The show that we're about to do is a story about the future. The story that we're going to tell is the story of us; the story of our future. It's a story that we are going to tell together. I hope that sounds okay. From the makers of Five Encounters on a Site Called Craigslist and the accident did not take place comes an act of communal storytelling. There's a baby born in a lighthouse, a man on fire in the middle of the desert, two lovers reunited in a ruined city, there's a dying spaceship on the edge of a black hole. we were promised honey! is a hopeful, hopeless prophecy for humankind. A meditation on inevitability, despair and how we tell a story when we already know the end. This edition was published to coincide with the production at Paines Plough Roundabout, Summerhall, in August 2022.

Postmodern theatre is dead. A new theatre is rising – one that combines the well-worn postmodern aesthetics of irony, detachment, and deconstruction with a paradoxical interest in authenticity, engagement, and re-construction. Whilst recent scholarship has treated these evolving interests as unrelated shifts in performance aesthetics, this volume proposes a new understanding: that these are part of a wider emerging cultural paradigm – metamodernism. Metamodernism in Contemporary British Theatre is the first book to focus on metamodernism and performance, offering a pioneering framework by which to identify and understand metamodern theatre. By drawing critical links between the works of performance theorists such as Anne Bogart and Andy Lavender and the metamodern as defined by Timotheus Vermeulen and Robin van den Akker, this book makes a clear, vital, and urgent case for the use of the term metamodernism within mainstream theatre scholarship. Focussing on small-scale theatre companies across the UK – including Poltergeist, YESYESNONO, Middle Child and The Gramophones, many of whom have not been documented in academia before – this book also provides a unique analysis of the theatre made by British millennials, a generation who have been distinctly affected by specific structures of contemporary precarity coinciding with this wider cultural shift. Through this, Metamodernism in Contemporary British Theatre makes a crucial contribution towards understanding emergent developments in post-millennial theatre practice across Britain and beyond.

Heinz offers wise answers to questions about death, urging readers to "recover a death of [their] own" and to view the final years as a fulfillment, a "last career".

When the world’s remotest populations need medical care and training, Mission to Heal takes the operating rooms to them—no matter how far away they are. Dr. Glenn W. Geelhoed is a medical doctor, humanitarian, and the founder of Mission to Heal (M2H), an organization through which he has conducted medical mission trips around the globe for over forty years. Using mobile surgery units made from repurposed rugged vehicles, M2H provides needed surgery to some of the world’s most destitute people in some of the most desolate places on the planet. Just as —or even more—important is the crucial surgical training M2H provides to local citizens so that they can take over after Dr. Geelhoed and his teams move on to their next mission. Furthest Peoples First tracks Dr. Glenn Geelhoed’s latest missions in three African transects during the first seven months of 2019. Humanity and humility underscore the essence of M2H’s efforts to reach the neediest first. With powerful stories of overland treks and culturally rich photojournalism, Dr. Geelhoed shares the people he met and the challenges his team faced—and the determination, patience, and partnerships that make his work successful, rewarding, and essential. Readers will be surprised, shocked—and uplifted—by how this team persevered in the face of countless unimaginable obstacles. The title Furthest Peoples First refers to individuals and groups who are the furthest from care and whom the author considers his primary focus. The resourcefulness of the furthest peoples embodies the hope they have for their own progress. Dr. Geelhoed believes that this hope should be enhanced through education and training and not be smothered by handouts, takeovers, or a one-size-fits-all standardization of medical care from first-world redundancy. Dr. Geelhoed received his BS and AB from Calvin College and his MD cum laude from the University of Michigan. He completed his surgical internship and residency through Harvard University at Peter Bent Brigham Hospital and Boston Children’s Hospital Medical Center. To continue his work of creating further volunteer surgical services in underserved areas of the developing world, he completed master’s and doctoral degrees in international affairs, epidemiology, health promotion and disease prevention, anthropology, tropical medicine, educational leadership, and philosophy. Dr. Geelhoed has received numerous recognitions for his work in global healthcare, including the prestigious humanitarian award for outreach to the underserved from the American College of Surgeons, one of the highest honors in the surgical field. He is professor of surgery and international medical education at George Washington University Medical Center in Washington, DC, and is a member of numerous medical, surgical, and international academic societies. Dr. Geelhoed is also an avid game hunter and runner. He has completed more than 165 marathons across the globe, and he is a widely published author, credited with several books and more than 800 published journal articles. When he is not on overseas M2H missions, he resides at his home in Derwood, Maryland, and enjoys spending time with his two sons and five grandchildren. With the proceeds from this book, the author hopes to sustain, support, and institutionalize M2H’s vital work and attract volunteers to join him in that work and his educational efforts. To learn more about Dr. Geelhoed, M2H, and how you can participate in or contribute to future missions, please visit www.missiontoheal.org.