Wednesday Wanders is a book about walking; not a guidebook with detailed route descriptions and maps, but the journal of a walker looking to broaden his horizons by seeing what could be achieved with an early start and still be home for tea (or supper more often). Weekly adventures setting out from northwest London to explore some of the long-distance footpaths of southeast England. Written in a light-hearted, humorous, but sometimes thoughtful style, it's a journal of determination and achievement sitting alongside not a little folly, with some inept navigation and unrealistic plans. More importantly, it's about what happened along the way, the fascination of places visited, the people met, the animals encountered, and perhaps most significantly, discovering the unexpected beauty and varied countryside in this corner of the country. Each chapter covers one of the seven routes attempted. Starting with the London LOOP, although this was the last walk completed. Chapter two returns to the beginning with a naïve walker setting out on the first stage of the North Downs Way from Farnham to Guildford on a wet and travel-disrupted day in early November. That chapter finishes five months later, on a bright but windy spring day, along the cliff tops into Dover. Proving that you can indeed complete a long-distance path in day trips. Five more routes are covered: the Ridgeway, Icknield Way Path, the Chiltern Way, Greensand Way, and the Hertfordshire Way. Some walks were interrupted by the COVID-19 pandemic or the onset of winter when the days were too short to complete their further reaches, but all were eventually finished. A thousand miles of walking recalled in a diary entry format. Each outing is dated, and the location and mileage given.

This handbook is very helpful for university students because it has short phrases that can be copied directly into essays and term papers. There are no grammatical rules, descriptions or instructions. It is a reference book that can be consulted for any subject, major, or discipline because the language is functional and suitable for essays, reports and literature reviews. It is particularly handy for MA and MSc dissertations. The quick ready-made phrases can be projected by ESL and TESOL teachers as slides for writing and revision sessions. Authors and researchers can also benefit from this handbook if they are not certain about certain expressions or formats. This book is a good practical guide to all university students whose first language is not English, but it is also helpful for native speakers whose writing is usually more casual and informal. Unlike many textbooks and websites that try to explain the rules or overwhelm students with linguistic jargon, the glossary part of the book offers formal and academic alternatives to common everyday English. The glossary can be used as an academic editor that checks drafts after being written. It distinguishes clearly between secondary school writing and the style used at university research level. Since academic English is no one's first language, it is time to identify the unspoken traditions of the writing craft known in higher education.

Writing Myself to Death is a novel about the inscrutable lives, existential uncertainties, loves, hates, idiocies, and masquerades of Max, A., and Mr. Kiss. Here’s another way of putting it: Max and Mr. Kiss are telling stories and tales about reconnaissance, mangoes, griefs, balloons, and A. Then again, they may be lying.

THE STORY: As Martin Gottfried outlines: The president of a large corporation is using the executive suite to house his young mistress, whom he sees once a week. A young man who has sold his factory to the middle-aged romancer is chagrined to find

The business of life is to live and to live well. But in this day and age we know almost everything about life except how to live it. We can dissect life and explain its parts and then fail to put it together again in such a way that it becomes a coordinated, harmonious whole. Through the vibrant writings of E. Stanley Jones, discover not only how God desires more for us than we could ever think or imagine, but freely gives us that abundant life of body, mind, and spirit. Abundant Living, the sequel to Victorious Living, continues the journey toward extraordinary life through trusting God and self-surrender. Written in 1942 by one of the greatest Christian leaders of the day, experience this classic devotional with a new foreword by Leonard Sweet.

A decadent rock star. A deeply religious radio host. A disgraced scientist. And a teenage girl who may be the world’s last hope. From the mind of Chuck Wendig comes “a magnum opus . . . a story about survival that’s not just about you and me, but all of us, together” (Kirkus Reviews, starred review). NOMINATED FOR THE BRAM STOKER AWARD • ONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, NPR, The Guardian, Kirkus Reviews, Publishers Weekly, Library Journal, Polygon Shana wakes up one morning to discover her little sister in the grip of a strange malady. She appears to be sleepwalking. She cannot talk and cannot be woken up. And she is heading with inexorable determination to a destination that only she knows. But Shana and her sister are not alone. Soon they are joined by a flock of sleepwalkers from across America, on the same mysterious journey. And like Shana, there are other “shepherds” who follow the flock to protect their friends and family on the long dark road ahead. For as the sleepwalking phenomenon awakens terror and violence in America, the real danger may not be the epidemic but the fear of it. With society collapsing all around them—and an ultraviolent militia threatening to exterminate them—the fate of the sleepwalkers depends on unraveling the mystery behind the epidemic. The terrifying secret will either tear the nation apart—or bring the survivors together to remake a shattered world. In development for TV by Glen Mazzara, executive producer of The Walking Dead • Look for the sequel, Wayward, now available! “This career-defining epic deserves its inevitable comparisons to Stephen King’s The Stand.”—Publishers Weekly (starred review) “A suspenseful, twisty, satisfying, surprising, thought-provoking epic.”—Harlan Coben, #1 New York Times bestselling author of Run Away “A true tour de force.”—Erin Morgenstern, New York Times bestselling author of The Night Circus “A masterpiece with prose as sharp and heartbreaking as Station Eleven.”—Peng Shepherd, author of The Book of M “A magnum opus . . . It reminded me of Stephen King’s The Stand—but dare I say, this story is even better.”—James Rollins, #1 New York Times bestselling author of Crucible “An inventive, fierce, uncompromising, stay-up-way-past-bedtime masterwork.”—Paul Tremblay, author of A Head Full of Ghosts and The Cabin at the End of the World “An American epic for these times.”—Charles Soule, author of The Oracle Year