"Alison Wisdom's addictive, down-the-rabbit-hole debut reads like The Girls by way of The Virgin Suicides, with an extra dash of Cheever's unsettling suburbia. The result is sinister and surprising: a novel I couldn't put down, and one that I kept thinking about long after I'd reached its unexpected, chilling end." —Emily Temple, author of The Lightness One of Newsweek, Bustle, and LitHub's Most Anticipated Books and Goodreads' "Debut Novels to Discover in 2021," We Can Only Save Ourselves is the story of one teenage girl’s unlikely indoctrination and the reverberations in the tight-knit community she leaves behind. Alice Lange’s neighbors are proud to know her—a high-achieving student, cheerleader, and all-around good citizen, she’s a perfect emblem of their sunny neighborhood. The night before she’s expected to be crowned Homecoming Queen, though, she commits an act of vandalism, then disappears, following a magnetic stranger named Wesley to a bungalow in another part of the state. There, he promises, Alice can be her true self, shedding the shackles of conformity. At the bungalow, however, she learns that four other young women seeking enlightenment and adventure have already followed him there. Her new lifestyle is intoxicating at first, but as Wesley’s demands on all of them increase, the house becomes a pressure cooker—until one day they reach the point of no return. Back home, the story of Alice’s disappearance and radicalization is framed by the first-person plural chorus of the mothers who knew her before, who worry about her, but also resent the tear she made in the fabric of their perfect world, one that exposes the question: Isn’t suburbia a kind of cult unto itself? Combining the sharp social critique of Celeste Ng’s Little Fires Everywhere with the elegiac beauty of Emma Cline’s The Girls, this is a fierce literary debut from a writer to watch.

Since Donald Trump’s first day in office, a large and energetic grassroots “Resistance” has taken to the streets to protest his administration’s plans for the United States. Millions marched in pussy hats on the day after the inauguration; outraged citizens flocked to airports to declare that America must be open to immigrants; masses of demonstrators circled the White House to demand action on climate change; and that was only the beginning. Who are the millions of people marching against the Trump administration, how are they connected to the Blue Wave that washed over the U.S. Congress in 2018—and what does it all mean for the future of American democracy? American Resistance traces activists from the streets back to the communities and congressional districts around the country where they live, work, and vote. Using innovative survey data and interviews with key players, Dana R. Fisher analyzes how Resistance groups have channeled outrage into activism, using distributed organizing to make activism possible by anyone from anywhere, whenever and wherever it is needed most. Beginning with the first Women’s March and following the movement through the 2018 midterms, Fisher demonstrates how the energy and enthusiasm of the Resistance paid off in a wave of Democratic victories. She reveals how the Left rebounded from the devastating 2016 election, the lessons for turning grassroots passion into electoral gains, and what comes next. American Resistance explains the organizing that is revitalizing democracy to counter Trump’s presidency.

“Enthralling . . . [an] exquisitely moral mystery of how we struggle to accept and love the people we call family.”—The New York Times Book Review (Editor’s Choice) NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Esquire • BookPage A gripping novel with the pace of a thriller but the nuanced characterization and deep empathy of some of the literary canon’s most beloved novels, Remember Me Like This introduces Bret Anthony Johnston as one of the most gifted storytellers writing today. With his sophisticated and emotionally taut plot and his shimmering prose, Johnston reveals that only in caring for one another can we save ourselves. Four years have passed since Justin Campbell’s disappearance, a tragedy that rocked the small town of Southport, Texas. Did he run away? Was he kidnapped? Did he drown in the bay? As the Campbells search for answers, they struggle to hold what’s left of their family together. Then, one afternoon, the impossible happens. The police call to report that Justin has been found only miles away, in the neighboring town, and, most important, he appears to be fine. Though the reunion is a miracle, Justin’s homecoming exposes the deep rifts that have diminished his family, the wounds they all carry that may never fully heal. Trying to return to normal, his parents do their best to ease Justin back into his old life. But as thick summer heat takes hold, violent storms churn in the Gulf and in the Campbells’ hearts. When a reversal of fortune lays bare the family’s greatest fears—and offers perhaps the only hope for recovery—each of them must fight to keep the ties that bind them from permanently tearing apart. Praise for Remember Me Like This “An achingly beautiful and psychologically insightful portrait of a family . . . [a] fully immersive novel in which the language is luminous and the delivery almost flawless.”—The Boston Globe “Riveting . . . flows like it was plotted by Dennis Lehane but feels like it was written by Jonathan Franzen.”—Esquire “Tremendously moving . . . There’s real humanity in Johnston’s writing, and it’s heartening to spend time with these folks as they relearn how to be a family.”—Ron Charles, The Washington Post “Deeply empathetic and masterfully constructed . . . a novel that has both the feel of a great epic and the focused intensity of standing on a highwire.”—Salon

"This masterful novel combines readable, lyrical prose with a compelling plot and complex characters. . . . Wisdom weaves these tangled threads with overarching themes of how the patriarchy controls women’s minds and bodies." —Booklist (Starred Review) The acclaimed author of We Can Only Save Ourselves returns with an urgent and unsettling story that journeys into the heart of religious fanaticism and cult behavior as it probes one woman’s struggle to define life on her own terms. “Here comes trouble,” Rosemary’s high school English teacher used to say whenever he saw her. Rosemary has often felt like trouble, and now at thirty-two, her marriage to her college sweetheart, Paul, is crumbling. In a last-ditch attempt to restore it, she agrees to give herself over to a newly formed Christian sect in central Texas, run by charismatic young pastor Papa Jake. While Paul acclimates quickly to the small town of Dawson and the church’s insistence on a strict set of puritanical rules, Rosemary struggles to fit in. She finds purpose only when she’s called upon to help Julie, a new mother in the community, who is feeling isolated and lost. Then the community is rocked by a series of fires which take some church members’ homes and nearly take their lives, but which Papa Jake says are holy and a representation of God’s will. As the fires spread, and Julie is betrayed in a terrible way, Rosemary begins to question the reality of her life, and wonders if trouble will always find her—or if she’ll ever be able to outrun it.

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

Destined to be a classic, this "powerfully moving" (Chad Harbach, The Art of Fielding), multigenerational debut novel of an Irish-American family is nothing short of a "masterwork" (Joshua Ferris, Then We Came to the End). Born in 1941, Eileen Tumulty is raised by her Irish immigrant parents in Woodside, Queens, in an apartment where the mood swings between heartbreak and hilarity, depending on whether guests are over and how much alcohol has been consumed. When Eileen meets Ed Leary, a scientist whose bearing is nothing like those of the men she grew up with, she thinks she's found the perfect partner to deliver her to the cosmopolitan world she longs to inhabit. They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

An emotional, full-hearted teen novel about love, loss, and mental health from the award-winning author of "The Memory of Things." "An achingly fierce exploration of the way the world wounds us and heals us."--Jeff Zentner, William C. Morris award-winning author of "The Serpent King."