The Odd Women (1893) is a novel by George Gissing. Inspired by a report of over one million more women living in Britain than men, Gissing sought to explore the societal and personal implications of unmarried life while exploring the demands of the growing feminist movement. The Odd Women is a story of romance, independence, and the pressures of society that poses important questions about convention in Victorian England while proving surprisingly relevant for our own times. After moving together to London, the unmarried Madden sisters rekindle their relationship with Rhoda, a neighbor and friend from their childhood in Clevedon. Rhoda, also unmarried, lives with Mary Barfoot, with whom she runs a secretarial school for young women. While Monica, the youngest Madden sister, is bullied into marrying Edmund Widdowson, a middle-aged brute, Rhoda rejects the advances of Mary’s cousin Everard. Opposed to marriage altogether, Rhoda is initially able to avoid the fate of Monica, who suffers in her stifling relationship with Edmund and longs for a younger, romantic man named Bevis. Striking up an affair, Monica meets secretly with Bevis while attempting to avoid the suspicions of her jealous, overbearing husband. When a detective hired by Edmund sees Monica knock on the door of Everard’s apartment, Edmund sets out to smear the innocent man’s name just as he has secured an engagement with the reluctant Rhoda. With a beautifully designed cover and professionally typeset manuscript, this edition of George Gissing’s The Odd Women is a classic work of English literature reimagined for modern readers.

Launched in 1923, the pulp magazine Weird Tales quickly became one of the most important outlets for horror and fantasy fiction and is often associated with writers like H. P. Lovecraft, Clark Ashton Smith, and Robert Bloch, all of whose work appeared in its pages. But often overlooked is the fact that much of Weird Tales' content was by women writers, some of whom numbered among the magazine's most popular contributors. This volume includes thirteen fantastic tales originally published between 1925 and 1949, written by four of Weird Tales' most prolific female contributors: Greye La Spina, Everil Worrell, Mary Elizabeth Counselman and Eli Colter. Ranging from science fiction to fantasy to horror, these classic tales of mad scientists, deadly curses, ghosts, vampires, and the risen dead remain as thrilling and sensational as when first published.

From Lovecraft to Borges to Gaiman, a century of intrepid literary experimentation has created a corpus of dark and strange stories that transcend all known genre boundaries. Together these stories form The Weird, and its practitioners include some of the greatest names in twentieth and twenty-first century literature. Exotic and esoteric, The Weird plunges you into dark domains and brings you face to face with surreal monstrosities. You won't find any elves or wizards here...but you will find the biggest, boldest, and downright most peculiar stories from the last hundred years bound together in the biggest Weird collection ever assembled. The Weird features 110 stories by an all-star cast, from literary legends to international bestsellers to Booker Prize winners: including William Gibson, George R. R. Martin, Stephen King, Angela Carter, Kelly Link, Franz Kafka, China Miéville, Clive Barker, Haruki Murakami, M. R. James, Neil Gaiman, Mervyn Peake, and Michael Chabon. The Weird is the winner of the 2012 World Fantasy Award for Best Anthology At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Eleven "eerie" stories by women writers from the seventeenth century to the present, including Madame d'Aulnoy, Edith Nesbit, and Shirley Jackson.

Following the success of Weird Women: Volume 1, acclaimed anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers, including George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton. Following the success of their acclaimed Weird Women, star anthologists Lisa Morton and Leslie S. Klinger return with another offering of overlooked masterworks from early female horror writers. This volume once again gathers some of the most famous voices of literature—George Eliot, Zora Neale Hurston, Harriet Beecher Stowe, and Edith Wharton—along with chilling tales by writers who were among the bestselling and most critically-praised authors of the early supernatural story, including Mary Elizabeth Braddon, Vernon Lee, Florence Marryat, and Margaret Oliphant. There are, of course, ghost stories here, but also tales of vampirism, mesmerism, witches, haunted India, demonic entities, and journeys into the afterlife. Introduced and annotated for modern readers, Morton and Klinger have curated more stories sure to provide another "feast of entertaining (and scary) reads" (Library Journal).

An honest, sharp-witted, practical guide to help you get and keep the job you want—from an outsider whose been there and done it, a woman who went from being a broke, divorced, college dropout to running some of the biggest websites in the world. Jennifer Romolini started her career as an awkward twenty-seven-year-old misfit, navigated her way through New York media and became a boss—an editor-in-chief, an editorial director, and a vice president—all within little more than a decade. Her book, Weird In A World That’s Not, asserts that being outside-the-norm and achieving real, high-level success are not mutually exclusive, even if the perception of the business world often seems otherwise, even if it seems like only office-politicking extroverts are set up for reward. Part career memoir, part real-world guide, Weird in a World That’s Not offers relatable advice on how to achieve your dreams, even when the odds seem stacked against you. Romolini helps you face down your fears, find a career that’s right for you, and get and keep a job. She tackles practical issues and offers empathetic, clear-cut answers to important questions: How do I navigate the awkwardness of networking? How do I deal with intense office politics? How do I leave my crappy job? How do I learn how to be a boss not just a #boss? And, most importantly: How do I do all this and stay true to who I really am? Authentic, funny, and moving, Weird in a World That’s Not will help you tap into your inner tenacity and find your path, no matter how offbeat you are.