We Belong to the Land, the gripping autobiography of Nobel Peace Prize nominee Elias Chacour, capture his life's work toward peace and reconciliation for Israeli Jews, Christians, and Muslims. Nominated several times for the Nobel Peace Prize, world-renowned Palestinian priest, Elias Chacour, narrates the gripping story of his life spent working to achieve peace and reconciliation among Israeli Jews, Christians, and Muslims. From the destruction of his boyhood village and his work as a priest in Galilee to his efforts to build school, libraries, and summer camps for children of all religions, this peacemaker’s moving story brings hope to one of the most complex struggles of our time.

A biography of nineteenth-century Russian novelist Leo Tolstoy, discussing his childhood and youth, his stint in the military, his discovery of Europe, his relationships, and his writing.

The Centennial History of Oklahoma.

NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES, THE GUARDIAN, THE BROOKLYN RAIL, THE GLOBE AND MAIL, POP MATTERS, COMICS BEAT, AND PUBLISHERS WEEKLY From the “heir to R. Crumb and Art Spiegelman” (Economist), a masterful work of comics journalism about indigenous North America, resource extraction, and our debt to the natural world The Dene have lived in the vast Mackenzie River Valley since time immemorial, by their account. To the Dene, the land owns them, not the other way around, and it is central to their livelihood and very way of being. But the subarctic Canadian Northwest Territories are home to valuable resources, including oil, gas, and diamonds. With mining came jobs and investment, but also road-building, pipelines, and toxic waste, which scarred the landscape, and alcohol, drugs, and debt, which deformed a way of life. In Paying the Land, Joe Sacco travels the frozen North to reveal a people in conflict over the costs and benefits of development. The mining boom is only the latest assault on indigenous culture: Sacco recounts the shattering impact of a residential school system that aimed to “remove the Indian from the child”; the destructive process that drove the Dene from the bush into settlements and turned them into wage laborers; the government land claims stacked against the Dene Nation; and their uphill efforts to revive a wounded culture. Against a vast and gorgeous landscape that dwarfs all human scale, Paying the Land lends an ear to trappers and chiefs, activists and priests, to tell a sweeping story about money, dependency, loss, and culture—recounted in stunning visual detail by one of the greatest cartoonists alive.

An extraordinarily beautiful novel-in-verse, this important debut weaves a dramatic immigrant story together with Pilipino mythology to create something wholly new. Stella and Luna know that their mama, Elsie, came from the Philippines when she was a child, but they don't know much else. So one night they ask her to tell them her story. As they get ready for bed, their mama spins two tales: that of her youth as a strong-willed middle child and immigrant; and that of the young life of Mayari, the mythical daughter of a god. Both are tales of sisterhood and motherhood, and of the difficult experience of trying to fit into a new culture, and having to fight for a home and acceptance. Glorious and layered, this is a portrait of family and strength for the ages.

Gathered here in book form for the first time, the fourteen essays in Where We Belong exemplify Paul Shepard's interdisciplinary approach to human interaction with the natural world. Drawn from Shepard's entire career and presented chronologically, these pieces vary in setting from the Hudson River to the American prairie to New Zealand. Equally impressive is Shepard's spatial range, as he moves from subtle differences to grand designs, from the intimacy of an artist's brush stroke to a vista of the harsh Greek terrain. Alluding to a range of sources from Star Trek to Marshall McLuhan to the Bible, the writings discuss such topics as the geomorphology of New England landscape paintings, beautification and conservation projects, the Oregon Trail, and tourism. Whether Shepard is pondering why the Great Plains conjured up sea imagery in early observers, or how pioneers often resorted to architectural terms--temple, castle, bridge, tower--when naming the West's natural formations, he exposes, and thus invites us to unshoulder, the cultural and historical baggage we bring to the act of seeing. Throughout the book, Shepard seeks the antecedents of environmental perception and questions whether the paradigm we inherited should be superseded by one that leads us to a greater concern for the health of the planet. This volume is an important addition to Shepard's canon if only for the new view it offers of his intellectual development. More important, however, these selections demonstrate Shepard's grasp of a wide range of ideas related to the physical environment, including the various factors--historical, aesthetic, and psychological--that have shaped our attitudes toward the natural world and color the way we see it.

Trying to Get It Back: Indigenous Women, Education and Culture examines aspects of the lives of six women from three generations of two indigenous families. Their combined memories, experiences and aspirations cover the entire twentieth century. The first family, Pearl McKenzie, Pauline Coulthard and Charlene Tree are a mother, daughter and granddaughter of the Adnyamathanha people of the Flinders Range in South Australia. The second family consists of Bernie Sound, her neice Valerie Bourne and Valerie's daughter, Brandi McLeod -- Sechelt women from British Columbia, Canada. They talk to G.