ONE OF PRESIDENT BARACK OBAMA’S FAVORITE BOOKS OF 2019 From the New York Times bestselling author of Beautiful Ruins, the first collection of short fiction from Jess Walter—a suite of diverse and searching stories about personal struggle and diminished dreams, all of them marked by the wry wit, keen eye, and generosity of spirit that has made him a bookseller and reader favorite These twelve stories—published over the last five years in Harper’s, The Best American Short Stories, McSweeney’s, Playboy, and other publications—veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive conmen, of meth tweakers on desperate odysseys and men committing suicide by fishing. We Live in Water is a darkly comic, heartfelt collection of stories from a “ridiculously talented writer” (New York Times), “one of the freshest voices in American literature” (Dallas Morning News).

A captivating story of environmental crisis and community on Smith Island in the Chesapeake Bay. Island environments are particularly vulnerable to the impacts of rapidly rising waters, accelerating ecological crisis. While we often think of this environmental reality in terms of the Global North and South, Alaska, or Micronesian or Indian nations, the devastating effects of a changing climate are also found on islands in the mid-Atlantic. In We Live in the Water, anthropologist Jana Kopelent Rehak sheds light on the profound impacts of a changing environment on the small coastal community of Smith Island in the Chesapeake Bay. This fascinating ethnographic account of Smith Island residents examines the challenges faced by an aging community that is grappling with flooding, land erosion, and population loss. By combining socioecology, life course theory, and eco-phenomenology, Kopelent Rehak offers a comprehensive understanding of how people's engagement with their ever-changing environment shapes their ways of being. We Live in the Water offers a fresh perspective on the human dimensions of changing climate, inviting readers to witness the complex interactions between the environment and the island's collective identity. Through vivid narratives and firsthand accounts, Kopelent Rehak explores the islanders' deep connection to their land and how they reinvent their traditions over generations. By bridging the gap between ecological studies and environmental anthropology, Kopelent Rehak provides a compelling framework for understanding the impacts of environmental crises on local communities and emphasizes the importance of integrated research in shaping public discourse.

We could not live without water. Almost two-thirds of our body weight is water. We rely on it to keep ourselves clean, to keep our bodies nourished, and to get rid of waste. But water can also carry deadly germs and poisons. One of the greatest challenges for scientists and governments today is to make sure that everyone has access to the clean, safe water that they need. You Wouldn’t Want to Live Without Clean Water! is part of a brand-new science and technology strand within the internationally acclaimed You Wouldn’t Want to Be series. The clear, engaging text and humorous illustrations bring the subject to life and stimulate young readers' curiosity about the world around them. Specially commissioned cartoon-style illustrations in full colour make these books attractive and accessible even to reluctant readers. Information is conveyed through captions, labels and humorous speech bubbles in addition to the main text. Illustrated sidebars headed ‘How It Works’, ‘Top Tip’ or ‘You Can Do It’ supply more facts, describe simple, safe experiments, or steps that readers can take to help make the world a better place. Each volume includes a timeline and a list of ‘Did You Know?’ facts.

A landmark book by marine biologist Wallace J. Nichols on the remarkable effects of water on our health and well-being. Why are we drawn to the ocean each summer? Why does being near water set our minds and bodies at ease? In BLUE MIND, Wallace J. Nichols revolutionizes how we think about these questions, revealing the remarkable truth about the benefits of being in, on, under, or simply near water. Combining cutting-edge neuroscience with compelling personal stories from top athletes, leading scientists, military veterans, and gifted artists, he shows how proximity to water can improve performance, increase calm, diminish anxiety, and increase professional success. BLUE MIND not only illustrates the crucial importance of our connection to water-it provides a paradigm shifting "blueprint" for a better life on this Blue Marble we call home.

The instant New York Times Bestseller • Nominated for the 2019 National Book Award for Fiction “A lyrical work of self-discovery that’s shockingly intimate and insistently universal…Not so much briefly gorgeous as permanently stunning.” —Ron Charles, The Washington Post Ocean Vuong’s debut novel is a shattering portrait of a family, a first love, and the redemptive power of storytelling On Earth We’re Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late twenties, the letter unearths a family’s history that began before he was born — a history whose epicenter is rooted in Vietnam — and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class, and masculinity. Asking questions central to our American moment, immersed as we are in addiction, violence, and trauma, but undergirded by compassion and tenderness, On Earth We’re Briefly Gorgeous is as much about the power of telling one’s own story as it is about the obliterating silence of not being heard. With stunning urgency and grace, Ocean Vuong writes of people caught between disparate worlds, and asks how we heal and rescue one another without forsaking who we are. The question of how to survive, and how to make of it a kind of joy, powers the most important debut novel of many years. Named a Best Book of the Year by: GQ, Kirkus Reviews, Booklist, Library Journal, TIME, Esquire, The Washington Post, Apple, Good Housekeeping, The New Yorker, The New York Public Library, Elle.com, The Guardian, The A.V. Club, NPR, Lithub, Entertainment Weekly, Vogue.com, The San Francisco Chronicle, Mother Jones, Vanity Fair, The Wall Street Journal Magazine and more!

In this exceptional cultural history, Atlantic Senior Editor Ronald Brownstein—“one of America's best political journalists (The Economist)—tells the kaleidoscopic story of one monumental year that marked the city of Los Angeles’ creative peak, a glittering moment when popular culture was ahead of politics in predicting what America would become. Los Angeles in 1974 exerted more influence over popular culture than any other city in America. Los Angeles that year, in fact, dominated popular culture more than it ever had before, or would again. Working in film, recording, and television studios around Sunset Boulevard, living in Brentwood and Beverly Hills or amid the flickering lights of the Hollywood Hills, a cluster of transformative talents produced an explosion in popular culture which reflected the demographic, social, and cultural realities of a changing America. At a time when Richard Nixon won two presidential elections with a message of backlash against the social changes unleashed by the sixties, popular culture was ahead of politics in predicting what America would become. The early 1970s in Los Angeles was the time and the place where conservatives definitively lost the battle to control popular culture. Rock Me on the Water traces the confluence of movies, music, television, and politics in Los Angeles month by month through that transformative, magical year. Ronald Brownstein reveals how 1974 represented a confrontation between a massive younger generation intent on change, and a political order rooted in the status quo. Today, we are again witnessing a generational cultural divide. Brownstein shows how the voices resistant to change may win the political battle for a time, but they cannot hold back the future.

A “miraculous” (Newsweek) human drama, based on a true story, from the renowned author of The Prince of Tides and The Great Santini The island is nearly deserted, haunting, beautiful. Across a slip of ocean lies South Carolina. But for the handful of families on Yamacraw Island, America is a world away. For years the people here lived proudly from the sea, but now its waters are not safe. Waste from industry threatens their very existence unless, somehow, they can learn a new way. But they will learn nothing without someone to teach them, and their school has no teacher—until one man gives a year of his life to the island and its people. Praise for The Water Is Wide “Miraculous . . . an experience of joy.”—Newsweek “A powerfully moving book . . . You will laugh, you will weep, you will be proud and you will rail . . . and you will learn to love the man.”—Charleston News and Courier “A hell of a good story.”—The New York Times “Few novelists write as well, and none as beautifully.”—Lexington Herald-Leader “[Pat] Conroy cuts through his experiences with a sharp edge of irony. . . . He brings emotion, writing talent and anger to his story.”—Baltimore Sun