It started in Compton. it ended in infamy. In the wake of Marion "Suge" Knight's move to rip the guts out of Ruthless Records and NWA, Death Row Records exploded on the music scene in 1993 with the "gangster rap" sound that had taken world by storm.Yet despite its unprecedented success with stars such as Dr. Dre, Snoop Dogg and Tupac Shakur, it quickly unraveled in a firestorm of rivalries, greed, violence and government scrutiny as Suge Knight's unconventional business methods increasingly mirrored the violent, hard-edged themes of its music. Based on the award winning documentary film of the same name, WELCOME TO DEATH ROW is the complete and untold story of the rise and fall of the notorious Death Row Records label, presented as an oral history through first-hand accounts of the people that lived it. It is vastly expanded with compelling (and sometimes shocking) accounts not heard in the documentary film, with stories from over 60 former Death Row rappers, promoters, music executives, journalists, producers, managers, publicists, lawyers and drug dealers -all eyewitnesses to the label's phenomenal success, internal battles and violence, and its inevitable crash. Interwoven with these histories is the story of the high-risk quest to complete the film, chronicling how director Leigh Savidge and producers Steve Housden & Jeff Scheftel navigated a surreal world of Crips & Bloods, crooked lawyers and cocaine kingpins, 'gangsta' rappers and thuggish music executives, and how the team persuaded the key players to tell their story under the threat of retaliation from every element, including threats from major music companies and the bizarre involvement of OJ Simpson prosecutor Chris Darden. Universal Pictures' STRAIGHT OUTTA COMPTON was developed at Xenon as a follow up to the WELCOME TO DEATH ROW with its producers constructing the story and acquiring rights, and initial drafts of the screenplay written by Savidge, for which he received an Oscar nomination.

Now in a new edition, condemned men and women speak for themselves about the reality behind bars on death row.

Author Jake Brown has woven a tale of intense drama that paved the way for some of the world’s biggest stars, including: Tupac Shakur, Dr. Dre and Snoop Dog. The Suge Knight and Death Row Story details the visionary entrepreneur’s life story, encompassing his meteoric rise to the top of the charts after partnering with Dre to found Death Row Records. It tells you where Suge intends to take Hip Hop in the new millennium and features insightful interviews with business associates, family members and artists who speak candidly about his life.

In the vein of Waiting for an Echo and Dead Man Walking, a deeply immersive look at justice in America, told through the interwoven lives of condemned prisoners and the men and women who come to visit them . . . In 2018, after nearly a decade’s hiatus, the state of Tennessee began executing death row inmates, bucking national trends that showed the death penalty in decline. In less than two years, the state put seven men to death, more than any other state but Texas in that time period. It was an execution spree unlike any seen in Tennessee since the 1940s, one only brought to a halt by a global pandemic. Award-winning journalist Steven Hale was the leading reporter on these executions, covering them both locally for the Nashville Scene alt-weekly and nationally for The Appeal. In Death Row Welcomes You, Hale traces the lives of condemned prisoners at the Riverbend Maximum Security Institution—and the people who come to visit them. What brought them—the visitors and convicted murderers alike—to death row? The visitors are, for the most part, not activists—or at least they did not start out that way. Nor are they the sort of killer-obsessed death row groupies such settings sometimes attract. In fact, in most cases they are average people whose lives, not to mention their views on the death penalty, were turned upside down by a face-to-face meeting with a death row prisoner. Hale’s access to the people that make up that community afforded him a perspective that no other journalist has been granted, largely because Tennessee’s Department of Correction has all but shut off official media access. Combining topics that have long fascinated readers—crime, death, and life inside prison—Hale writes with humanity, empathy, and insight earned by befriending death row prisoners . . . and standing witness to their final moments.

Preeminent rap journalist Ronin Ro exposes Death Row Records: an empire built on greed, corruption, murder, and exploitation. 16 photos.

"Raw, authoritative, and unflinching ... An elaborately detailed, darkly surprising, definitive history of the LA gangsta rap era." -- Kirkus, starred review A monumental, revealing narrative history about the legendary group of artists at the forefront of West Coast hip-hop: Eazy-E, Dr. Dre, Ice Cube, Snoop Dogg, and Tupac Shakur. Amid rising gang violence, the crack epidemic, and police brutality, a group of unlikely voices cut through the chaos of late 1980s Los Angeles: N.W.A. Led by a drug dealer, a glammed-up producer, and a high school kid, N.W.A gave voice to disenfranchised African Americans across the country. And they quickly redefined pop culture across the world. Their names remain as popular as ever -- Eazy-E, Dr. Dre, and Ice Cube. Dre soon joined forces with Suge Knight to create the combustible Death Row Records, which in turn transformed Snoop Dogg and Tupac Shakur into superstars. Ben Westhoff explores how this group of artists shifted the balance of hip-hop from New York to Los Angeles. He shows how N.W.A.'s shocking success lead to rivalries between members, record labels, and eventually a war between East Coast and West Coast factions. In the process, hip-hop burst into mainstream America at a time of immense social change, and became the most dominant musical movement of the last thirty years. At gangsta rap's peak, two of its biggest names -- Tupac and Biggie Smalls -- were murdered, leaving the surviving artists to forge peace before the genre annihilated itself. Featuring extensive investigative reporting, interviews with the principal players, and dozens of never-before-told stories, Original Gangstas is a groundbreaking addition to the history of popular music.

NEW YORK TIMES EDITORS’ CHOICE • A deeply reported, searingly honest portrait of the death penalty in Texas—and what it tells us about crime and punishment in America “If you’re one of those people who despair that nothing changes, and dream that something can, this is a story of how it does.”—Anand Giridharadas, The New York Times Book Review WINNER OF THE J. ANTHONY LUKAS AWARD In 1972, the United States Supreme Court made a surprising ruling: the country’s death penalty system violated the Constitution. The backlash was swift, especially in Texas, where executions were considered part of the cultural fabric, and a dark history of lynching was masked by gauzy visions of a tough-on-crime frontier. When executions resumed, Texas quickly became the nationwide leader in carrying out the punishment. Then, amid a larger wave of criminal justice reform, came the death penalty’s decline, a trend so durable that even in Texas the punishment appears again close to extinction. In Let the Lord Sort Them, Maurice Chammah charts the rise and fall of capital punishment through the eyes of those it touched. We meet Elsa Alcala, the orphaned daughter of a Mexican American family who found her calling as a prosecutor in the nation’s death penalty capital, before becoming a judge on the state’s highest court. We meet Danalynn Recer, a lawyer who became obsessively devoted to unearthing the life stories of men who committed terrible crimes, and fought for mercy in courtrooms across the state. We meet death row prisoners—many of them once-famous figures like Henry Lee Lucas, Gary Graham, and Karla Faye Tucker—along with their families and the families of their victims. And we meet the executioners, who struggle openly with what society has asked them to do. In tracing these interconnected lives against the rise of mass incarceration in Texas and the country as a whole, Chammah explores what the persistence of the death penalty tells us about forgiveness and retribution, fairness and justice, history and myth. Written with intimacy and grace, Let the Lord Sort Them is the definitive portrait of a particularly American institution.