David Thompson Country: A Scrambling Guide is the first extensive scrambling guidebook for David Thompson Country in Alberta, Canada. All scrambles are located between Nordegg and the North Saskatchewan Crossing/Highway 93 in Banff National Park. Each peak or ridge can be done in a day from Highway 11. Trips range from easy walk-ups suitable for novice scramblers, to difficult, hands on scrambles entering the realm of climbing.

Desert Channels is a book that combines art, science and history to explore the ‘impulse to conserve’ in the distinctive Desert Channels country of south-western Queensland. The region is the source of Australia’s major inland-flowing desert rivers. Some of Australia’s most interesting new conservation initiatives are in this region, including partnerships between private landholders, non-government conservation organisations that buy and manage land (including Bush Heritage Australia and the Australian Wildlife Conservancy) and community-based natural resource management groups such as Desert Channels Queensland. Conservation biology in this place has a distinguished scientific history, and includes two decades of ecological work by scientific editor Chris Dickman. Chris is one of Australia’s leading terrestrial ecologists and mammalogists. He is an outstanding writer and is passionate about communicating the scientific basis for concern about biodiversity in this region to the broadest possible audience. Libby Robin, historian and award-winning writer, has co-ordinated the writings of the 46 contributors whose voices collectively portray the Desert Channels in all its facets. The emphasis of the book is on partnerships that conserve landscapes and communities together. Short textboxes add local and technical commentary where relevant. Art and science combine with history and local knowledge to richly inform the writing and visual understanding of the country. Conservation here is portrayed in four dimensions: place, landscape, biodiversity and livelihood. These four parts each carry four chapters. The ‘4x4’ structure was conceived by acclaimed artist, Mandy Martin, who has produced suites of artworks over three seasons in this format with commentaries, which make the interludes between parts. Martin’s work offers an aesthetic framework of place, which shapes how we see the region. Desert Channels explores the impulse to protect the varied biodiversity of the region, and its Aboriginal, pastoral and prehistoric heritage, including some of Australia’s most important dinosaur sites. The work of Alice Duncan-Kemp, the region’s most significant literary figure, is highlighted. Even the sounds of the landscape are not forgotten: the book's webpage has an audio interview by Alaskan radio journalist Richard Nelson talking to ecologist Steve Morton at Ocean Bore in the Simpson Desert country. The twitter of zebra finches accompanies the interview. Conservation can be accomplished in various ways and Desert Channels combines many distinguished voices. The impulse to conserve is shared by local landholders, conservation enthusiasts (from the community and from national and international organisations), Indigenous owners, professional biologists, artists and historians.

When Luke O’Neil isn’t angry, he’s asleep. When he’s awake, he gives vent to some of the most heartfelt, political and anger-fueled prose to power its way to the public sphere since Hunter S. Thompson smashed a typewriter’s keys. Welcome to Hell World is an unexpurgated selection of Luke O’Neil’s finest rants, near-poetic rhapsodies, and investigatory journalism. Racism, sexism, immigration, unemployment, Marcus Aurelius, opioid addiction, Iraq: all are processed through the O’Neil grinder. He details failings in his own life and in those he observes around him: and the result is a book that is at once intensely confessional and an energetic, unforgettable condemnation of American mores. Welcome to Hell World is, in the author’s words, a “fever dream nightmare of reporting and personal essays from one of the lowest periods in our country in recent memory.” It is also a burning example of some of the best writing you’re likely to read anywhere.

At age 75, David Thompson began to write about his life of exploration and surveying in western North America from 1784 to 1812. At this point, how-ever, the odds of finishing were slim; his eyesight was failing, his body was worn out after years of strain on portages and mountain passes. For five years he toiled with rewrites and revisions, never able to set the final account in order. On 16 January 1851 he put his "papers to right" in one last attempt to finish his work. By 28 February 1851, no longer able to see, he gave up his pen as well as any hope of completing his Travels. Like a true surveyor, though, he left a well-blazed trail for others to follow. Drawing from the four surviving manuscripts and Thompson's 77 notebooks filled with daily journals, reports, essays, and anecdotes, Sean Peake finished what Thompson set out to achieve: a full account that encompasses the "extent of the forests, of the great Plains, the animals, birds, fishes &c &c peculiar to each section; the various tribes of Indians which inhabit these countries, their several languages, their religious opinions, manners and mode of life, place and extent of hunting grounds, and the changes which have taken place, by the fortune of war or other causes... a curious and extensive collection of all that can fall under the observation of a traveller." This edition of The Travels of David Thompson is a landmark publication in Canadian history, fully deserving of a place on the bookshelf of anyone interested in a first-hand account of the tumultuous struggle for control of western North America.

At age 75, David Thompson began to write about his life of exploration and surveying in western North America from 1784 to 1812. At this point, how-ever, the odds of ?nishing were slim; his eyesight was failing, his body was worn out after years of strain on portages and mountain passes. For ?ve years he toiled with rewrites and revisions, never able to set the ?nal account in order. On 16 January 1851 he “put his “papers to right” in one last attempt to ?nish his work. By 28 February 1851, no longer able to see, he gave up his pen as well as any hope of completing his Travels. Like a true surveyor, though, he left a well-blazed trail for others to follow. Drawing from the four surviving manuscripts and Thompson’s 77 notebooks ?lled with daily journals, reports, essays, and anecdotes, Sean Peake ?nished what Thompson set out to achieve: a full account that encompasses the “extent of the forests, of the great Plains, the animals, birds, ?shes &c &c peculiar to each section; the various tribes of Indians which inhabit these countries, their several languages, their religious opinions, manners and mode of life, place and extent of hunting grounds, and the changes which have taken place, by the fortune of war or other causes... a curious and extensive collection of all that can fall under the observation of a traveller.” This edition of The Travels of David Thompson is a landmark publication in Canadian history, fully deserving of a place on the bookshelf of anyone interested in a ?rst-hand account of the tumultuous struggle for control of western North America.