached a safe harbor, but woke up to the world of Donald Trump and a Muslim ban that would sever them from the grandmother, brothers, sisters, and cousins stranded in exile in Jordan. Welcome to the New World tells the Aldabaans’ story. Resettled in Connecticut with little English, few friends, and even less money, the family of seven strive to create something like home. As a blur of language classes, job-training programs, and the fearsome first days of high school (with hijab) give way to normalcy, the Aldabaans are lulled into a sense of security. A white van cruising slowly past the house prompts some unease, which erupts into full terror when the family receives a death threat and is forced to flee and start all over yet again. The America in which the Aldabaans must make their way is by turns kind and ignorant, generous and cruel, uplifting and heartbreaking. Delivered with warmth and intimacy, Welcome to the New World is a wholly original view of the immigrant experience, revealing not only the trials and successes of one family but showing the spirit of a town and a country, for good and bad.

'They say you never get over your first love and in my case, they were right. But, typically greedy, my first love was a whole race of people - the Jews.' Bristling with strong opinions and fizzing with wit, Julie Burchill narrates the story of how a chance discovery of her father's copy of a World at War magazine about the holocaust kindled an obsessive love that still sustains her today. The book follows the course of this affair from her days as a rock journalist pretending to be Jewish, through her volatile marriage to a Jewish man, her public spats with anti-Israel writers, her dislike.

For the better part of a century, the Left has been waging a slow, methodical battle for control of the institutions of Western civilization. During most of that time, “business”— and American Big Business, in particular — remained the last redoubt for those who believe in free people, free markets, and the criticality of private property. Over the past two decades, however, that has changed, and the Left has taken its long march to the last remaining non-Leftist institution. Over the course of the past two years or so, a small handful of politicians on the Right — Senators Tom Cotton, Marco Rubio, and Josh Hawley, to name three — have begun to sense that something is wrong with American business and have sought to identify the problem and offer solutions to rectify it. While the attention of high-profile politicians to the issue is welcome, to date the solutions they have proposed are inadequate, for a variety of reasons, including a failure to grasp the scope of the problem, failure to understand the mechanisms of corporate governance, and an overreliance on state-imposed, top-down solutions. This book provides a comprehensive overview of the problem and the players involved, both on the aggressive, hardcharging Left and in the nascent conservative resistance. It explains what the Left is doing and how and why the Right must be prepared and willing to fight back to save this critical aspect of American culture from becoming another, more economically powerful version of the “woke” college campus.

Nora Reid believes scientific laws control everything, even love. With her grandparents’epic first kiss story cemented in her brain, Nora develops a hypothesis she’s determined to prove:for each person in the world, there is exactly one other person, and at first kiss, they’ll experience an immediate and intense reaction. But after four years of zero-reaction kisses, she comes up with a new theory: maybe that pesky crush on her stunningly hot best friend Eli Costas is skewing her results. She needs to get rid of him, and fast. Eli Costas is an injury-prone lacrosse star with a problem—the one chance he had at winning over the girl next door resulted in the most epically sucktastic first kiss ever. And now she’s...trying to get rid of him? Hell no. It’s time to disprove her theory and show her exactly what she’s missing. Game. On. Disclaimer: This book contains a stunningly hot lacrosse player who isn’t above playing dirty to win over the stubborn girl-next-door of his dreams. Each book in the First Kiss Hypothesis series is STANDALONE: * The First Kiss Hypothesis * Love and Other Secrets * Stuck With You

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett’s prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." —Publisher's Weekly “Any story that starts will also end.” As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores “what it means to be seen, to find someone with whom you can be your best and most complete self.” When Patchett chose an early galley of actor and producer Tom Hanks’ short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman—Tom’s brilliant assistant Sooki—with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer’s eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo’s children’s books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz’s Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author’s grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark—and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

'One of the best books I've read in the last five or ten years... Wild is angry, brave, sad, self-knowing, redemptive, raw, compelling, and brilliantly written, and I think it's destined to be loved by a lot of people, men and women, for a very long time.' Nick Hornby