We Are Afghan Women chronicles the lives of young and old, daughters and mothers, educated and those who are still learning. Their stories are a stark reminder that women's progress in society, business, and politics cannot be taken for granted. Many of these women face serious risks for speaking so openly, but they want the world to listen. Their words will change not only how we as Americans see Afghanistan but also how we understand the complex challenges still facing women and girls around the globe.

"Chronicles the lives of young and old, daughters and mothers, educated, and those who are still learning. These determined women are defying the odds to lead Afghanistan to a better future. Their stories are a stark reminder that in some corners of the world the struggle continues and that women's progress in society, business, and politics cannot be taken for granted"--Dust jacket flap.

“Inspiring stories that not only capture the suffering of Afghan women, but also show their tremendous courage and resilience and the contribution they are making to build a better future for Afghanistan” (Hillary Rodham Clinton). Told in their own voices, the moving, courageous, and personal stories in We Are Afghan Women vividly describe a country that is one of the most dangerous places to be a young girl or pregnant woman; a country undone by decades of war and now struggling to build a lasting peace; a country where women have defied the odds. Women like Dr. Sakena Yacobi, who ran underground schools for girls until the Taliban fell, after which she established schools across Afghanistan to teach women to read and to educate and prepare girls to become teachers, doctors, lawyers, business owners, and politicians, and Masooma Jafari, who started a national midwives association, after her own mother was forced into marriage when she was twelve years old and gave birth to her first child at thirteen. “An incredible portrait of the Afghan women working to create a better future for their communities and future generations. Their stories of strength and resilience can inspire us all to reach for a more equal and peaceful world” (Sheryl Sandberg, COO of Facebook and founder of LeanIn.Org) and remind us of the dangers of tactics that target women in order to limit their roles in society and in government. Fifteen thousand women are now enrolled in Afghanistan’s universities, but girls continue to face violence for pursuing an education. The realities of life in this part of the world, one of the most dangerous places to be a child or pregnant woman, are tough, but this unique book celebrates the lives of women who have defied the odds. Their eloquent words challenge all of us to answer: What does it truly mean to be a woman in the twenty-first century?

This groundbreaking collection traces the history of women's rights and roles in Afghanistan over the past 30 years; it examines the current human rights crisis, and suggests realistic solutions for post-war Afghanistan.

Through years of Taliban oppression, during the US-led invasion and the current insurgency, women in Afghanistan have played a hugely symbolic role. This book looks at how women have fought repression and challenged stereotypes, both within Afghanistan and in diasporas in Iran, Pakistan, the US and the UK. Looking at issues from violence under the Taliban and the impact of 9/11 to the role of NGOs and the growth in the opium economy, Rostami-Povey gets behind the media hype and presents a vibrant and diverse picture of these women's lives. The future of women's rights in Afghanistan, she argues, depends not only on overcoming local male domination, but also on challenging imperial domination and blurring the growing divide between the West and the Muslim world. Ultimately, these global dynamics may pose a greater threat to the freedom and autonomy of women in Afghanistan and throughout the world.

I Am the Beggar of the World presents an eye-opening collection of clandestine poems by Afghan women. Because my love's American, blisters blossom on my heart. Afghans revere poetry, particularly the high literary forms that derive from Persian or Arabic. But the poem above is a folk couplet—a landay, an ancient oral and anonymous form created by and for mostly illiterate people: the more than 20 million Pashtun women who span the border between Afghanistan and Pakistan. War, separation, homeland, love—these are the subjects of landays, which are brutal and spare, can be remixed like rap, and are powerful in that they make no attempts to be literary. From Facebook to drone strikes to the songs of the ancient caravans that first brought these poems to Afghanistan thousands of years ago, landays reflect contemporary Pashtun life and the impact of three decades of war. With the U.S. withdrawal in 2014 looming, these are the voices of protest most at risk of being lost when the Americans leave. After learning the story of a teenage girl who was forbidden to write poems and set herself on fire in protest, the poet Eliza Griswold and the photographer Seamus Murphy journeyed to Afghanistan to learn about these women and to collect their landays. The poems gathered in I Am the Beggar of the World express a collective rage, a lament, a filthy joke, a love of homeland, an aching longing, a call to arms, all of which belie any facile image of a Pashtun woman as nothing but a mute ghost beneath a blue burqa.

With All Our Strength is the inside story of this women-led underground organization and their fight for the rights of Afghan women. Anne Brodsky, the first writer given in-depth access to visit and interview their members and operations in Afghanistan and Pakistan, shines light on the gruesome, often tragic, lives of Afghan women under some of the most brutal sexist oppression in the world.