Today, racial wounds from three hundred years of slavery and a history of Jim Crow laws continue to impact the church in America. Martin Luther King Jr. captured this reality when he said: “The most segregated hour of Christian America is eleven o’clock on Sunday.” Equipped with the gospel, the evangelical church should be the catalyst for reconciliation, yet it continues to cultivate immense pain and division. Weep with Me by Mark Vroegop is a timely resource that presents lament as a bridge to racial reconciliation in the world today. In the Bible, lament is a prayer that leads to trust, which can be a starting point for the church to “weep with those who weep” (Rom. 12:15). As Vroegop writes: “Reconciliation in the church starts with tears and ends in trust.”

Weep for Me, one of many classic novels from crime writer John D. MacDonald, the beloved author of Cape Fear and the Travis McGee series, is now available as an eBook. When Kyle Cameron meets temptation in the memorable shape of Emily, the strange, lovely new girl at the bank, his life changes forever. Emily has a fortune that frees him from his worst nightmares. But the relationship comes at a terrifying cost. Soon Kyle enters a world in which it will be impossible ever to feel safe again. He has placed his life in the hands of an insatiable woman with no fear of death . . . and no regard for anyone who stands in her way. Features a new Introduction by Dean Koontz Praise for John D. MacDonald “The great entertainer of our age, and a mesmerizing storyteller.”—Stephen King “My favorite novelist of all time.”—Dean Koontz “To diggers a thousand years from now, the works of John D. MacDonald would be a treasure on the order of the tomb of Tutankhamen.”—Kurt Vonnegut “A master storyteller, a masterful suspense writer . . . John D. MacDonald is a shining example for all of us in the field. Talk about the best.”—Mary Higgins Clark

A beautiful poem to help comfort those who have experienced the loss of a beloved pet.

The letters of Confederate soldier Eli Pinson Landers.

In her darkly funny memoir and guide to the depressed life, comedian Jacqueline Novak doesn’t offer help overcoming depression—just much-needed comfort, company, and tips for life inside the fog. “Jacqueline Novak’s unapologetic and original comedy is the kind that gives me hope in this business.”—Amy Schumer With advice that ranges from practical (Chapter 17: Do Your Crying on a Cat) to philosophical (Chapter 21: Make Peace With Sunshine), this laugh-out-loud memoir traces the depression thread from Novak's average suburban childhood to her current adult New York City existence, an imperfect but healthy-ish life in which Novak is mostly upright but still rarely does laundry. At heart, How to Weep in Public provides a no-pressure, safe-zone for the reader to curl up inside. Keep this book on the shelf to be returned to it as needed–after all, depression is recurring. Jacqueline will be waiting to you tell you “You can fight another day.” No, not as in “fight on another day” but “fight this some other day.” Whether you’re coping with the occasional down day, or thriving fully in Picasso’s blue period, How to Weep in Public is the perfect place to regroup during a dark stint. So sit back, relax, and let Jacqueline Novak show you how to navigate the shadowy corridors of your troubled mind or the cheese display at the supermarket when food is the only thing that can save you.

This groundbreaking anthology represents the critical inquiry of literary scholars into the trope of loss and mourning in the work of women writers from the Caribbean archipelago. There is a great deal of recent scholarly interest in the relationship of loss and mourning yet there are no books specifically devoted to an examination of this trope in the works of Caribbean women writers. To fill this gap, this collection of original essays examines subjects that encompass the brutality of slavery, oppressive dictatorships, AIDS, and the catastrophe of the Mount Pele volcano that appear in the writings of women from the English, Spanish and French speaking Caribbean. It is an important addition to the contemporary discourse on loss and mourning. The project is an exciting and vital one because it brings together a multiplicity of perspectives and critical approaches to examine the works of writers such as Jean Rhys, Jamaica Kincaid, Julia Alvarez and Maryse CondÃ(c). What emerges is a complex portrait of loss, mourning and remembrance that both enriches and challenges customary discourses of loss, mourning and melancholia.