After the explosive events of The Lion Lies Waiting, life has returned to normal for burly fisherman Robin Shipp. That is until the innkeeper of the ancient Moth & Moon approaches him with a surprising proposal, and an unexpected arrival brings some shocking news that sends Robin on a perilous journey alone. While he’s away, his lover, Edwin, anxiously prepares for the birth of his first child with his friend, Iris. Her wife, Lady Eva, must travel to Blackrabbit Island for a showdown over the future of the family business. Meanwhile, Duncan nurses an injured man back to health but as the two grow close, the island’s new schoolmaster makes his amorous intentions clear. Robin’s search for answers to the questions that have haunted his entire life will take him away from everyone he knows, across a dangerous ocean, and into the very heart of a floating pirate stronghold. Pushed to his limits, Robin’s one last chance at finding the truth will cost him more than he ever imagined.

Juniper Sawfeather is choosing which college to attend after graduation from West Olympia High School next year. She wants to go to San Diego to be far away from her environmental activist parents. They expect her to think the way they do, but having to be constantly fighting causes makes it difficult to be an average 17 year old high school student. Why do her parents have to be so out there? Everything changes when she and her father rush to the beach after a reported oil spill. As they document the damage, June discovers three humans washed up on the beach, struggling to breathe through the oil coating their skin. At first she thinks they must be surfers, but as she gets closer, she realizes these aren't human at all. They're mermaids Now begins a complex story of intrigue, conspiracy and manipulation as June, her parents, a marine biologist and his handsome young intern, her best friend, the popular clique at school and the oil company fight over the fate of the mermaids.

Life itself could never have been sustainable without seabirds. As Adam Nicolson writes: "They are bringers of fertility, the deliverers of life from ocean to land." A global tragedy is unfolding. Even as we are coming to understand them, the number of seabirds on our planet is in freefall, dropping by nearly 70% in the last sixty years, a billion fewer now than there were in 1950. Of the ten birds in this book, seven are in decline, at least in part of their range. Extinction stalks the ocean and there is a danger that the grand cry of the seabird colony, rolling around the bays and headlands of high latitudes, will this century become little but a memory. Seabirds have always entranced the human imagination and NYT best-selling author Adam Nicolson has been in love with them all his life: for their mastery of wind and ocean, their aerial beauty and the unmatched wildness of the coasts and islands where every summer they return to breed. The seabird’s cry comes from an elemental layer in the story of the world. Over the last couple of decades, modern science has begun to understand their epic voyages, their astonishing abilities to navigate for tens of thousands of miles on featureless seas, their ability to smell their way towards fish and home. Only the poets in the past would have thought of seabirds as creatures riding the ripples and currents of the entire planet, but that is what the scientists are seeing now today.

A girl named Sukara is at the beach and discovers a mermaid who is upset about the damage that plastic is wreaking on her home. She is distraught and crying. Then, to her horror, the mermaid discovers that even her tears are plastic. She shows Sukara what is happening in the ocean because of plastic pollution. Sukara starts crying, and they discover something magical about humans that can save the oceans. Sukara embarks on a quest to share what she knows. A Cry for the Ocean was written 5 years ago when I read about the plastic collecting in the ocean in the gyres. I was shocked to see what we were doing to our ocean. I researched the subject more, and wanted to write a story about what I discovered. The spark that created this story was when I read that 'Mermaids' Tears' is a term beachcombers use to describe the tiny pieces of plastic that result from weathered, larger pieces of plastic. Recently, the sad situation in the oceans has become much more publicized, and I'm happy to see the momentum gathering to prevent plastic from being produced and thrown away at the current rate. I hope this story inspires everyone to know that once we care enough about saving the ocean, we are one step away from making that a reality. And yes, we should shed a few tears along the way! I hope this book will raise awareness of the plight of the ocean, and create more hope that we have it within ourselves to repair the damage we have done. Working with incredibly talented illustrator Tamara Piper, this is a beautiful picture book with colourful and touching illustrations. Accompanying the book is a collection of teaching resources and activities for teachers and parents.

Longlisted for the National Book Award for Young People's Literature! From the New York Times and USA Today bestselling author of the Shatter Me series comes a powerful, heartrending contemporary novel about fear, first love, and the devastating impact of prejudice. It’s 2002, a year after 9/11. It’s an extremely turbulent time politically, but especially so for someone like Shirin, a sixteen-year-old Muslim girl who’s tired of being stereotyped. Shirin is never surprised by how horrible people can be. She’s tired of the rude stares, the degrading comments—even the physical violence—she endures as a result of her race, her religion, and the hijab she wears every day. So she’s built up protective walls and refuses to let anyone close enough to hurt her. Instead, she drowns her frustrations in music and spends her afternoons break-dancing with her brother. But then she meets Ocean James. He’s the first person in forever who really seems to want to get to know Shirin. It terrifies her—they seem to come from two irreconcilable worlds—and Shirin has had her guard up for so long that she’s not sure she’ll ever be able to let it down.

In a candid and uplifting memoir, international swimming star Beard reveals the truth about coming of age in the Olympic spotlight, the demons she battled along the way, and her newfound happiness.

This volume presents five variants of the Imdeduya myth: two versions of the actual myth, a short story, a song and John Kasaipwalova’s English poem “Sail the Midnight Sun”. This poem draws heavily on the Trobriand myth which introduces the protagonists Imdeduya and Yolina and reports on Yolina’s intention to marry the girl so famous for her beauty, on his long journey to Imdeduya’s village and on their tragic love story. The texts are compared with each other with a final focus on the clash between orality and scripturality. Contrary to Kasaipwalova’s fixed poetic text, the oral Imdeduya versions reveal the variability characteristic for oral tradition. This variability opens up questions about traditional stability and destabilization of oral literature, especially questions about the changing role of myth – and magic – in the Trobriand Islanders' society which gets more and more integrated into the by now “literal” nation of Papua New Guinea.