Since March 2015, photographer and author Joey L. has gained unprecedented access to Kurdish guerrilla organizations fighting against ISIS, embedding himself into the chaos of the Iraq and Syrian Civil War on three separate trips. Three components meld to create an extraordinarily brave and important documentation: his medium format portrait photography, a written study of the history of the turmoil that led to the rise of armed Kurdish militias, and intimate journal notes of vivid personal experiences while working as a photographer in the war. The war against ISIS in Iraq and Syria has flooded our daily news with troubling statistics of massacres and mass migrations, yet there are faces and human stories at the heart of the conflict. Joey writes, "From Iraq, one crosses the Tigris River into war-torn Syria, and is catapulted into a worldview crafted by the guerrilla. You are welcomed back by familiar faces wearing a palette of earth tones interrupted by a brightly colored scarf - likely given to them by their mothers. Conversations over cigarettes and tea with much too much sugar often drift to conspiracy theories about the entire world plotting to destroy their cause. Oddly, they begin to make sense. The guerrilla's secretive hierarchy vanishes due to its compartmentalization, and you find yourself among individual Kurds who left their families with the intention of defending their culture and way of life. We had once again entered the world of the Kurdish guerrilla." During his travels, Joey observed ragtag volunteer guerrilla fighters with mysterious links to the outlawed Kurdistan Worker's Party (PKK) grow into a fully functional army and the US-led coalitions most trusted partner--Syrian Democratic Forces (SDF). With little official government support and just light weapons; brothers, sisters, former university students and refugees that once fled from their homes have now taken up arms together against a common enemy--radical jihadist groups that contest the secular social reformations in Kurdistan. Joey's uncanny ability to gain trust and his fearless and open attitude to the unexpected, combined with his genuine love for his subjects and their quest for independence gives We Came from Firea deeply felt sense of humanity.

“[A] gracefully narrated, arrestingly illustrated myth originating from the Karuk people” about a coyote who steals fire and shares it with the world (Publishers Weekly). There was a time when the animals had no way to keep warm in the winter, because the miserly Yellow Jackets kept fire for themselves at their mountaintop home. But wise old Coyote devised a plan to trick the Yellow Jackets and steal a burning ember. As the Yellow Jackets give chase, Coyote passes the ember to Eagle, who then passes it to Mountain Lion, and so on. The animals work together, using their individual strengths and abilities, to get the ember down from the mountain where it is kept inside a willow tree. This delightful retelling of the legend from the Karuk people of Northwestern California is enlivened by beautiful illustrations and includes an afterword by Julian Long, a member of the Karuk tribe.

Long ago the people of Dahomey told a tale of the days when the world was new, and the only Earth people were animals. They lived in cold and darkness because Mawu, the selfish Moon god, kept all the fire to herself. At last, little Chameleon and slow Tortoise, working together, found a way to outwit Mawu.

Deaf since early childhood, Caleb Zelic used to meet life head-on. Now he's struggling just to get through the day. His best mate is dead, his ex-wife, Kat, is avoiding him, and nightmares haunt his waking hours. But when a young woman is killed after pleading for his help in sign language, Caleb is determined to find out who she was. And the trail leads straight to his hometown, Resurrection Bay. The town is on bushfire alert and simmering with racial tensions. As he delves deeper, Caleb uncovers secrets that could threaten his life and any chance of reuniting with Kat. Driven by his demons, he pushes on. But who is he willing to sacrifice along the way?

In this stunningly original book, Richard Wrangham argues that it was cooking that caused the extraordinary transformation of our ancestors from apelike beings to Homo erectus. At the heart of Catching Fire lies an explosive new idea: the habit of eating cooked rather than raw food permitted the digestive tract to shrink and the human brain to grow, helped structure human society, and created the male-female division of labour. As our ancestors adapted to using fire, humans emerged as "the cooking apes". Covering everything from food-labelling and overweight pets to raw-food faddists, Catching Fire offers a startlingly original argument about how we came to be the social, intelligent, and sexual species we are today. "This notion is surprising, fresh and, in the hands of Richard Wrangham, utterly persuasive ... Big, new ideas do not come along often in evolution these days, but this is one." -Matt Ridley, author of Genome

First published in 1963, James Baldwin's A Fire Next Time stabbed at the heart of America's so-called ldquo;Negro problemrdquo;. As remarkable for its masterful prose as it is for its uncompromising account of black experience in the United States, it is considered to this day one of the most articulate and influential expressions of 1960s race relations. The book consists of two essays, ldquo;My Dungeon Shook mdash; Letter to my Nephew on the One Hundredth Anniversary of Emancipation,rdquo; and ldquo;Down At The Cross mdash; Letter from a Region of My Mind.rdquo; It weaves thematic threads of love, faith, and family into a candid assault on the hypocrisy of the so-say ldquo;land of the freerdquo;, insisting on the inequality implicit to American society. ldquo;You were born where you were born and faced the future that you facedrdquo;, Baldwin writes to his nephew, ldquo;because you were black and for no other reason.rdquo; His profound sense of injustice is matched by a robust belief in ldquo;monumental dignityrdquo;, in patience, empathy, and the possibility of transforming America into ldquo;what America must become.rdquo;

#1 New York Times bestselling author Jennifer L. Armentrout returns with book one of the all-new, compelling Flesh and Fire series—set in the beloved Blood and Ash world. Born shrouded in the veil of the Primals, a Maiden as the Fates promised, Seraphena Mierel’s future has never been hers. Chosen before birth to uphold the desperate deal her ancestor struck to save his people, Sera must leave behind her life and offer herself to the Primal of Death as his Consort. However, Sera’s real destiny is the most closely guarded secret in all of Lasania—she’s not the well protected Maiden but an assassin with one mission—one target. Make the Primal of Death fall in love, become his weakness, and then…end him. If she fails, she dooms her kingdom to a slow demise at the hands of the Rot. Sera has always known what she is. Chosen. Consort. Assassin. Weapon. A specter never fully formed yet drenched in blood. A monster. Until him. Until the Primal of Death’s unexpected words and deeds chase away the darkness gathering inside her. And his seductive touch ignites a passion she’s never allowed herself to feel and cannot feel for him. But Sera has never had a choice. Either way, her life is forfeit—it always has been, as she has been forever touched by Life and Death.