How Boston radio station WBCN became the hub of the rock-and-roll, antiwar, psychedelic solar system. While San Francisco was celebrating a psychedelic Summer of Love in 1967, Boston stayed buttoned up and battened down. But that changed the following year, when a Harvard Law School graduate student named Ray Riepen founded a radio station that played music that young people, including the hundreds of thousands at Boston-area colleges, actually wanted to hear. WBCN-FM featured album cuts by such artists as the Mothers of Invention, Aretha Franklin, and Cream, played by announcers who felt free to express their opinions on subjects that ranged from recreational drugs to the war in Vietnam. In this engaging and generously illustrated chronicle, Peabody Award–winning journalist and one-time WBCN announcer Bill Lichtenstein tells the story of how a radio station became part of a revolution in youth culture. At WBCN, creativity and countercultural politics ruled: there were no set playlists; news segments anticipated the satire of The Daily Show; on-air interviewees ranged from John and Yoko to Noam Chomsky; a telephone “Listener Line” fielded questions on any subject, day and night. From 1968 to Watergate, Boston’s WBCN was the hub of the rock-and-roll, antiwar, psychedelic solar system. A cornucopia of images in color and black and white includes concert posters, news clippings, photographs of performers in action, and scenes of joyousness on Boston CommonInterwoven through the narrative are excerpts from interviews with WBCN pioneers, including Charles Laquidara, the “news dissector” Danny Schechter, Marsha Steinberg, and Mitchell Kertzman. Lichtenstein’s documentary WBCN and the American Revolution is available as a DVD sold separately.

The definitive story of the pioneering rock radio station that galvanized a city and a generation

News Dissector brings together Schechter's writings on human rights, politics, and the media over a span of four decades of activism and reporting.

How, long before the advent of computers and the internet, educators used technology to help students become media-literate, future-ready, and world-minded citizens. Today, educators, technology leaders, and policy makers promote the importance of “global,” “wired,” and “multimodal” learning; efforts to teach young people to become engaged global citizens and skilled users of media often go hand in hand. But the use of technology to bring students into closer contact with the outside world did not begin with the first computer in a classroom. In this book, Katie Day Good traces the roots of the digital era's “connected learning” and “global classrooms” to the first half of the twentieth century, when educators adopted a range of media and materials—including lantern slides, bulletin boards, radios, and film projectors—as what she terms “technologies of global citizenship.” Good describes how progressive reformers in the early twentieth century made a case for deploying diverse media technologies in the classroom to promote cosmopolitanism and civic-minded learning. To “bring the world to the child,” these reformers praised not only new mechanical media—including stereoscopes, photography, and educational films—but also humbler forms of media, created by teachers and children, including scrapbooks, peace pageants, and pen pal correspondence. The goal was a “mediated cosmopolitanism,” teaching children to look outward onto a fast-changing world—and inward, at their own national greatness. Good argues that the public school system became a fraught site of global media reception, production, and exchange in American life, teaching children to engage with cultural differences while reinforcing hegemonic ideas about race, citizenship, and US-world relations.

A narrative history of the birth of rock 'n' roll in Detroit

Selections from FBI files on political activists including Betty Friedan, Abbie Hoffman, Martin Luther King, Aaron Swartz, and Malcolm X. The FBI has always kept tabs on political activists. During the directorship of J. Edgar Hoover, it was a Bureau-wide obsession. Did you see that guy who didn't quite look like a journalist, taking pictures at a demonstration? He was probably FBI. Did you say something mildly subversive in a radio interview? It went in your file. Did you attend a meeting of a left-leaning organization? The attendee who didn't contribute but took copious notes was possibly an informant. This third volume of selected FBI files liberated by MuckRock documents the FBI's pursuit of activists and dissenters ranging from Margaret Sanger to Malcolm X. Despite the absence of evidence, Hoover suspected Communist influence in every political protest. He grilled Martin Luther King, Jr., about Communist sympathizers in the civil rights movement (while offering reporters off-the-record hints about King's extramarital affairs). The Bureau investigated the supposed threat posed by Cesar Chavez and the United Farm Workers but not threats to them, even after the detonation of a bomb in their office. The Bureau persevered: files on Holocaust survivor Hedy Epstein cover six decades, from unfounded rumors of Communist connections to her participation in a Black Lives Matter demonstration. Recently, we hoped against hope that a former FBI director would save us from our current political predicament. These documents remind us of the FBI's troubling history. The Activists Roger Nash Baldwin, Cesar Chavez, Hedy Epstein, Elizabeth Gurley Flynn, Betty Friedan, Thelma Glass, Fred Hampton, Abbie Hoffman, Martin Luther King, Jr., Harvey Milk, Bayard Rustin, Margaret Sanger, Aaron Swartz, John Trudell, Malcolm X, Howard Zinn