When murder mystery theatre becomes too real for comfort... Firefighter Larry Holmes needs some time away. Out of other options, he agrees to take his cousin's place at a crime fiction convention. Larry doesn't like mystery novels, but he can enjoy the host resort's amenities and stay out of the way. That plan goes out the window, however, when he arrives at the venue with the convention's organizer, Selena Watt, and the close-knit Crime Club decides that with Holmes and Watt present, the game must be afoot. The convention concludes with a staged murder mystery weekend at stately Rafferty House. Neglected for decades, the Victorian-era summer home built on an island in Georgian Bay has been restored and upgraded... mostly. At first, everything goes according to script. Then, shots are fired, people get hurt, and Larry suddenly finds himself in the middle of a real-life murder mystery. Only a few people on the island could have done it. The police can't come soon enough and the Crime Clubbers are itching to practice their sleuthing skills, taking Larry along for the ride. But with a serving staff paid to lie and unexpected guests with unclear motives, who can be trusted? Only Rafferty House knows--and it is not happy.

For fans of Gillian Flynn, Caroline Cooney, and R.L. Stine comes The Weekend was Murder! from four-time Edgar Allen Poe Young Adult Mystery Award winner Joan Lowery Nixon. Mary Elizabeth can’t wait for the weekend to begin at the Ridley Hotel, where a famous mystery writer and a troupe of actors are coming to enact a murder mystery for 150 amateur sleuths. Mary Elizabeth’s role is to discover the “body” in Room 1927, which is supposed to be haunted. But nothing prepares her for the real body she finds in Room 1927… “A masterfully constructed, engaging read that…[is] ingeniously plotted, fast-paced and lighthearted.” –Publishers Weekly “Fans will love wading through the myriad details and placing bets on the outcome.” –Kirkus Reviews “Mystery fans will…enjoy trying to solve the various crimes.” –School Library Journal

Life Becomes Stranger than Fiction when Charlee's Latest Novel Inspires a Real Murder Mystery author Charlemagne "Charlee" Russo thinks the twisty plots and peculiar murders in her books are only the product of her imagination—until her agent is found dead exactly as described in Charlee's new, unpublished manuscript. Suspicion now swirls around her and her critique group, making her confidence drop as severely and unexpectedly as her royalty payments. The police care more about Charlee's feeble alibi and financial problems than they do her panicky claims of innocence. To clear her name and revive her career, she must figure out which of her friends is a murderer. Easier said than done, even for an author who's skilled at creating tidy endings for her mysteries. And as her sleuthing grows dangerous, Charlee's imagination starts working overtime. Is she being targeted, too? Praise: "The charming heroine and the supporting cast shine in Clark's fun and funny solo mystery debut...which doesn't take anyone too seriously in the best way possible."—Kirkus Reviews "Cozy fans should enjoy this funny and affecting view into a mystery writer's life."—Publishers Weekly "Charlee Russo is my new favorite amateur sleuth! Wickedly witty author Charlee takes us along on her wild ride to prove her innocence in the murder of her literary agent, a murder based on the plot of one of her own books! Giving readers an inside look at the writer's life, Becky Clark pens a funny, clever page turner of a mystery and I can't wait for the next one in this terrific new series!"—Jenn McKinlay, bestselling author of the Library Lover's Mysteries "Becky Clark wields a witty pen, writing about an author who is plunged into her own mystery."—Marty Wingate, author of the Potting Shed and Birds of a Feather series "Becky Clark is a hilarious new talent in mystery fiction. With a mixture of humor and plot, Fiction Can Be Murder pulls back the curtain on the creative writing process and exposes the homicidal thoughts that take place while writing a book."—Diane Vallere, national bestselling author of the Costume Shop mysteries "In Fiction Can Be Murder, Becky Clark gives us a fun and funny peek into the writers' life. Although in the case of her protagonist, the smart, likeable, and feisty Charlee Russo, that life includes the real murder of her agent. This clever mystery, first in a new series, is perfect for book lovers."—Vicki Delany, national bestselling author of the Sherlock Holmes Bookshop mysteries "Fresh, fast, and furiously fun, Fiction Can Be Murder packs one surprise after the next. Becky Clark writes with wry wit, a keen eye, and no shortage of authority on this particular subject. Charlee Russo is like a lot of authors I know—except most of them only dream of killing their agents."—Brad Parks, Shamus-, Nero-, and Lefty-award-winning author of Closer Than You Know "This killer plot will take you on the literary ride of your life. In this new series, Clark has crafted an intriguing mystery that opens the door into the crazy world of literary agents, publishers, royalties, critique groups, and murder."—Cheryl Hollon, author of the Webb's Glass Shop Mysteries "A promising series debut."—Booklist

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

For fans of Gillian Flynn, Caroline Cooney, and R.L. Stine comes The Weekend was Murder! from four-time Edgar Allen Poe Young Adult Mystery Award winner Joan Lowery Nixon. Mary Elizabeth can’t wait for the weekend to begin at the Ridley Hotel, where a famous mystery writer and a troupe of actors are coming to enact a murder mystery for 150 amateur sleuths. Mary Elizabeth’s role is to discover the “body” in Room 1927, which is supposed to be haunted. But nothing prepares her for the real body she finds in Room 1927… “A masterfully constructed, engaging read that…[is] ingeniously plotted, fast-paced and lighthearted.” –Publishers Weekly “Fans will love wading through the myriad details and placing bets on the outcome.” –Kirkus Reviews “Mystery fans will…enjoy trying to solve the various crimes.” –School Library Journal

When beautiful young socialite Scarlett Liddell apparently commits suicide during a 'Murder Mystery Weekend', expensively staged at a Lakeland castle, the coroner calls in DI Skelgill and his team to tie up the legal loose ends. Post mortem results, however, cast doubt upon the provisional verdict - and circumstantial evidence begins to point to one obvious suspect - Will Liddell, the woman's multi-millionaire entrepreneur husband. When Will Liddell is separately accused of an unrelated offence, it seems the noose is tightening around his neck - but the more Skelgill delves beneath the surface of the exclusive circle in which the wealthy couple have moved, the more he realises there may be complex motives afoot. In this psychological drama - set amidst an echelon of society beyond his regular comfort zone - Skelgill cannot so easily rely upon his roughhewn intuition to guide him. To expose the truth, he must unpick a tangle that might almost be the plot for a murder mystery weekend itself.

A mountaintop mansion. A motley collection of guests. A murder. This weekend has all the makings of a classic, cozy mystery story. And a story is all it's supposed to be--acted out by noted authors and eager fans at the atmospheric Mohonk Mountain House resort in upstate New York. Along with a gaggle of his peers, Mallory's been invited to join the fun by donning a costume and an alter-ego to pose as a "suspect." But before you can say "nobody leaves this room!", Mallory is once again thrust into the role of driven detective when the game's designated "corpse" turns up decidedly dead. There's no doubt that the victim, notorious mystery-novel critic Kirk Rath, incited the murderous wrath of nearly every writer he reviewed. But even the most scathing critical barbs never drove a writer to put down the pen in favor of the sword. And even Mallory is baffled by the curious circumstances surrounding the mystery within a mystery. Did he actually witness Rath being run through by a masked figure in the snowy darkness? Was Rath really spotted alive and sneering after the bloody fact? Is someone playing mind games? And is everyone in the house fair game? Murder will out, as they say. But can even the masterful Mallory outwit a roguish gallery of the finest plotters in print?