Growing up in the well-heeled Detroit suburb of Grosse Pointe, Michigan, Carey Neesley always thought she and her younger brother, Peter, would never be separated. The children of divorced parents and outcasts in their neighborhood, Carey and Peter supported, loved, and encouraged each other when it seemed no one else cared. It was a bond that grew through the years, and one that made Peter’s eventual decision to enlist in the Army all the more difficult for Carey. With Peter having stepped up to help her raise her young son, Carey was closer than ever to her brother, and the thought of him serving far from home was painful. While stationed in Iraq, Peter befriended a stray dog and her four puppies, only to watch three of the young pups die in the warzone. With only two surviving dogs—Mama and Boris—Peter became determined to save the strays. Carey helped her brother with his mission, but everything changed on Christmas Day in 2007 when word arrived at the Neesley household that Peter had been killed. Amidst the grief of coming to terms with her brother’s death and the turmoil of trying to plan his funeral, Carey devoted herself to bringing Peter’s dogs home to the U.S. It was the final honor she could pay to her brother and a way of keeping a piece of him with her. With the help of an unlikely network of heroes, including an animal rescue organization in Utah, a civilian airline, an Iraqi family, and a private security contractor with military connections, Mama and Boris mad the journey form the streets of Baghdad to Carey’s suburban house. Carey’s mission garnered widespread attention and requests from other soldiers for help in bringing home dogs they had become attached to on deployment, and she continues to work with organizations dedicated to bringing home wartime strays.

In/Visible War addresses a paradox of twenty-first century American warfare. The contemporary visual American experience of war is ubiquitous, and yet war is simultaneously invisible or absent; we lack a lived sense that “America” is at war. This paradox of in/visibility concerns the gap between the experiences of war zones and the visual, mediated experience of war in public, popular culture, which absents and renders invisible the former. Large portions of the domestic public experience war only at a distance. For these citizens, war seems abstract, or may even seem to have disappeared altogether due to a relative absence of visual images of casualties. Perhaps even more significantly, wars can be fought without sacrifice by the vast majority of Americans. Yet, the normalization of twenty-first century war also renders it highly visible. War is made visible through popular, commercial, mediated culture. The spectacle of war occupies the contemporary public sphere in the forms of celebrations at athletic events and in films, video games, and other media, coming together as MIME, the Military-Industrial-Media-Entertainment Network.

Intervention Narratives examines contradictory cultural representations of the US intervention in Afghanistan that justify an imperial foreign policy. Bose demonstrates that contemporary imperialism operates on an ideologically diverse terrain by marshaling familiar tropes of entrepreneurship, pet love, and Orientalist stereotypes to enlist support for the war across the political spectrum.

Examine the pros and cons of nontraditional adoption! Welcome Home! An International and Nontraditional Adoption Reader is an essential guide to the process, pros, and cons of adopting children from outside the United States, with special needs, and/or from a different racial/cultural background. The book documents every aspect of the adoption procedure—from working with “facilitators,” adoption agencies, and attorneys to mixed reactions over a child’s possible loss of heritage as the result of a transracial or multicultural adoption. Parents and adoptees offer unique, firsthand perspectives on the cautions and benefits of nontraditional adoption. Americans adopted more than 20,000 children from other countries in 2001, a number that reflects humanitarian motives, the desire to adopt a child from a specific country, and/or frustration with the domestic adoption system. Including a foreword by United States Representative Ted Strickland, Welcome Home! is a practical resource for anyone thinking of establishing a family or adding to their own. The book provides insight into the adoption process, open adoption, biracial adoption, adopting a special needs child, cultural attitudes, and how to handle an adopted child’s questions in later years. It also addresses specific adoption issues, including: how to verify an agency’s credentials; how an agency negotiates with the birth mother; state and country laws and practices; tax benefits; and expenses, including legal and medical costs; and includes research findings on the Northeast-Northwest Collaborative Adoption Projects (N2CAP) Welcome Home! tells the stories of: Naomi and Fred, an intermarried couple (she’s Jewish, he’s not) who adopted a Greek baby in 1962 “Tina” and “Lee,” a lesbian couple, who adopted a baby from China Marianne, a professor of child and adolescent psychiatry at the University of Lund in Sweden, who adopted babies from Iran and Thailand—several years after her divorce Pamela, a divorced mother of four biological children who has adopted babies from Viet Nam and China All of her biological children Mildred—Pamela’s mother and the children’s grandmother Karen, adoptive mother and national chairperson for Families for Russian and Ukrainian adoption (FRUA) William, adoptive father of miracle sisters from Romania and many more! Welcome Home! is an invaluable source of unusual insight for psychologists, psychiatrists, marriage and family therapists, adoption agencies, counselors, social workers, attorneys, physicians, academics, and, of course, anyone considering adoption.

This selection of Boris Pasternak's correspondence with his parents and sisters from 1921 to 1960—including more than illustrations and photos—is an authoritative, indispensable introduction and guide to the great writer's life and work. His letters are accomplished literary works in their own right, on a par with his poetry in their intensity, frankness, and dazzling stylistic play. In addition, they offer a rare glimpse into his innermost self, significantly complementing the insights gained from his work. They are especially poignant in that after 1923 Pasternak was never to see his parents again.

Maybe it’s the end of the world, but not for Candace Chen, a millennial, first-generation American and office drone meandering her way into adulthood in Ling Ma’s offbeat, wryly funny, apocalyptic satire, Severance. "A stunning, audacious book with a fresh take on both office politics and what the apocalypse might bring." —Michael Schaub, NPR.org “A satirical spin on the end times-- kind of like The Office meets The Leftovers.” --Estelle Tang, Elle NAMED A BEST BOOK OF THE YEAR BY: NPR * The New Yorker ("Books We Loved") * Elle * Marie Claire * Amazon Editors * The Paris Review (Staff Favorites) * Refinery29 * Bustle * Buzzfeed * BookPage * Bookish * Mental Floss * Chicago Review of Books * HuffPost * Electric Literature * A.V. Club * Jezebel * Vulture * Literary Hub * Flavorwire Winner of the NYPL Young Lions Fiction Award * Winner of the Kirkus Prize for Fiction * Winner of the VCU Cabell First Novelist Award * Finalist for the PEN/Hemingway Award for Debut Novel * A New York Times Notable Book of 2018 * An Indie Next Selection Candace Chen, a millennial drone self-sequestered in a Manhattan office tower, is devoted to routine. With the recent passing of her Chinese immigrant parents, she’s had her fill of uncertainty. She’s content just to carry on: She goes to work, troubleshoots the teen-targeted Gemstone Bible, watches movies in a Greenpoint basement with her boyfriend. So Candace barely notices when a plague of biblical proportions sweeps New York. Then Shen Fever spreads. Families flee. Companies cease operations. The subways screech to a halt. Her bosses enlist her as part of a dwindling skeleton crew with a big end-date payoff. Soon entirely alone, still unfevered, she photographs the eerie, abandoned city as the anonymous blogger NY Ghost. Candace won’t be able to make it on her own forever, though. Enter a group of survivors, led by the power-hungry IT tech Bob. They’re traveling to a place called the Facility, where, Bob promises, they will have everything they need to start society anew. But Candace is carrying a secret she knows Bob will exploit. Should she escape from her rescuers? A send-up and takedown of the rituals, routines, and missed opportunities of contemporary life, Ling Ma’s Severance is a moving family story, a quirky coming-of-adulthood tale, and a hilarious, deadpan satire. Most important, it’s a heartfelt tribute to the connections that drive us to do more than survive.