In Weapons of Words: Intertextual Competition in Babylonian Poetry Selena Wisnom offers an in-depth literary study of three poems central to Babylonian culture: Anzû, Enūma eliš, and Erra and Išum. Fundamentally interconnected, each poem strives to out-do its predecessors and competes to establish its protagonist, its ideals, and its poetics as superior to those that came before them. The first of its kind in Assyriology, Weapons of Words explores the rich nuances of these poems by unravelling complex networks of allusion. Through a sophisticated analysis of literary techniques, Selena Wisnom traces developments in the Akkadian poetic tradition and demonstrates that intertextual readings are essential for a deeper understanding of Mesopotamian literature.

In early Greek and Near Eastern myth and religion, the gods govern the cosmos. In narrative poetry, they are frequently portrayed through scenes of divine assembly. Did Homer and early Greek poets inherit this feature from their more ancient neighbours? And what can comparison tell us besides? This book is the first to chart divine assembly scenes in ancient Babylonian and early Greek epic. It asks why similarities between the two corpora exist, and exploits those similarities to enhance understanding of Mesopotamian and early Greek literature and religion. The book discusses Sumerian narrative poems, the Akkadian works Atra-ḫasīs, Anzû, Enūma eliš, Erra and Išum and the Epic of Gilgameš; Homer's Iliad, the Odyssey, Hesiod's Theogony and some Homeric Hymns. It studies poetic technique and probes further comparisons with Sanskrit, Old Norse, Polynesian, and Aztec mythology. It argues that Greek speakers are unlikely to have inherited the divine assembly from the Near East. Still, one can posit a long-term process of oral contact and communication fostered by common poetic structures and religious affinities. In a second part pursuing a mythological and religious comparison, the book concentrates on ideas about the cosmos and humankind, and on power dynamics within the pantheon as well as between gods and mortals. A focus on the head of the pantheon and on concepts of divine prerogatives illuminates culture-specific differences which can be related to historical socio-political discourses. The book develops a systematic approach to questions of cross-cultural literary comparison in the ancient world.

This volume lays theoretical and methodological groundwork for the analysis of Mesopotamian literature. A comprehensive first chapter by the editors explores critical contemporary issues in Sumerian and Akkadian narrative analysis, and nine case studies written by an international array of scholars test the responsiveness of Sumerian and Akkadian narratives to diverse approaches drawn from literary studies and theories of fiction. Included are intertextual and transtextual analyses, studies of narrative structure and focalization, and treatments of character and characterization. Works considered include the Standard Babylonian Gilgamesh Epic and many other Sumerian and Akkadian narratives of gods, heroes, kings, and monsters.

The recent years have seen an upswing in studies of women in the ancient Near East and related areas. This volume, which is the result of a Danish-Japanese collaboration, seeks to highlight women as actors within the sphere of the religious. In ancient Mesopotamia and other ancient civilizations, religious beliefs and practices permeated all aspects of society, and for this reason it is not possible to completely dissociate religion from politics, economy, or literature. Thus, the goal is to shift the perspective by highlighting the different ways in which the agency of women can be traced in the historical (and archaeological) record. This perspectival shift can be seen in studies of elite women, who actively contributed to (religious) gift-giving or participated in temple economies, or through showing the limits of elite women’s agency in relation to diplomatic marriages. Additionally, several contributions examine the roles of women as religious officials and the language, worship, or invocation of goddesses. This volume does not aim at completeness but seeks to highlight points for further research and new perspectives.

As magic is a powerful means to influence the natural world and human beings, and is deeply connected to the divine sphere, persons using it are in constant need to justify its use. The ambivalence of magic to serve both well-wishing and ill-wishing aims puts the practitioners ever at risk. This volume illuminates the strategies adopted to legitimise the practice of magic and analyses how these justifications are phrased and formulated in cuneiform texts, thereby revealing the underlying principles and unexplained axioms of using magic in the Ancient Near East.

A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace Gilgamesh is a Babylonian epic from three thousand years ago, which tells of King Gilgamesh’s deep love for the wild man Enkidu and his pursuit of immortality when Enkidu dies. It is a story about love between men, loss and grief, the confrontation with death, the destruction of nature, insomnia and restlessness, finding peace in one’s community, the voice of women, the folly of gods, heroes, and monsters—and more. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic’s poetic effects, including its succinct clarity and enchanting cadence. An introduction and five accompanying essays unpack the history and main themes of the epic, guiding readers to a deeper appreciation of this ancient masterpiece.

Explores the interaction between Greece and the Ancient Near East through stories about the gods and their relationships with humankind.