From an author “destined to become a titan of the macabre and unsettling” (Erin A. Craig, #1 New York Times bestselling author), a haunting debut—soon to be a Netflix original movie—about two homeowners whose lives are turned upside down when the house’s previous residents unexpectedly visit. As a young, queer couple who flip houses, Charlie and Eve can’t believe the killer deal they’ve just gotten on an old house in a picturesque neighborhood. As they’re working in the house one day, there’s a knock on the door. A man stands there with his family, claiming to have lived there years before and asking if it would be alright if he showed his kids around. People pleaser to a fault, Eve lets them in. As soon as the strangers enter their home, inexplicable things start happening, including the family’s youngest child going missing and a ghostly presence materializing in the basement. Even more weird, the family can’t seem to take the hint that their visit should be over. And when Charlie suddenly vanishes, Eve slowly loses her grip on reality. Something is terribly wrong with the house and with the visiting family—or is Eve just imagining things? This unputdownable and spine-tingling novel “is like quicksand: the further you delve into its pages, the more immobilized you become by a spiral of terror. We Used to Live Here will haunt you even after you have finished it” (Agustina Bazterrica, author of Tender Is the Flesh).

In his final work, the great and beloved Native American scholar Vine Deloria Jr. takes us into the realm of the spiritual and reveals through eyewitness accounts the immense power of medicine men. The World We Used To Live In, a fascinating collection of anecdotes from tribes across the country, explores everything from healing miracles and scared rituals to Navajos who could move the sun. In this compelling work, which draws upon a lifetime of scholarship, Deloria shows us how ancient powers fit into our modern understanding of science and the cosmos, and how future generations may draw strength from the old ways.

“Enthralling.… Seymour powerfully evokes the world from which Rhys never really escaped, one of prejudice, abuse, and abuse’s shamefaced offspring, complicity.” —James Wood, The New Yorker An intimate, profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction—above all, the extraordinary Wide Sargasso Sea—that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the “Rhys woman” of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable—and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.

In 2018, Palestinians mark the 70th anniversary of the Nakba, when over 750,000 people were uprooted and forced to flee their homes in the early days of the Israeli-Palestinian conflict. Even today, the bitterness and trauma of the Nakba remains raw, and it has become the pivotal event both in the shaping of Palestinian identity and in galvanising the resistance to occupation. Unearthing an unparalleled body of rich oral testimony, An Oral History of the Palestinian Nakba tells the story of this epochal event through the voices of the Palestinians who lived it, uncovering remarkable new insights both into Palestinian experiences of the Nakba and into the wider dynamics of the ongoing conflict. Drawing together Palestinian accounts from 1948 with those of the present day, the book confronts the idea of the Nakba as an event consigned to the past, instead revealing it to be an ongoing process aimed at the erasure of Palestinian memory and history. In the process, each unique and wide-ranging contribution leads the way for new directions in Palestinian scholarship.

Raise the drawbridge for a story-within-a-story melding classic fairy-tale trappings with contemporary, tongue-in-cheek wit, abundantly illustrated in black-and-white—a perfect family read. Noble children Thomas and Emily have always known their mother to be sensible, the lady of the castle—if anything, a bit boring. But then they discover Meg, a cranky scribe who lives in the castle basement, leading a quirky group of artists in producing party invitations and other missives for the nobles above. Meg claims that she was a friend of their mother’s back when the two were kids—even before the dragon lived in the castle. Wait—a dragon? Not sure they can believe Meg’s tales, the kids return again and again to hear the evolving, fantastical story of their mother’s escapades (while putting their fussiest penmanship to work) and get caught up in a quest to reunite the onetime friends. Kidnapping, fighting, a ferocious dragon, loyal elves, and true love . . . coupled with squabbling siblings, archery practice gone amiss, and ill-fated dives into the moat . . . This multilayered story blends adventure and humor, medieval tropes and modern sensibility, in a satisfying read for the whole family.

We are seventeen and shattered and still dancing. We have messy, throbbing hearts, and we are stronger than anyone could ever know . . . Jonah never thought a girl like Vivi would come along. Vivi didn't know Jonah would light up her world. Neither of them expected a summer like this . . . a summer that would rewrite their futures. In an unflinching story about new love, old wounds, and forces beyond our control, two teens find that when you collide with the right person at just the right time, it will change you forever. “When We Collided is a book I wish could have written, but am so much better for having read." --Julie Murphy, #1 New York Times bestselling author of Dumplin'

For the 25 years, when he was off-duty, photojournalist J.M. Giordano walked his beloved city of Baltimore at night, capturing not just one particular scene, but many. From its bars, night clubs, inaugurals, casinos, strip clubs, drag nights, hip hop battles, and the too often encountered crime scenes, this incredible work paints an intimate portrait of Baltimore culture.