Weavers of War brings Winds of the Forelands to a powerful climax.

The dramatic untold story of the Weavers, the hit-making folk-pop quartet destroyed with the aid of the United States government -- and who changed the world, anyway Following a series of top-ten hits that became instant American standards, the Weavers dissolved at the height of their fame. Wasn't That a Time: The Weavers, the Blacklist, and the Battle for the Soul of America details the remarkable rise of Pete Seeger's unlikely band of folk heroes, from basement hootenannies to the top of the charts, and the harassment campaign that brought them down. Exploring how a pop group's harmonies might be heard as a threat worthy of decades of investigation by the FBI, Wasn't That a Time turns the black-and-white 1950s into vivid color, using the Weavers to illuminate a dark and complex period of American history. With origins in the radical folk collective the Almanac Singers and the ambitious People's Songs, the singing activists in the Weavers set out to change the world with songs as their weapons, pioneering the use of music as a transformative political organizing tool. Using previously unseen journals and letters, unreleased recordings, once-secret government documents, and other archival research, Jesse Jarnow uncovers the immense hopes, incredible pressures, and daily struggles of the four distinct and often unharmonious personalities at the heart of the Weavers. In an era defined by a sharp political divide that feels all too familiar, the Weavers became heroes. With a class -- and race -- conscious global vision that now makes them seem like time travelers from the twenty-first century, the Weavers became a direct influence on a generation of musicians and listeners, teaching the power of eclectic songs and joyous, participatory harmonies.

He is living what many would call a nightmare. John Weaver is serving God in a war-torn country that is being blamed for the terrorist acts on American soil. Despite the fact that every day is dangerous and possibly life-threatening, John Weaver believes he sees God at work in Afghanistan and he is optimistic about its spiritual future. Inside Afghanistan is the story of the Taliban and September 11, as only this servant of God can tell it. John Weaver was there as the last American aid worker in the hostile country he now calls home. He is witness to God's ability to use ordinary Christians in the U.S. to "spread the Gospel of Jesus Christ to a country that otherwise wouldn't have had the opportunity." This is John Weaver's riveting account of why he went and why he wouldn't leave.

Through the centuries, women have used textiles to express their ideas and political opinions, creating items of utility that also function as works of art. Beginning with medieval European embroideries and tapestries such as the Bayeux Tapestry, this book examines the ways in which women around the world have recorded the impact of war on their lives using traditional fabric art forms of knitting, sewing, quilting, embroidery, weaving, basketry and rug making. Works from the United States, Canada, Latin America, Asia, the Middle and Near East, and Oceania are analyzed in terms of content and utility, and cultural and economic implications for the women who created them are discussed. Traditional women's work served to document the upheaval in their lives and supplemented their family income. By creating textiles that responded to the chaos of war, women developed new textile traditions, modified old traditions and created a vehicle to express their feelings.

Throughout the mid-1800s, outsiders, including many Euro-Americans, arrived in what is now northwest Washington. As they interacted with Samish, Lummi, S’Klallam, Sto:lo, and other groups, some of the men sought relationships with young local women. Hoping to establish mutually beneficial ties, Coast and Interior Salish families arranged strategic cross-cultural marriages. Some pairs became lifelong partners while other unions were short. These were crucial alliances that played a critical role in regional settlement and spared Puget Sound’s upper corner from the tragic conflicts other regions experienced. Accounts of the men, who often held public positions--army officer, Territorial Supreme Court justice, school superintendent, sheriff--exist in a variety of records. Some, like the nephew of Confederate President Jefferson Davis, were from prominent eastern families. Yet across the West, the contributions of their native wives remain unacknowledged. The women’s lives were marked by hardships and heartbreaks common for the time, but the four profiled--Caroline Davis Kavanaugh, Mary Fitzhugh Lear Phillips, Clara Tennant Selhameten, and Nellie Carr Lane--exhibited exceptional endurance, strength, and adaptability. Far from helpless victims, they influenced their husbands and controlled their homes. Remembered as loving mothers and good neighbors, they ran farms, nursed and supported family, served as midwives, and operated businesses. They visited relatives and attended ancestral gatherings, often with their children. Each woman’s story is uniquely hers, but together they and other intermarried women helped found Puget Sound communities and left lasting legacies. They were peace weavers. Author Candace Wellman hopes to shatter stereotypes surrounding these relationships. Numerous collaborators across the United States and Canada--descendants, local historians, academics, and more--graciously participated in her seventeen-year effort.

This lavishly illustrated guide to one of the premier collections of woven coverlets in the United States is an essential reference for collectors, historians, specialists in material culture, and all those who are interested in American textiles. Information about the lives and professional careers of more than seven hundred weavers is included. In-depth discussions explore fifty coverlets that are depicted in detail.