We Will Remember Them is a collection of some of the finest pieces of choral music on the theme of remembrance. The volume is suitable for church, cathedral, school, youth and community choirs. It contains music appropriate for Remembrance Sunday services, and beautiful pieces suitable for concerts, memorial and funeral services, and other acts of remembrance and reflection. Songlist: - Agnus Dei [Samuel Barber] - And I saw a new heaven [Edgar Bainton] - Bring us, O Lord God [William Harris] - The Christmas Truce [Graham Fitkin] - Exhortation and Kohima [John Tavener] - Funeral Ikos [John Tavener] - God is our hope and strength [Herbert Brewer] - Holy is the true light [Ernest Bullock] - For the Fallen [David Terry] - Holy Is The True Light [William Harris] - I heard a voice [Jeremy Dale Roberts] - In My Dreams [Paul Mealor] - Nox aurumque [Eric Whitacre] - Requiem aeternam (Nimrod) [Edward Elgar arr. David Hill] - They Are At Rest [Edward Elgar]

Produced in partnership with the Royal British Legion, this beautifully illustrated non-fiction book explains to children why it's so important to remember those we have lost in wars. The sensitively written text tells of the world wars as well as other wars that are remembered at this time. It explains the history behind poppies, why we hold 1- or 2-minute silences and what happens in commemorative parades around the world. The book includes poems and quotes from veterans who bravely fought in these wars.

Winner: 2016 Young Quills Award, Historical Association UK Mercy dog, Flo, has more to contend with than racing across the dangerous battlefield of the Somme. Can she get her medical kit to the injured? Can she lead Ray, the stretcher-bearer, and his donkey to them in time? Depicting the key landmarks of the Somme, this story pays tribute to the remarkable bravery of the animals who played their part during World War One.

A leading contrarian thinker explores the ethical paradox at the heart of history's wounds The conventional wisdom about historical memory is summed up in George Santayana's celebrated phrase, "Those who cannot remember the past are condemned to repeat it." Today, the consensus that it is moral to remember, immoral to forget, is nearly absolute. And yet is this right? David Rieff, an independent writer who has reported on bloody conflicts in Africa, the Balkans, and Central Asia, insists that things are not so simple. He poses hard questions about whether remembrance ever truly has, or indeed ever could, "inoculate" the present against repeating the crimes of the past. He argues that rubbing raw historical wounds--whether self-inflicted or imposed by outside forces--neither remedies injustice nor confers reconciliation. If he is right, then historical memory is not a moral imperative but rather a moral option--sometimes called for, sometimes not. Collective remembrance can be toxic. Sometimes, Rieff concludes, it may be more moral to forget. Ranging widely across some of the defining conflicts of modern times--the Irish Troubles and the Easter Uprising of 1916, the white settlement of Australia, the American Civil War, the Balkan wars, the Holocaust, and 9/11--Rieff presents a pellucid examination of the uses and abuses of historical memory. His contentious, brilliant, and elegant essay is an indispensable work of moral philosophy.

The Oxford Handbook of Music and the Brain is a groundbreaking compendium of current research on music in the human brain. It brings together an international roster of 54 authors from 13 countries providing an essential guide to this rapidly growing field.