Ruth Bader Ginsburg believed that the equal rights of women belonged in the Constitution. She stood on the shoulders of brilliant women who persisted across generations to change the Constitution. We the Women tells their stories, showing what’s at stake in the current battle for the Equal Rights Amendment. The year 2020 marks the centennial the Nineteenth Amendment, guaranteeing women’s constitutional right to vote. But have we come far enough? After passage of the Nineteenth Amendment, revolutionary women demanded full equality beyond suffrage, by proposing the Equal Rights Amendment (ERA). Congress took almost fifty years to adopt it in 1972, and the states took almost as long to ratify it. In January 2020, Virginia became the final state needed to ratify the amendment. Why did the ERA take so long? Is it too late to add it to the Constitution? And what could it do for women? A leading legal scholar tells the story of the ERA through the voices of the bold women lawmakers who created it. They faced opposition and subterfuge at every turn, but they kept the ERA alive. And, despite significant victories by women lawyers like Ruth Bader Ginsburg, the achievements of gender equality have fallen short, especially for working mothers and women of color. Julie Suk excavates the ERA’s past to guide its future, explaining how the ERA can address hot-button issues such as pregnancy discrimination, sexual harassment, and unequal pay. The rise of movements like the Women’s March and #MeToo have ignited women across the country. Unstoppable women are winning elections, challenging male abuses of power, and changing the law to support working families. Can they add the ERA to the Constitution and improve American democracy? We the Women shows how the founding mothers of the ERA and the forgotten mothers of all our children have transformed our living Constitution for the better.

Urgent and provocative, We: A Manifesto for Women Everwhere is “part self-help, part social theory, centered in the idea that instead of having it ‘all,’ women can live happier, better lives by becoming more free” (Glamour), from longtime friends Gillian Anderson and Jennifer Nadel. We: A Manifesto for Women Everywhere is an uplifting, timely, and practical manual for creating change in women’s lives, with nine universal principles that help you confront life’s inevitable emotional and spiritual challenges. It’s about transitioning from a me-first culture and imagining what a we-based world might look like. In We, Anderson and Nadel ask why so many women are locked in cycles of depression, addiction, self-criticism, and even self-harm. How much more effective and powerful would we all be if we replaced our current patterns of competition, criticism, and comparison with collaboration, cooperation, and compassion? Putting these values at the center of our lives allows each of us to be happier and more empowered, and to replace harmful habits with a more positive, peaceful, and rewarding way of being. We is a rallying cry for “every woman, everywhere on the planet. Open to any page. And there you will find a truth that can set you free” (Christiane Northrup, MD, author of Women’s Bodies, Women’s Wisdom).

Victoria Woodhull is remembered as the first woman to run for the presidency of the United States—in 1872—and as an advocate of a single standard of morality for both sexes. We the Women describes a side of Woodhull less well known: the first woman stockbroker in America, she was successful on Wall Street while lambasting in her journal the railroads, insurance companies, and other special-interest groups. Stern offers biographical sketches of Belva Ann Lockwood, who fought for the right to practice law before the Supreme Court; Isabel C. Barrows, the first woman stenographer in the State Department; Rebecca Pennell Dean, criticized for not "knowing her place" when she joined a college faculty; Ellen H. Richards, the first university-trained chemist and a relentless worker for public health; Lucy Hobbs Taylor, who led women into the field of dentistry; Sarah G. Bagley, the first woman telegrapher; Rebecca Lukens, a premier captain of industry whose vision helped shape America's iron age; Mary Ann Lee, the ballerina who introduced Americans to revolutionary dances from abroad; Ann S. Stephen, the author of the first Beadle Dime Novel; Candace Wheeler, who brought women into the profession of home interior decoration; and Harriet Irwin, Louise Bethune, and Sophia G. Hayden, who paved the way for women to become professional architects. These nineteenth-century American women were the first to succeed in professions previously open only to men. Madeleine B. Stern has restored them richly to life in We the Women. The determination and intelligence of these women won for women a place in the arts, science and technology, education and the law, and business and industry. Among Stern's other books are Louisa May Alcott and The Life of Margaret Fuller.

Freedom. Equality. Sisterhood. WOMEN IN BATTLE is the book for anyone who wants to learn as much as possible about the history of feminism in as short a time as possible.

Kunti, a mother whose biggest challenge is to regain her eldest son’s forgiveness. Vidisha, a young college student who wants to establish herself in the notorious Hindi film industry. Arana, a retired actress-turned-mother-turned housewife who knows the dirty secrets of Bollywood too well. Shahzneen, a newly married wife who is struggling with the challenges of procreation. Tarana, a young girl whose greatest desire is to attend school. Nandi, a devadasi who has resigned to her life and lost all hope of change. Five short stories about different women facing different challenges and trying to navigate their lives through the ancient-yet-modern land that is India.

A reissue of the 1998 ILR Press edition, with a new preface by the author.

Merle Nudelman plumbs the nuances and vagaries which define our relationships and the shifting moments of lover, abuser, victim, and healer. The imagery in We, the Women is at once startling and evocative. Poems of layered scenes of domesticity and of the natural world border on the elegiac. In this richly textured collection, Nudelman celebrates the transformative power of love and spiritual awakening.