Together...I feel like we can find our true selves Yo doesn't know what he's doing anymore. Nothing feels right. His relationship with Mitani has distorted into something far from what he had wanted it to be-his body can't resist the pleasure, but he feels filthy and dead inside. Only when he's with Kei can he recover a part of himself, but even that bond is on the verge of breaking... The newest installment of Shuzo Oshimi's psychological coming-of-age series is here!

I want to get out of this hell Yo didn't expect high school life to be a whirlpool of lust and regret. He feels trampled on by Mitani, the girl he has had a crush on for as long as he can remember. He also can't forgive himself for upsetting Kei, the one person who seems to fully understand him. And when Yo realizes how much he has hurt the people around him, anguish and panic lead him to do something that shocks not only Kei and Mitani, but his entire class.

What is Kei to you?Yo doesn't exactly get what love or dating is. After all, things ended up in a disaster with Mitani, his ex-girlfriend. And for some reason, he feels much more comfortable when he's with Kei. Sure, Kei may look like a girl, but there's something more to him than just his appearance that allures Yo.And when Kei makes a move on Yo, Yo doesn't stop him. In fact, he might even enjoy it…

Here is a story of Alice Coachman, the first African-American woman to win an Olympic gold medal. When Alice Coachman was a girl, most White people wouldn't even shake her hand. Yet when the King of England placed an Olympic medal around her neck in 1948, he extended his hand to Alice in congratulations. Standing on a podium in London's Wembley Stadium, Alice was a long way from the fields of Georgia where she ran barefoot as a child. With a record-breaking leap, she had become the first African-American woman to win an Olympic gold medal. This inspirational picture book is perfect to celebrate Women's History Month or to share any day of the year.

This critically acclaimed play by Luis Valdez cracks open the depiction of Chicanos on stage, challenging viewers to revisit a troubled moment in our nationÕs history. From the moment the myth-infused character El Pachuco burst onto the stage, cutting his way through the drop curtain with a switchblade, Luis Valdez spurred a revolution in Chicano theater. Focusing on the events surrounding the Sleepy Lagoon Murder Trial of 1942 and the ensuing Zoot Suit Riots that turned Los Angeles into a bloody war zone, this is a gritty and vivid depiction of the horrifying violence and racism suffered by young Mexican Americans on the home front during World War II. ValdezÕs cadre of young urban characters struggle with the stereotypes and generalizations of AmericaÕs dominant culture, the questions of assimilation and patriotism, and a desire to rebel against the mainstream pressures that threaten to wipe them out. Experimenting with brash forms of narration, pop culture of the war era, and complex characterizations, this quintessential exploration of the Mexican-American experience in the United States during the 1940Õs was the first, and only, Chicano play to open on Broadway. This collection contains three of playwright and screenwriter Luis ValdezÕs most important and recognized plays: Zoot Suit, Bandido! and I DonÕt Have to Show You No Stinking Badges. The anthology also includes an introduction by noted theater critic Dr. Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.