“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.

Bringing together cultural, political and economic analyses, Lawrence Grossberg offers an original and bold interpretation of the contemporary politics of both rock and popular culture.

Called "a kind of female Cameron Crowe" by the "Chicago Tribune, " Hirshey's narrative is based on original interviews, as she serves up a tasty platter of girl groups and soul queens, acoustic goddesses and priestesses of the avant-garde, punk grrrls, glamazons, and innovators of hip-hop and neo-soul. Photos.

Shares uplifting advice about the virtues of forgiveness, offering strategic and biblically based advice on how to achieve peace and personal fulfillment by letting go of past wrongs.

In their 2015 award-winning book, We Gotta Get Out of This Place: The Soundtrack of the Vietnam War, Doug Bradley and Craig Werner placed popular music at the heart of the American experience in Vietnam. Over the next two years, they made more than 100 presentations coast-to-coast, witnessing honest, respectful exchanges among audience members. That journey prompted Bradley to write Who'll Stop the Rain: Respect, Remembrance, and Reconciliation in Post-Vietnam America and to further explore how the music of the era, shared by those who served and those who stayed, helped create safe, nonjudgmental environments for listening, sharing, and understanding. Those insights, and others, can help redefine America's public memory of Vietnam, one that invites a broader public understanding, sometimes written physically into the landscape via monuments, about what we revere and what we regret about who we are and what Vietnam did to us. A chorus of voices in Who'll Stop the Rain–​famous and anonymous, female and male, veteran and non-veteran, American and Vietnamese–suggests new possibilities for understanding the legacy of Vietnam and, ultimately, for bringing the men and women who served their country in that controversial war home for good.

Nick Novaczek is a cautious soul, a 17-year old with a boring life, a predictable future, and a quiet thirst for danger. On the eve of his beloved grandmother's funeral, danger finds him by the motel swimming pool. Her name is Celia and she's everything he's not. This foul-mouthed beauty is hitchhiking across the country to make amends with her estranged father and doesn't carry an ounce of fear or hesitation in her tattered suitcase. She's bad news all around, but for a rule-follower like Nick, she's intoxicating. Twenty-four hours after speaking to Celia for the very first time, following one extremely lucky night, Nick is hopelessly hooked and "borrows" his parents' car to join her cross-country mission, even though her story is full of holes. It's the mistake he's been waiting his whole life to make. Together, they dodge a train, jump off a bridge, and scam everyone in their path. Nick is blossoming into a teenage fugitive, just like Celia, and he's never been happier. She may not be who she says she is, but she's got his vulnerable heart. After weeks of detours, with hundreds of miles left to go, their wild adventure starts to unravel. The money dries up, Celia's dark secrets begin to surface, and it's clear they both want vastly different things out of this partnership. Celia is all about no strings attached and severing whatever they may have between them once they reach their destination, while Nick is head over heels in love and wanting a future with the girl in his passenger seat. They seem to reach a new low on a daily basis, but she won't turn back, no matter how desperate things get. After all, this is her trip and Nick is just the driver. Celia's got a charming smile to pay her way, a willing accomplice, a hidden agenda, and an endless supply of lies. Not to mention a gun.

This is the trade paperback second edition of the popular original title