It details a fascinating journey of tremendous highs and overwhelming lows..Its a life story that a Hollywood writer would have an enormous task to create. It showcases the will of the human spirit and how against daunted dismay and frustration it wins in the end.

What do 'stage directions' do in early modern drama? Who or what are they directing: action on the stage, or imagination via the page? Is the label 'stage direction' helpful or misleading? Do these 'directions' provide evidence of Renaissance playhouse practice? What happens when we put them at the centre of literary close readings of early modern plays? Stage Directions and Shakespearean Theatre investigates these problems through innovative research by a range of international experts. This collection of essays examines the creative possibilities of stage directions and and their implications for actors and audiences, readers and editors, historians and contemporary critics. Looking at the different ways stage directions make meaning, this volume provides new insights into a range of Renaissance plays.

This book documents the current polarization in Germany regarding the issue of refugee immigration. It presents quantitative estimates for both xenophobia and xenophilia in the German population, including short-time changes. The book suggests a conceptual change of perspectives. It focuses not only on the pathogenic model that accounts for outcomes such as xenophobia, Islamophobia and other forms of (inter-religious) prejudice, but on a salutogenic model. In the book’s view, the salutogenic model entails xenosophia: the wisdom, creativity and inspiration that emerges from the encounter with the strange and the strange religion. The book addresses individual dispositions, which may lead to xenophobia or xenosophia, and takes into account predictors such as religiosity, religious schemata, value preferences, tolerance of complexity, and violence legitimizing norms of masculinity. A selection of case studies present typical biographical trajectories toward xenosophia.

A pediatrician fresh out of residency returns home to join his parents’ medical practice. The challenges he faces have less to do with medicine than with life and love.

In 1968, as Sue Skilton Orrell left her hometown, DeLand, Florida, she felt that the turmoil in her personal life was as chaotic as the widespread social and political unrest reported in the national news headlines. Despite the history that made her opt to stay away for over 54 years, she completed her formal education, built a successful career in Music Education, and dated every time she was single. Catastrophic weather events that impacted Houston and the onset of night driving limitation led Sue to consider returning to DeLand, the hometown she had never stopped missing. With resolute courage reinforced by numerous friends, family members, and strangers, she faced every decision and challenge to sell her house in Houston, buy another house in DeLand, and make the move within three months after first seriously considering the possibility of reclaiming the bucolic charm of DeLand, home of Stetson University, her undergraduate alma mater. This collection of short stories and journal entries covers the topics of Travel, Teaching, and Dating in Part One. Part Two addresses Weather, Real Estate, and Release. Sue links the topics by reflecting upon their effects on her personal growth, which enabled her ultimately to follow the path home and to be at peace not only within herself, but also in her hometown. For example, rather than writing a typical travelogue that stresses the geographical or cultural aspects of an area, she explored the dynamics of personal relationships and accidental adventures that occurred during some of her trips.

This text seeks to raise the curtain on competitive pricing strategies and asserts that businesses often miss their best opportunity for providing consumers with what they want - an experience. It presents a strategy for companies to script and stage the experiences provided by their products.

This volume brings together a wide selection of primary source materials from the theatrical history of the Middle Ages. The focus is on Western Europe between the fall of the Roman Empire and the emergence of markedly Renaissance forms in Italy. Early sections of the volume are devoted to the survival of Classical tradition and the development of the liturgical drama of the Roman Catholic Church, but the main concentration is on the genesis and growth of popular religious drama in the vernacular. Each of the major medieval regions is featured, while a final section covers the pastimes and customs of the people, a record of whose traditional activities often only survives in the margins of official recognition. The documents are compiled by a team of leading scholars in the field and the over 700 documents are all presented in modern English translation.