Captain Malik and the crew of his spaceship are in search of the only resources that matter – and can only be found by harvesting the giant corpses of alien gods that are found on the edge of human space..and now they see an opportunity to finally break free from this system: by being the first to find a living god. THE GODS ARE ALWAYS BEAUTIFUL... ...AND THE GODS ARE ALWAYS DEAD. Captain Malik and the crew of the spaceship the Vihaan II are in search of the only resources that matter – and can only be found by harvesting the giant corpses of alien gods that are found on the edge of human space. While other autopsy ships and explorers race to salvage the meat, minerals, and metals that sustain the human race, Malik sees an opportunity to finally break free from this system: by being the first to find a living god. But Malik’s obsession with the gods will push his crew into the darkest reaches of space, bringing them face to face with a threat unlike anything they ever imagined, unless the rogue agent on their trail can stop them first... Superstars Al Ewing (Immortal Hulk) and Simone Di Meo (Mighty Morphin Power Rangers) present a new sci-fi epic about the search for meaning and the hard choices we make to find it, no matter the cost to the world – or universe – around us. Collects We Only Find Them When They’re Dead #1-5.

Captain Malik and the crew of the Vihaan II escape from their tyrannical government - and chart a course straight to the first living god they can find! But the only thing more dangerous than what lies ahead of them...is who follows behind them.

Time. Time is something different to the gods, something that both exists to them–and doesn’t. In the thrilling sci-fi finale, new revelations arise about the harvesting of god-crystal, and its connection to the fabric of the temporal universe. Discover the final mysteries of this mind-bending series, and the ultimate cosmic choices that will question the very nature of free will itself!

In People Who Don't Know They're Dead, Gary Leon Hill tells a family story of how his Uncle Wally and Aunt Ruth, Wally's sister, came to counsel dead spirits who took up residence in bodies that didn?t belong to them. And in the telling, Hill elucidates much of what we know, or think we know, about life, death, consciousness, and the meaning of the universe. When people die by accident, in violence, or maybe they're drunk, stoned, or angry, they get freeze-framed. Even if they die naturally but have no clue what to expect, they might not notice they're dead. It's frustrating to see and not be seen. It's frustrating not to know what you're supposed to do next. It's especially frustrating to be in someone else's body and think it's your own. That's if you're dead. If you're alive and that spirit has attached itself to you, well that's a whole other set of frustrations. Wally Johnston, a behavioral psychologist, first started working with a medium in the 70s to help spirits move on to the next stage. Some years after that, Ruth Johnston, an academic psychiatric nurse, who'd become interested in new consciousness and alternative healing, began working with Wally to clear spirits who weren't moving on. These hitchhikers had attached themselves to the auras of living relatives or strangers in an attempt to hold on to a physical existence they no longer need. Through her pendulum, Ruth obtains permission from the higher self of both hitchhiker and host to work with them. Then Wally speaks with them, gently but firmly, to make sure they know they are no longer welcome to inhabit the bodies and wreak havoc on the lives of the living. Hill has woven this fascinating story with the history and theory of what happens at death, with particular emphasis on the last 40 years and the work of such groundbreaking thinkers as Elmer Green, Raymond Moody, William James, Aldous Huxley, Edith Fiore, Martha Rogers, Mark Macy, Elisabeth Kubler-Ross, Bruce Lipton, and a host of others, whose work helps inform our idea of what it is to live and to die. As it turns out, our best defense against hitchhikers is to live consciously. And our best chance of doing that is by paying attention and staying open to possibilities.

A compassionate, shame-free guide for your darkest days “A one-of-a-kind book . . . to read for yourself or give to a struggling friend or loved one without the fear that depression and suicidal thoughts will be minimized, medicalized or over-spiritualized.”—Kay Warren, cofounder of Saddleback Church What happens when loving Jesus doesn’t cure you of depression, anxiety, or suicidal thoughts? You might be crushed by shame over your mental illness, only to be told by well-meaning Christians to “choose joy” and “pray more.” So you beg God to take away the pain, but nothing eases the ache inside. As darkness lingers and color drains from your world, you’re left wondering if God has abandoned you. You just want a way out. But there’s hope. In I Love Jesus, But I Want to Die, Sarah J. Robinson offers a healthy, practical, and shame-free guide for Christians struggling with mental illness. With unflinching honesty, Sarah shares her story of battling depression and fighting to stay alive despite toxic theology that made her afraid to seek help outside the church. Pairing her own story with scriptural insights, mental health research, and simple practices, Sarah helps you reconnect with the God who is present in our deepest anguish and discover that you are worth everything it takes to get better. Beautifully written and full of hard-won wisdom, I Love Jesus, But I Want to Die offers a path toward a rich, hope-filled life in Christ, even when healing doesn’t look like what you expect.

Relocating to Charleston after a particularly grueling case, Dr. Kay Scarpetta opens a private forensic pathology practice but is quickly targeted by local politics and a covert saboteur before a series of violent deaths bring her skills into high view. 1,500,000 first printing. BOMC, Lit Guild, Doubleday, & Mystery Guild Main.

NATIONAL BESTSELLER • A coming-of-age classic about a young girl growing up in Chicago • Acclaimed by critics, beloved by readers of all ages, taught in schools and universities alike, and translated around the world—from the winner of the 2019 PEN/Nabokov Award for Achievement in International Literature. “Cisneros draws on her rich [Latino] heritage...and seduces with precise, spare prose, creat[ing] unforgettable characters we want to lift off the page. She is not only a gifted writer, but an absolutely essential one.” —The New York Times Book Review The House on Mango Street is one of the most cherished novels of the last fifty years. Readers from all walks of life have fallen for the voice of Esperanza Cordero, growing up in Chicago and inventing for herself who and what she will become. “In English my name means hope,” she says. “In Spanish it means too many letters. It means sadness, it means waiting." Told in a series of vignettes—sometimes heartbreaking, sometimes joyous—Cisneros’s masterpiece is a classic story of childhood and self-discovery and one of the greatest neighborhood novels of all time. Like Sinclair Lewis’s Main Street or Toni Morrison’s Sula, it makes a world through people and their voices, and it does so in language that is poetic and direct. This gorgeous coming-of-age novel is a celebration of the power of telling one’s story and of being proud of where you're from.