The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview. “The Eyrie” by Jonathan Maberry“The City in the Sea: A Hellboy Story” by Mike Mignola and Christopher Golden“When the Stars Are Right: The Weird Tales Origins of Cosmic Horror” by Nicholas Diak“A Ghost Story for Christmas” by Paul Cornell“The Forest Gate” by Samantha Underhill“Night Fishing” by Caitlín R. Kiernan“The Traveler” by Francesco Tignini“Cosmic vs Abrahamic Horror” by F. Paul Wilson“The Last Bonneville” by F. Paul Wilson“Lost Generations” by Angela Yuriko Smith“Concerto in Five Movements” by Ramsey Campbell“Mozaika” by Nancy Kilpatrick“Inkblot Succubus” by Nikki Sixx“Laid to Rest” by Tim Lebbon“Call of the Void - L’appel du vide” by Carol Gyzander

Celebrating the 100th anniversary of the first issues of Weird Tales Magazine, 100 Years of Weird is a masterful compendium of new and classic stories, flash fiction, essays, and poems from the giants of speculative fiction, including R. L. Stine, Laurell K. Hamilton, Ray Bradbury, H. P. Lovecraft, Tennessee Williams, and Isaac Asimov. Marking a century of uniquely peculiar storytelling, each part of this anthology features a different genre from Cosmic Horror, Sword and Sorcery, Space Opera, to the Truly Weird—things too strange to publish elsewhere, and the magazine’s raison d’etre. Landmark stories such as “The Call of Cthulhu”, “Worms of the Earth”, and “Legal Rites” stand beside original stories and insightful essays from today’s masters of speculative fiction. This visually stunning hardcover edition is a collector’s dream, illustrated throughout with classic full color and black & white art from past issues of Weird Tales Magazine.

"In recent years there has been a resurgence of interest in Hugo Gernsback, and the start of a serious study of the contribution he made to the development of science fiction. . . . It seemed to me that the time was due to reinvestigate the Gernsback era and dig into the facts surrounding the origins of Amazing Stories. I wanted to find out exactly why Hugo Gernsback had launched the magazine, what he was trying to achieve, and to consider what effects he had-good and bad. . . . Too many writers and editors from the Gernsback days have been unjustly neglected, or unfairly criticized. Now, I hope, Robert A. W. Lowndes and I have provided the grounds for a fair consideration of their efforts, and a true reconstruction of the development of science fiction. It's the closest to time travel you'll ever get. I hope you enjoy the trip."-Mike Ashley, Preface

A comprehensive bibliography of books and short fiction published in the English language.

Since 1940, Captain America has battled his enemies in the name of American values, and as those values have changed over time, so has Captain America’s character. Because the comic book world fosters a close fan–creator dialogue, creators must consider their ever-changing readership. Comic book artists must carefully balance storyline continuity with cultural relevance. Captain America’s seventy-year existence spans from World War II through the Cold War to the American War on Terror; beginning as a soldier unopposed to offensive attacks against foreign threats, he later becomes known as a defender whose only weapon is his iconic shield. In this way, Captain America reflects America’s need to renegotiate its social contract and reinvent its national myths and cultural identity, all the while telling stories proclaiming an eternal and unchanging spirit of America. In Captain America, Masculinity, and Violence, Stevens reveals how the comic book hero has evolved to maintain relevance to America’s fluctuating ideas of masculinity, patriotism, and violence. Stevens outlines the history of Captain America’s adventures and places the unfolding storyline in dialogue with the comic book industry as well as America’s varying political culture. Stevens shows that Captain America represents the ultimate American story: permanent enough to survive for nearly seventy years with a history fluid enough to be constantly reinterpreted to meet the needs of an ever-changing culture.