There is a secret society that presides over every world. This society is so powerful that it can control a nation, strike fear into the bravest of men and bring turmoil onto the most unsuspecting of victims. . . .There is a dangerous society in Seoul that is plaguing Choi Yoori. Her world is turned upside down when she is told that she bears a strong resemblance to the "Queen of the Underworld," a notorious Underworld crime lord who died 3 years prior - the exact same time Yoori woke up with amnesia. The dangers of this new world is crashing in on her and Yoori's only grip on stability lies with the guidance from her crime lord boss and the secrets the Queen of the Underworld hid from her powerful society. Welcome to a world where "Gods" walk amongst humans. Where the heartless and vengeful are revered like Kings and Queens - and the weak, the distracted are punished without mercy. It is a cruel world and once you're in, the only exit is death.

The Dirty Harold is a book of a lifetime...it may not take a lifetime to fully read it, but to grasp it...but maybe you get it as soon as you can say Jack Robinson, even if Jack Robinson is new to you.So you can rely on the fact that the Ultra-Short Stories in this book change your perspective on short stories and not only on short stories, as long stories just take too much time to fully read them in our restless times. This much The Dirty Harold can tell you, as his Ultra-Short Stories are loaded with dynamite, sometimes shimmering, sometimes humorous, sometimes bizarre, and sometimes just dynamite, but always something to think about. Welcome to the Underworld of Literature!

"Reproducible comic book-style retellings that introduce kids to these riveting classic stories ..."--Cover.

Perpetual scaredy-cat Conor O'Neill has the fright of his life when a banshee girl named Ashling shows up in his bedroom. Ashling is--as all banshees are--a harbinger of death, but she's new at this banshee business, and first she insists on going to middle school. As Conor attempts to hide her identity from his teachers, he realizes he's going to have to pay a visit to the underworld if he wants to keep his family safe. "Got your cell?" "Yeah . . . . Don't see what good it'll do me." "I'll text you if anything happens that you should know." "Text me? Javier, we'll be in the afterlife." "You never know. Maybe they get a signal." Discover why Kirkus has called Booraem's work "utterly original American fantasy . . . frequently hysterical." This totally fresh take on the afterlife combines the kid next door appeal of Percy Jackson with the snark of Artemis Fowl and the heart of a true middle grade classic.

Myths of the Underworld in Contemporary Culture: The Backward Gaze examines a series of twentieth and twenty-first century fictional works that adapt Greco-Roman myths of the catabasis, the heroic journey to the underworld. Covering a range of genres - including novels, comics, and children's culture, by authors such as Elena Ferrante, Salman Rushdie, Neil Gaiman, A. S. Byatt, Toni Morrison, and Anne Patchett - it reveals how an enduring fascination with life after death, and fantasies of accessing the world of the dead while we are still alive, manifest themselves in myriad and varied re-imaginings of the ancient descent myth. The volume begins with a detailed overview of the use of the myth by ancient authors such as Homer, Aristophanes, Vergil, and Ovid, before exploring the ways in which the narrative of a return trip to Hades by Odysseus, Aeneas, Orpheus, and Persephone can be manipulated by contemporary storytellers to fit themes of social marginality and alterity, postmodern rebellion, the position of female authors in the literary canon, and the dislocation endured by refugees, exiles, and diasporic populations. It also argues that citations of classical underworld stories can disrupt and challenge the literary canon by using media - such as comic books, children's culture, or rock music - not conventionally associated with high culture.

She has tempted many men…but never found her equal. Until now. Though she has lived for centuries, Anya, goddess of anarchy, has never known pleasure. Until Lucien, the incarnation of death—a warrior eternally doomed to take souls to the hereafter. He draws her like no other. And Anya will risk anything to have him. But when the merciless Lord of the Underworld is ordered by the gods to claim Anya herself, their uncontrollable attraction becomes an anguished pursuit. Now they must defeat the unconquerable forces that control them, before their thirst for one another demands a sacrifice of love beyond imagining…. And don't miss the latest book in the irresistibly seductive Lords of the Underworld series, The Darkest Torment, featuring the fierce warrior Baden who will stop at nothing to claim the exquisite human with the power to soothe the beast inside him… Previously published.

IT IS THE YEAR ONE-KNIFE IN TENOCHTITLAN - THE CAPITAL OF THE AZTECS. The end of the world is kept at bay only by the magic of human sacrifice. A Priestess disappears from an empty room drenched in blood. Acatl, High Priest of the Dead must find her, or break the boundaries between the worlds of th living and the dead. But how do you find someone, living or dead, in a world where blood sacrifices are an everyday occurrence and the very gods stalk the streets? File Under: Fantasy [ Aztec Mystery | Locked Room | Human Sacrifice | The Dead Walk! ]